Julian Beck

Born 1925, New York, New York, US

Died 1985, New York, New York, US


College of the City, New York, US

1943 Yale University, New Heaven, CT, US

Solo shows


Now in Paradise, Supportico Lopez, Berlin, DE


Living Theatre. Labyrinths of the Imaginary, Castel Sant’ Elmo, Naples, IT


Julian Beck: Paintings & Drawings 1944 – 1957, UBU Gallery, New York, US


The Living Theatre at Cooper Union, Arthur A. Houghton Gallery, Cooper Union, New York, US


Collage in America, Zabriskie Gallery, New York US


Das Amerikanische Theater, Amerika Haus, Salzburg, Vienna, Graz, Bonn, AUT/DE


Off Broadway Exhibition, Brander Mathew’s Dramatic Museum, Columbia University, New York, US


Paintings – Julian Beck, Bernard-Ganymede Gallery, New York, US


Julian Beck, Cherry Lane Theater, New York, US


(Stage Designs), Cherry Lane Theater, New York, US

Group shows


Edith Schloss: Still Life, Myths and Mountains, a Retrospective, Sundaram Tagore Gallery, New York, US


Go and come back, with Julian Beck, Marco Bruzzone, Henri Chopin, J. Parker Valentine, Supportico Lopez at Paradise Garage, Los Angeles, US

if I can’t dance to it, it’s not my revolution, Cantor Fitzgerald Gallery, Haverford College, PA, US


From Morn’ Till Midnight, Supportico Lopez, Berlin, DE


The Writer’s Brush, Anita Shapolsky Gallery, New York, New York, US


Carnegie Institute, Pittsburgh, US


City Center Art Gallery, New York, US


Tempo Gallery, US

Stage Designs by Painters, Tibor de Nagy Gallery, New York, US


Bernard-Ganymede Gallery, New York, US

Recent Drawings, U.S.A, Museum of Modern Art, New York, US


New Talent, Laurel Gallery, US


Annual Pre-Season, Contemporary Arts, US

New Talent, Laurel Gallery, US


Autumn Salon, Art of This Century – Peggy Guggenheim Gallery, New York, US

Bibliography (selection)

2008 Diari, una selezione degli scritti autobiografici 1948-1957, (Pasian di Prato: Companatto Editore)

2001 Art review of Julian Beck’s exhibition at UBU Gallery, New York, by Grace Glueck, The New York Times, published on 1 June 2001

1958 Julian Beck, 60, is dead; Founded Living Theater, Samuel G. Freedman, New York Times, published on September 17, 1985

1968 The Living Theater looks back before resuming its avant­garde ways, by Gerald Fraser, The New York Times, published on 12 October

1958 Dreams for a Sick Theater, Julian Beck, “Art News”, pp. 44-55 New York, USA,

1955 Julian Beck as Painter, Andrew Nadelson, “Arts Magazine”, Vol. 61., No. 3, p.33, New York, USA

Exhibition Catalogues

2003 Living Theatre. Labyrinths of the Imaginary, (Naples: Fondazione Morra)

2001 Julian Beck: Paintings & Drawings, 1944–1958, (New York: UBU Gallery)

1955 Paintings – Julian Beck, Paul Goodman, (New York: Bernard-Ganymede Gallery)

Filmography (selection)

1986 Poltergeist II : The Other Side, Brian Gibson

1985 Miami Vice (TV series), Anthony Yerkovich

1984 The Cotton Club, Francis Ford Coppola

1967 Oedipus Rex, Pier Paolo Pasolini


Charlie Billingham

Born 1984, London, UK

Lives and works in London, UK


2013 Post Graduate Diploma, Royal Academy Schools, London, UK

 MA Fine Art and History of Art, Edinburgh College of Art, and the University of Edinburgh, Scotland

Awards, Grants, Scholarships

2013  Land Security Studio Prize

Selected solo exhibitions


Brand New Gallery, Milan, IT

Tender 2 The Sunshine Room, OHWOW, Los Angeles, CA


Tender, Ceri Hand Gallery, London, UK
Coming Out, Royal Academy, London, UK

Coming Out, Royal Academy, London, UK


Hunting Dogs, Hunting Cats, Marcelle Joseph Projects, Surrey, UK

Selected group exhibitions


The word today serves no one except to say to the grocer give me a pound of lentils, Supportico Lopez, Berlin, DE

Free Time, Curated by Jasmine Picot-Chapman and Leopold Thun, EMALIN, Zouz, CH

Bloody English, Curated by Ariella Wolens, OHWOW, Los Angeles, CA


New Order: British Art Today, Saatchi Gallery, London, UK

Open Heart Surgery, The Moving Museum, London, UK

Febreeze, Kinman, London, UK

Clay Pipe, Galerie HFBK, Hamburg, DE


Another Room, ROOM Artspace, London, UK

New End Art Foundation: Exhibit, New End Gallery, London, UK

Premium Interim Projects, Royal Academy, London, UK


Cini Foundation, Venice, Italy

Saatchi Collection, London, UK

Ramin Salsali Private Museum, Dubai, UAE

Franks-Suss Collection, London and Hong Kong

HSBC Collection, London, UK


Steve Bishop

Born 1983, Toronto, CA

Lives and works in London, UK


2003-2006 BA in Fine Art, Kingston University, Kingston, UK

2006-2008 MA, Royal College of Art, London, UK

Selected Solo Shows


Standard Ballad, Carols/Ishikawa, London, UK


Dans l’attente d’autre chose (meanwhile, this is it), Aimable, Paris, FR

In the wake, with Philomene Pirecki, Truths and Consequences, Geneva, CH, curated by Julia Marchand

It’s Easier To Love Your Song Than It Is To Love You, Supportico Lopez, Berlin, DE

An Escalator Can Never Break, It Can Only Become Stairs, Carlos/Ishikawa, London, UK
Frame, Frieze Art Fair, New York, US

Buildings are Heavy, Supplement, London, UK
On Your Own Again, Artists Unlimited, Bielefeld, DE
A Working Title, Koal, Berlin, DE

The Myth of Fingerprints, Koal, Berlin, DE

Sheer Fatigue, Christopher Crescent, London, UK
><><, Gallery Vela, London, UK

Instant Distance / Distant Instance, Outpost, Norwich, UK
Some Thing to Believe in, Pianissimo, Milan, IT

Simply Read, Supplement, London, UK

Selected Group & Two-Person


Enigma, Minibar, Stockholm, SE
Fight (with Renaud Jerez), Center, Berlin, DE
Pre-Pop to Post-Human (curated by Isobel Harbison), Hayward Touring, UK

From Morn Till Midnight, Supportico Lopez, Berlin, DE
To Clear The Bush Of Your Garden (with Richard Sides), David Dale Gallery, Glasgow, UK
Febreze, Kinman, London, UK
Every bird brings a different melody to the garden (curated by Amy Botfield and Rob Dowling), No Format, London, UK

Remainder (curated by Alex Ross), Hilary Crisp, London, UK
Technicolour Yawn (curated by Nadim Samman), Import Projects, Berlin & Karst Projects, Plymouth
Changing States of Matter, Brand New Gallery, Milan, IT
Painting Without Paint, David Risley Gallery, Copenhagen, DK
The Mind and the Mood (curated by Samuel Gross), Koal, Berlin, DE
The Cuckoo’s Underbelly (curated by David Risley), Bendixen, Copenhagen, DK

Performance Anxiety (curated by Nicolas Djandji), Stadium, New York, US
Young London, V22, London, UK
Steve Bishop & Dan Shaw-Town, Christopher Crescent, London, UK
Common Room (curated by Christopher Crescent), Pianissimo, Milan, IT
Stuart Bailes, Steve Bishop, Jost Münster, Margini Arte Contemporanea, Massa, IT
Studio Artists Group Show, Woodmill, London, UK

Library of Babel / In and Out of Place, Zabludowicz Collection, London, UK
Converse / Dazed Emerging Artists Award 2010, Stephen Friedman, London, UK
Newspeak: British Art Now Part II, The Saatchi Gallery, London, UK
New Panorama, Pianissimo, Milan, IT
Grammar See (curated by Jessica Watts), Rod Barton, London, UK
There is no solution because there is no problem, Art Sheffield Fringe, Sheffield, UK
The Devil’s Necktie, Woodmill, London, UK

Ventriloquist, Timothy Taylor, London, UK
Removed from the Eyes of Strangers, Galeri Andersson / Sandstrøm, Umeä, SE
Grey Matter, Talbot Rice Gallery, Edinburgh, UK

Bloomberg New Contemporaries 2008, A-Foundation, Liverpool, Rochelle School, London, UK
V22 Presents: The Wharf Road Project (with Supplement), London, UK
The Culture Clash, Working Rooms, London, UK

Bloomberg New Contemporaries 2007, New Art Gallery, Walsall, Cornerhouse, Manchester, Rochelle School, London, UK

Publication projects

2013 You Don’t Miss Your Water ‘Till Your Well Runs Dry, 6 page project for Misery

Connoisseur Issue #2
2013 Focus II, publication produced with Fondazione MACC, Sardinia
2009 – 2013 Published the biannual paper Mono

Awards / Misc

2013 Residency – Fondazione MACC, Sardinia
2012 Residency - Artists Unlimited, Bielefeld
2011 Funding for Mono publishing project - The Elephant Trust
2011 Travel grant - Reuben Mackintosh
2010 Converse/Dazed Emerging Artist Award – exhibiting finalist
2007 Research & travel grant – Villiers David Trust

Selected Bibliography

Artforum, Gilda Williams, “An Escalator Can Never Break”, Apr, p.269-70 (review)
Kaleidoscope, Karen Archey, “Post Materiality”, Summer Issue #18, p. 36 & 41
Modern Painters, Rob Sharp, “An Escalator Can Never Break”, May, p.105 (review)
Art Monthly, Chris Fite-Wassilak “London Round-up”, Apr, p.33 (review)
A Modern Matter, Alex Bennett, Interview ( Part I & Part II
The Nomadic Studio, Michael Heilgemeir, Edition Taube, Stuutgart (pub.)


Mousse, Laura McLean-Ferris, “The Air Medium”, #36 Dec/Jan, p. 148-151 (interview)
Art Review, Oliver Basciano, “Off-Space Travels – No.4: Supplement, London”, Mar, p. 40-41
Frieze, Martin Herbert, “Steve Bishop & Dan Shaw-Town”, Issue 114, Jan/Feb 2012, p.136 (review)

Art Review, Oliver Basciano, “Steve Bishop & Dan Shaw-Town”, Oct, p. 106 (preview), Orit Gat, Artist Profile, Nov (
Modern Painters, Coline Millard, “Why Young London Works”, Oct, p.86 (review)
Despite Moments of Clarity There is No ‘Ism’ in This Book: 100 New Artists, edited by Francesca Gavin, Laurence King, London (pub.)

Library of Babel, Zabludowicz Art Projects, London (cat.)
Newspeak: British Art Now, Booth-Clibborn Editions, London (cat.)
Dazed Digital, William Oliver, “Converse Shortlist: Steve Bishop”, (

Made in Wonderland, Thom O‘Nions, “It used to go like that, and now it goes like this”, Copenhagen, #10, Sep, p.128-130 (interview)

Art Monthly, Pryle Behrman, “Liverpool Biennial: New Contemporaries”, #321, Nov, p.29 (review)

Art Monthly, David Barrett, “New Contemporaries 2007″, Oct, #310, (review)



Henri Chopin

Henri Chopin (Paris, 18 June 1922 – Norfolk, 3 January 2008) was an avant-garde artist, poet and musician; is widely considered to be a pioneer in the recognition and distribution of sound-poetry.
Henri Chopin was a little-known but key figure of the French avant-garde during the second half of the 20th century. Known primarily as a concrete and sound poet, he created a large body of pioneering recordings using early tape recorders, studio technologies and the sounds of the manipulated human voice. His emphasis on sound is a reminder that language stems as much from oral traditions as from classic literature, of the relationship of balance between order and chaos.
Deported to Germany in 1943, he spent periods in prison and in hiding before being repatriated, and subsequently enlisted as a solider.Chopin rebelled against the Nazi occupation during the Second World War and left France where he returned in 1946 until 1968, after which he moved and settled in London.
During the 1950s Chopin started to work with sound on his first portable tape recorder, soon loosing interest in the simple human voice and replacing it with more primitive human sounds, working on their manipulation by experimenting with current technologies. Chopin’s interest focused on all possible variations of the human voice, seen as an action and “language” of the body. He discovered that the inside of a human being carries with it a form of primordial poetry that he decided to express in the form of ‘concrete poetry’. Chopin was also a painter, graphic artist and designer, typographer, independent publisher, film-maker, broadcaster and arts promoter.
Chopin is significant above all for his diverse spread of creative achievement, as well as for his position as a focal point of contact for the international arts. As poet, painter, graphic artist and designer, typographer, independent publisher, film-maker, broadcaster and arts promoter, Chopin’s work is a barometer of the shifts in European media between the 1950s and the 1970s.
His publication and design of the classic audio-visual magazines Cinquième Saison and OU between 1958 and 1974, each issue containing recordings as well as texts, images, screenprints and multiples, brought together international contemporary writers and artists such as members of Lettrisme and Fluxus, Jiri Kolar, Ian Hamilton Finlay, Tom Philips, Brion Gysin, William S. Burroughs and many others, as well as bringing the work of survivors from earlier generations such as Raoul Hausmann and Marcel Janco to a fresh audience.
Chopin spent a lot of time in Naples from the beginning of the 1980s due to his collaborative projects with Peppe Morra, founder of Fondazione Morra, one of the most renowned spaces for contemporary art active within the city. Morra and Chopin worked closely together up until the final years of the French artist’s life. During this time they produced numerous publications, a large number of which were based on his stunning production of “typewriter poems”. Chopin found a new possibility for poetry both within sound and the written form; with a formal approach he constructed a new alphabetical narration that actually had no responsibility for communication.

His personal production — consisting of typewriter-poems and sound performances — is an inspired attempt to open the medium of poetry into a form described by Chopin as ‘a poetry of spaces’: demonstrating ‘the sensory superiority of sound as opposed to normal speech, and [...] free man from the straightjacket of words and letters and from his obedience to didactics.’

Born 1922, Paris, FR

Died 2008, Dereham, UK

Solo shows


Henri Chopin feat. by Supportico Lopez, RaebervonStenglin, Zürich, CH


Henri Chopin – Dans L’Essex, Firstsite, Colchester, UK


Henri Chopin, Gratte Ciel Hors Commerce, New Jerseyy, Basel, CH

L’Énergie Du Sommeil, 1M3, Lausanne, CH

La Crevette Amoureuse, Supportico Lopez, Berlin, DE


Revue OU – Cinquième Saison: An Anthology of Sound Poetry, Argos, Brussels, BE

OU OU OU: Henri Chopin and Revue OU, Summerhall, Edinburgh, UK


Henri Chopin and the OU Magazine, Fundação de Serralves Porto, PO

Neonlicht#1  – Henri Chopin in het archief Paul De Vree, M HKA, Antwerp, BE


In Neapel, Supportico Lopez Gallery, Berlin, DE


Henri Chopin, Three Minutes, Cubitt Gallery, London, UK


LES FILTRES DE L’ ALPHABET ET DE L’, Fondazione Morra, Naples, IT


Henri Chopin, Sonic Memory, Norwich Gallery, Norwich, UK


Henri Chopin:Revue OU, Collection OU, Neues Museum Weserburg, Bremen, DE


Poesia Sonora, Studio Santandrea, Milan, IT


Henri Chopin: Ideas Gallery, Whitechapel Art Gallery, London, UK


Ceolfrith 18: Henri Chopin, Ceolfrith Arts Centre, Sunderland, UK

Group shows


Go and come back, with Julian Beck, Marco Bruzzone, Henri Chopin, J. Parker Valentine, Supportico Lopez at Paradise Garage, Los Angeles, US

Der Leone Have Sept Cabeças, Crac Alsace, Altkirch, FR

… all silent but for the buzzing …, Royal College of Art Galleries, London, UK


Revue Ou, Poesie Sonore, Poesie Ouverte, Poesie Konkret 1964-1974, Oslo 10, Münchenstein, CH

Homes & Gardens, Freedman Fitzpatrick, Los Angeles, US

Poetry & Performance, with Ida Applebroog and Gina Pane, Richard Saltoun, London, UK

Anton Voyls Fortgang /A Void, with Guy De Cointet and Channa Horwitz, Kunstsaele Berlin, Berlin, DE

Vocal Folds, Gertrude Contemporary, Melbourne, OZ

Die dritte Dimension, with Natalie Häusler, Giulio Delvé, Maria Adele Del Vecchio, Supportico Lopez at Frutta Gallery, Rome, IT

Anton Voyls Fortgang /A Void, with Guy De Cointet and Channa Horwitz, Kunsthalle Düsseldorf, Düsseldorf, DE


It’s When It’s Gone That You Really Notice It, Simone Subal Gallery, New York, US
Face to Face, Deakin University, Melbourne, OZ

Ecstatic Alphabet/Heaps of Language, MOMA, New York, US


NOVEL, Group Exhibition, Dépendance, Brussel, BE


Poor. Old. Tired. Horse. ICA, London, UK


Henri Chopin, Julien Blaine, Francois Dufrene and HW Muller, concert at Musée d’art Modern de Ville de Paris, FR



De la Démocratie / Of Democracy, Henri Chopin (Berlin: Motto Books & Supportico Lopez). Edition of 1000. ISBN: 978-2-940524-21-1. ©1984 Henri Chopin Enluminure  Fondazione Morra, Naples


Henri Chopin, Supportico Lopez, Astrid Mania, Artforum, September 2013, p. 425

Henri Chopins menschliche Fabrik, Luca Cerriza, in Anton Voyls Fortgang /A Void, Henri Chopin, Guy De Cointet and Channa Horwitz, (Leipzig: Spector Books), pp.27-29

Henri Chopin’s “La Crevette Amoureuse”, Supportico Lopez Berlin, Vincenzo Latronico, Art Agenda, May 2013


Best of 2012, “Ecstatic Alphabets / Heaps of Language”, Museum of Modern Art, Tim Griffin, Artforum, December 2012, pp.238-241


Why I am the author of sound poetry and free poetry, Henri Chopin, Nero, No. 27, Autumn 2011, pp.59-66, (Rome: Nero)


Limitless Voice(s), Intensive Bodies: Henri Chopin’s Poetics of Expansion, Mosaic (Winnipeg), Vol 42, No. 2


Henri Chopin, Espace Fremissant, by Giannantonio Morghen (Milan: Associazione Renzo Cortina)


“Le Cahier du Refuge” 162, (Marseille: Centre International de Poesie)


Graphpoemesmechine, (Biella: Zero Gravita)


J’ose ! – defier, (Verona, Archivio F. Conz)


La Marche de la Mort, Avenat Pedant Apres


Panorama, (Geneva: Ed Ottezec)

Réalité sonorous


Hors-l’or (Appel à L’orage de L’oral), (caen: éd. Cahiers de nuit)


- & +, (montingy/france: éditions voix Richard)


Henri Chopin and Paul Zumthor, Les Riches Heures de l’Alphabet. Paris: Edition Traversière


Squelette du verbe et alentour


Henri Chopin, (Paris: Galerie Brigitte Schéhadé)


Ray to the Rays, (Verona: edition Francesco Conz)


La Conference de Yalta, 1985 (Napoli: Ed Morra)


The Last Book of the Rich Alphabetical Hours of the Chopins, 1984, (Glasgow: Third Eye Centre)


The Limitations of Letterisme: An Interview with Henri Chopin, Nicholas Zurbrugg, Visible Language, Issue 17.3, July 1983


16 Typewriter Poems, (Köln: Edition Hundertmark)


Portfolio Chopin, (Geneva: Editions Ottezec) With Cozette De Charmoy and William S. Burroughs


The Cosmographical Lobster: A Poetical Novel, 1976, (London: Gaberbocchus)


Portrait des 9 (Marche Commun), (Antwerp)

Signs, (London: Ruby Edition)


Three Artists, Six Images, Robert Altmann, Henri Chopin with John Furnival and Tom Phillips


Peche de Nuit, 1970, notes for 45rpm record in Le Dernier Roman du Monde. Wetteren: Editions Cyanuur. (Orig. 1957)


Uncorrect poem for Henri Chopin, Openings Press


Why I am the Author of Sound Poetry and Free Poetry


Chants de Nuit

L’arriviste, (Paris: Ed Caractères)


Regard Total

Signes. Poèmes, 1957 (Paris, Ed. Caractères)

Exhibition Catalogues


Anton Voyls Fortgang /A Void, Henri Chopin, Guy De Cointet and Channa Horwitz, (Leipzig: Spector Books)


Henri Chopin, eds./curators Nicholas Zurbrugg and Marlene Hall, Morningside, (Qld: Queensland College of Art Gallery)


Henri Chopin: Ideas gallery. Graphics, objects and other poems. (London: Whitechapel Art Gallery)


Ceolfrith 18, 1972 (Sunderland: Ceolfrith Press)


Festival de Fort Boyard, (Paris: Musee d’art Modern) in: Revue OU 30/31 program folder to concert


Publ. 1994 Staccati en glissando: pour une voix humane (radiophonic music), undated, Delta/The Listening Room

Henri Chopin, les 9 saintes-phonies: a retrospective (Amsterdam: Staalplaat STCD 070/Korm Plastics KP 4694, 1994). Compilation curated by John Hudak, and contains an interview of Chopin done by Hudak in 1990, as well as essays about Chopin by Hugh Davies, Sten Hanson, Larry Wendt, and Nicholas Zurbrugg.

1979            Les Chuitantes Respirant

1974             Throat Power

1973             You Vetigo Vertige

1972              Poésie Sonore, S Press

1971              Audiopoems, Tangent Records, UK


Danilo Correale

Born 1982, Naples, IT

Lives and works in New York, US



MA in Visual Art and Curatorial Studies, NABA Nuova Accademia di Belle Arti, Milano, IT


BA in Sculpture, Academy of Fine Arts, Napoli, IT

Master Special Effect, Videocentro Accademia di Belle Arti, Terni, IT

Awards, Grants, Scholarships

SOMA fellowship, Mexico City, MX

Triangle Network / Art Council England, UK

Movin Up, IT

Furla Foundation for the production of “ We are making history”, IT

Manifesta8, CPS for Manifesta 8, IT

Madre Museum Napoli, for Transit2, collaboration with PIST and iKSV (11th Istanbul Biennal), IT

Manifesta8 – Madre Museum – Istituto IGAV – PIST (Istanbul Biennal), IT

“Visual Art and Curatorial Studies”, NABA, Milano, IT

Solo shows


The Missing Hour: Rhythms and Algorithms, Raucci Santamaria Gallery, Naples, IT


Solo show at residency Ville de Lille, La Malterie, Lille, FR


The Game, a football match with 3 goals, 8 December 2013 at ‘Gino Manni’ stadium, Colle di Val d’Elsa, Siena, IT – supported by Fondazione Ermanno Casoli, IT


The Warp And The Weft, Peep Hole, Milano, IT

We Have A Business Proposal, Raucci/Santamaria, Naples, IT


Pareto Optimality, Supportico Lopez, Berlin
We are making history, Entrèe Gallery, Bergen, NO


Mosh pit control, Raucci/ Santamaria, Naples, IT


How much art can you take? Chan, Genoa, IT


Goodbye My Darling, by Marco Scotini, galleria Franco Riccardo Artivisive, Naples, IT

Group shows


Glitch – Interference between art and cinema, Pac -Padiglione d’Arte Contemporanea, Milan, IT

Dois Pra Là, dois pra cà, Galeria Metropolitana, Santiago, CL, curated by Renan Araujo

Generator Projects, Dundee, UK


Liquid Assets, cur. by Luigi Fassi and Katerina Gregos, Leinz, AU

5th Moscow International Biennale parallel event, cur. by Andrey Parshikov, Moscow, RU

Performa 13,  cur. by Randi Grov Berger, New York, USA


International Fellowship, VIII Festival de Performance de Cali – Helena Producciones, Colombia “Record”, cur. by GUM studio, Fondazione Bevilacqua La Masa, Venezia, IT

The House of Cards, cur. by Viktor Naumann, GreyNoise, Dubai, UAE

I Vespri – 24hrs civic Forum, cur. by M. Scotini, Galleria la Veronica, Modica, I 3rd Moscow International Biennale for Young Art, MMOMA, Moscow, RU

Sotto la strada la spiaggia, Fondazione Sandretto Re Rebaudengo, Torino, IT

Take The Leap – Peep-Hole Annual Benefit – Peep Hole, Milano, IT

Microsculpture Biennial, curated by Karl Heinz, Kunstverein Bully, Kleinkems, Freibourg, D

Enacting Populism, curated by Matteo Lucchetti, Kadist Art Foundation, Paris, FR


Versus, cur. by Francesca Referza, Velan Center for contemporary art, Turin, IT

Prague Biennale – Se vuoi che la storia Continui, Video Section, Prague, CZ

Bedtime Stories, Supportico Lopez, Berlin, DE

Enacting Populism, cur. by M. Lucchetti, Residence Air Antwerpen, Extra City, Antwerpen, BE

Premio Rothschild, Royal Palace, Milan, IT

Posso errare, ma non di core: passato prossimo e futuro anteriore dell’Italia, Galleria Comunale d’arte contemporanea di Monfalcone, Monfalcone, IT


Manifesta 8: The European Biennal of Contemporary Art cur by CPS – Chamber of Public Secrets (K.Ramadan and A. Cramerotti) Prisión de San Antón, Murcia, ES

Politique Zéro Espace Niemayer, Paris
Harald Szeemann cur. by S. Zuliani, Chiesa dell’Addolorata, Salerno, IT

My favourite things, cur. by Sottobosco, Galleria Contemporanea di Mestre, Mestre, IT

Eco e Narciso, cur. by R. De Marchi and E. Volpato, Eco Museo Feltrificio Crumiere,
Villar Pollice, Torino, IT

Video Report Italia, cur. by A. Bruciati, Galleria Comunale d’arte contemporaneo di Monfalcone, Monfalcone, IT

Voyages d’Italies Magasin – Centre National d’Art Contemporain de Grenoble, Grenoble, FR

Mostra degli allievi del XVI Corso Superiore di Arti Visive della Fondazione Antonio Ratti, IT

Visiting Professor Hans Haacke, cur by A. Daneri and C. Piatroiusti, Via Farini, Milan, IT

Practicing Memory in a time of an all- encompassing present, cur. by M. Lucchetti, Pistoletto Foundation, Biella, IT


Antipop, curated by Gigiotto Del Vecchio, Galleria Alessandro De March, Mila, IT

Transit, curated by Pelin Uran, E. Viola, A. Rispoli, ///PIST, Collateral Event of the XI
Istanbul Biennal, Istanbul
, TR

Transit 2, Project The Istanbul Symphony (with Osman Bozkurt & Didem Ozbek), curated by E. Viola, A. Rispoli, Pelin Uran, Museo MADRE, Naples, IT

Altri Discorsi, a cura di Valentina Angeleri e Matteo Lucchetti, Careof DOCVA, Fabbrica del Vapore, Milan, IT

Emerging Talents, selected by Luca Cerizza, Fondazione Strozzina, Florence
Fondazione Spinola Banna per l’Arte, FSBA Poirino (Turin)
12×12, Pan Palazzo delle arti di Napoli, Naples, IT

Premio Cairo 09, selected by Julia Draganovic, Museo Della Permanente, Milan
Emergency room, curated by Thierry Geoffroy, PAN Palazzo delle arti di Napoli, Naples, IT

Backpackers, curated by Marco Scotini e Berth Theis, Borgovico 33, Como, IT


Classroom #1, curated by Salvatore Lacagnina, Museo MADRE, Naples, IT

Interno italiano, curated by Francesco Jodice, Galassia Arte, Milan, IT

Be hero become ordinary, curated by Marco Scotini, Naba, Milan, IT

The Practice of Memory, Centro Italiano di Cultura, New York, US

Interferenze, curated by Paola De Gregorio, Ex carcere borbonico, Avellino, IT

Workshop / Residencies


SOMA, artist in residence, Mexico City, MX


Fondazione Spinola Banna, spring residence guest teacher Peter Friedl, IT


New Museum, Night School Program, Seminarium with Raqs Media Collective, New York, US


ICP, Symposium, What is Real, Symposium ICP, Education Department, New York
New, US Museum, Night School Programm, Seminarium with Walid Raad & Jalal Toufic,
New York, US Classroom #1, workshop curated by Salvatore Lacagnina, Gigiotto Del Vecchio, Stefania Palumbo, with the collaboration of Francesca Boenzi, Museo MADRE, Naples
Workshop, Vasif, IT

Workshop with Carlos Garaicoa, Isolartcenter, Milan
Manufatto InSitu 2008, Residence Programm, guest Artist Mario Airò, Parco dell’Arte Cancelli, Foligno, IT


Stop Motion & Puppet animation workshop, Jurgen Kling Studio, Gelnhausen, DE


THE GAME, Danilo Correale, XIV Edition Ermanno Casoli Prize, 2014, Jesi, IT


Michael Dean

Born 1977, Newcastle Upon Tyne, UK

Lives and works in London, UK



Winner of ‘The Paul Hamlyn Foundation Award’ for Visual Arts

Selected Publications


Uo, Michael Dean, Berlin, Motto Books & Supportico Lopez,  Edition of 500 (ISBN: 978-2-940524-22-8)


Dialogue, Leeds, Henry Moore Institute


Act of grass, London, Serpentine Gallery (ISBN 978-1-905190-45-4)

An Introduction to the Principles of Symmetrical Intimacy, Kunstverein Freiburg (ISBN 978-3-9811268-2-2)

N, Hedron Edition


The Array of Rain, Leeds, Henry Moore Institute (ISBN 978-1-905462-31-5)


November to November, Hedron Edition

Mirrors and Mirrors, (With Francesco Pedraglio) London, FormContent (ISBN 978-0-9559029-0-1)


Mountains and triangles, Newcastle Upon Tyne, Forma (ISBN 0-9548288-3-6)


Untitled, Zurich, Hedron Edition

Selected Solo Exhibitions and Projects


Qualities of Violence, De Appel, Amsterdam, NL

(Untitled), Extra City, Kunsthal Antwerp (upcoming in March)


Ha Ha Ha Ha Ha Ha, Ludwig Forum für Internationale Kunst, Aachen, DE, November – January 2015

Dans l’attente d’autre chose (meanwhile, this is it), Aimable, Paris, FR

Uo, with Henri Chopin, Focus – Art Basel, Basel, under the auspices of Supportico Lopez, R12

Sharing Space, with Fred Sandback, David Zwirner, London


The Introduction of Muscle, Arnolfini, Bristol 

nnnhnnh nnh nnhnnnhu nnhnhn, Pied-à-terre, San Francisco, USA, May-June

(Untitled), Mendes Wood, Sao Paolo, Brazil, August-September

Hah Ahahahahaha ha Hahaha, Herald Street, London, UK


Thoughts, curated by Jamie Stevens Cubitt, London, UK

architecture of a mothers arms, Supportico Lopez, Berlin, DE

Government, Henry Moore Institute, Leeds, UK


State of being in space, Kunstverein Freiburg, DE

Acts of Grass, Serpentine Gallery, London, UK (Pavilion)

Food, About Painting, ABC, Berlin, DE

Our Daily Permanence, MAK. Austrian Museum of Applied Art, Wien, A (Fruit Flowers and Clouds)

The Colour of Public, KIM? Centre for Contemporary Art, Riga, LV

Cope, Herald Street, London, UK


Our Daily Permanence, Nomas Foundation, Rome, IT

The Look of Touch, Lorcan O’neil, Rome, IT

Face, Supportico Lopez, Berlin, DE

Symmetry of Intimacy, Laing Art Gallery, Newcastle Upon Tyne, UK

The Floor is the Object, INDEPENDENT, New York, US

Tolerance, Scaramouche, New York, US


Dialogue, FRAME/Frieze, under the auspices of Supportico Lopez, London, UK

Near to no attention to fears and without anything between the opposite of tears, works|projects, Bristol, UK


Her body in the same place as my body, Alessandro De March, Milan, IT

You cant reflect in the distance and you dont reflect distances towards you closing, curated by Gigiotto Del Vecchio, Feurig59, Berlin, DE


All the trees bend this way, Guestroom, London, UK

Selected Group Exhibitions and Projects


The Registry of Promise: The Promise of Literature, Soothsaying and Speaking in Tongues, De Kabinetten van de Vleeshal, Middelburg, NL


The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, DE

Mirror City, Hayward Gallery London, London, UK – Curated by Stephanie Rosenthal

Itself Not So, Lisa Cooley, New York – Curated by Rachel Valinsky

Essential Loneliness, Taylor Macklin, Zürich – Curated by Nikola Dietrich

The Mystic Gardener, Bonnefanten Hedge House, Maastricht – Curated by Paula van den Bosch (In collaboration with Maurice van Valen)

Till the stars turn cold, S1, Sheffield – Curated by Laura McLean-Ferris & Kyla McDonald

Le musée d’une nuit (script for leaving traces), Propos d’Europe 13, Fondation Hippocrène, Paris, France – Curated by Vincent Honore (Director, DRAF)

Hey, I´m Mr Poetic, Wysing Arts centre, Cambridge – Curated by Kathy Noble

Manners of Matter, Salzburger Kunstverein, Salzburg – Curated by Chris Sharp

A Thousand Doors, Gennadius Library, Athens Curated by Iwona Blazwick OBE

Everything is About to Happen (An ongoing archive of artists’ books), Corvi-Mora and Grengrassi, London – Curated by Gregorio Magnani

Annals of the Twenty-Ninth Century, Wysing Arts Centre, Cambridge, curated by Gareth Bell-Jones

To continue. Notes towards A Sculpture Cycle, Nomas Foundation, Rome – Curated by C. Canziani and I Gianni

Bard girls can fly, White Flag Projects, St. Lois – Curated by Matthew Strauss

Mediating Landscape, Sala Murat, Bari – Curated by flip Projects


taktilitet, Nils Stærk, Copenhagen – Curated by Nikolaj Stobbe

A History of Inspiration, as part of Nouvelles Vagues (New Waves), Palais de Tokyo, Paris – Curated by Adnan Yildiz

Museod’Arte (MAN), Nuoro, IT


Pale Ontology, Marc Foxx, Los Angeles, US

A Readers of Materials and a Writer of Forms, curated by Lucy Macdonald, MOT International, Brussells, BE

From Stavanger with love, curated by Chris Sharp Galerie Opdahl, Stavanger, NO

Accidentally on purpose, Quad, Derby, UK

Soundworks, ICA, London, UK

The Language of the Flowers and the Stars, curated by Andy Holden and Fiona Parry, Cubitt, London, UK


Beyond the Fragile Geometry of Sculpture, curated by Lorenzo Benedetti De Vleeshal, Middelburg, NL

No colour in your cheeks unless the wind lashes your face, curated by Timothee Challiou, IOP, UK

Tow Figures in Dense Violet Night, (with Becky Beasley) LIDO, St Leonard-on Sea, UK

Mind Games, China Art Objects, Los Angeles, US

We Will Live, We Will See, curated by Pavel S. Pyś, Zabludowicz Collection, London, UK

A Fire in the Masters House in Set, curated by Jan Hoet Chapter, Cardiff.

Hieros Glyphos, curated by Jan Hoet, Galerie Micheline Szwajcer Antwerp, BE

Friendship of the peoples, Simon Oldfield Gallery, London, UK

Bold Tendencies, London, UK

The Responsive Subject, ICA, London, UK

Young London, V22, London, UK

The Dying Artist, ICA, organised by Ed Atkins and Siôn Parkinson, London, UK

Part Of The Process 4, Zero, Milan, IT

Nothing Personal, Marcelle Alix, Paris, FR


V. Ancient & Modern, with Andrew Lord, London, UK

The Daily Exhaustion: An Exhibition of Artist Publications, curated by Anouk Kruithof, The Future, Berlin, DE

Syndrome, curated by Francesco Pedraglio, Le Magasin, Grenoble, FR

Volume One: Prop, Events and Encounters. Theatricaility in Contemporary Sculpture , curated by Fiona Boundy, supported by the British Council, The HUB, Athens,GR

Undone: Making and Unmaking in Contemporary Sculpture, curated by Stephen Feeke and Sophie Raikes, Henry Moore Institute, Leeds, UK

The Concrete Show, Galleria Franco Noero, Turin, IT

Chasm, curated by Oliver Martìnez Kandt, The dictionary of received ideas, London, UK

Our Blindsides, with Beckey Beasley, Laura Bartlett Gallery, London, UK

V, Ancient &amp, with Andrew Lord Modern, London, UK

Fade Into You, curated by Nicky Verber, Herald Street Gallery, London, UK

Sculpture also Dies (Les Sculture Meurent Aussi), curated by Lorenzo Benedetti, Kunsthalle Mulhouse, FR


On Paper, curated by Thomas Fischer, Wendt and Friedmann Galerie, Berlin, DE

Punctuation Marks: text and language in modern British sculpture, curated by Sophie Raikes, Leeds City Art Gallery, Leeds, UK

Fallen, curated by Maurice van Valen, Jan Mol, London, UK

The Young People Visiting Our Ruins See Nothing but a Style, curated by Form Content, GAM Turin, IT

A Corpes & a Textes, curated by Francesco Pedraglio, La Galerie Noisie Le Sec, Paris, FR

Sculpture Show, curated by Ruth Claxton and Gavin Wade, Eastside Projects, Birmingham, UK

Black Sun, curated by Thomas Fischer, Souterrain, Berlin, DE


35 Books from London, Salon fur Kunstbuch, Wien, A

Rehearsal Room, FromContent, London, UK

Wednesday (Intervention Decoration), curated by Tabitha Clayson and Simon Morrissey, Foreground Projects, Frome

Italia Italie Italien Italy Wlochy, curated by G. Del Vecchio, A. Rabottini, E.L.Scipioni, A. Viliani, ARCOS Museum of Contemporary Art, Benevento, IT

The Mythology Of Everyday Matters, curated by Francesco Pedraglio, Bilton, Centre for Contemporary Art, Red Deer

Your Ramp My Slide, FormContent, London, UK


Yours, curated by Francesca Boenzi, T293, Naples, IT

This is the time (and this is the record of the time), curated by Carlo Fossati, Simone Menegoi, BLANK, Turin, IT


Picnic Area Dumb Interior, curated by Simon Morrissey, R O O M, Bristol, UK

The Social Ocean, Temporarycontemporary, London, UK

Selected Writing


Contemporary Sculpture: Writing and Interviews, ed. J. Kelly & J. Wood. Richter Verlag.

The Array of Rain. Modern British Sculpture, Royal Academy of Arts London. ISBN 978-1905711727

Selected early writing. The Responsive Subject, Mu.Zee. FormContent. ISBN 978-9081666527


Physique. Novel. ed. A. Rowlands and M. Williams. Issue 3

Put. Every revolution has its own method. Walk. The Mock and other superstitions. ed. F. Pedraglio. Issue 3


The Veils of Axaxaxas. Anecdotes as new theory. The Mock and other superstitions. ed. F. Pedraglio. Issue 2


The Machine Of The Machine Of Our Hands. Blackletter. The Mock and other superstitions. ed. F. Pedraglio. Issue 1

Notes. A Certain Realism. The Mock and other superstitions. ed. F. Pedraglio. Issue 0

Selected Readings


Selected Readings, Henry Moore Institute, Leeds

Face. Performance as Publishing, Kunsthalle Basel – Curated by Manuela Schlumpf


The Stone walls of yes and no (with Nadine Werner), Kunstverein Freiburg

The doors effect describe your reply, Zabludowicz Collection, London, UK

Selected Early Writing. The Responsive Subject, ICA, London, UK

N. A Dying Artist, ICA, London, UK

The Colour of Public, Kim? Centre for Contemporary Art. Riga, LV

Our Daily Permanence, MAK. Austrian Museum of Applied Art, Wien, A

Fruit and Vegetables. Marcelle Alix. Paris, FR


Our Daily Permanence. Nomas Foundation, Rome, IT

The Floor is the Object. The Hub, Athens, GR

Your face when I look at you. (Notes) Existential Territories, FormContent/BookWorks , London, UK

The Array of Rain. LISTE, Basel, DE

Symmetry of Intimacy. Laing Art Gallery. Newcastle Upon Tyne, UK

V. Ancient & Modern, London, UK

The Array of Rain. Zero Budget Biennial, Rokeby, London, UK

The Array of Rain. Henry Moore Institute. Leeds, UK

The Floor is the Object. INDEPENDENT, New York, US


Dialogue. FRAME/Frieze, London, UK


The machine of the machine of our hands. FormContent, London, UK

Three. Alessandro De March, Milan, IT

Two. FormContent, London, UK


One. Supportico Lopez, Naples, IT

Untitled. GuestRoom, London, UK


2012    Lenikus Artist in Residence Programme, Wien, A

2011    Zabludowicz Collection, Sarvisalo, FIN

2009    Henry Moore Institute Research Fellowship, Leeds, UK

2008    Feurig 59, Berlin, DE

2007    Expositio International Residency, Exposito – Osservatorio Giovani Artisti Napoli, Naples, IT



Mark Prince, On the resistance of objects, Art Monthly, November

What’s next? 100 years of the Contemporary Art Society, Thames and Hudson, ISBN 978-0954707132

Paul Teasdale, Focus, Frieze Magazine, Issue 143, November – December

Dietrich Roeschmann ” Nichts ist es nicht, was man sieht” Badische Zeitung, Oktober 10th

“Soon All Your Neighbours Will Be Artist” ESP1, Eastside project ISBN 978-1-906753-30-6

Lee Triming, Art in america. Jun-July

‘Tango’, in conversation with Jason Dodge. Drawing Room Confession. Mousse Publishing. Issue 2 ISBN 978-88-96501-41-2


Concerto di pietra e di corde vocali, Danilo Maestosi. Il Messaggero. December 15th

UNDONE. Making and Unmaking in Contemprary Sculpture. Henry Moore Foundation. ISBN: 978-1-905462-32-2

Volume ONE: Theatricaility in Contemporary Sculpture. IF Architects. ISBN 978-960-99562-0-8

Charlotte Bonham-Carter, “Our Blindsides”, Review, Flash Art, September-October

“Like a Whisper”, Chris Sharp, Kaleidoscope June-July

Sharp,Chris: Like a Whisper,   Kaleidoscope June-July

Fiduccia, Joanna: (Les Sculture Meurent Aussi )‘Sculptures Also Die’,  ARTFORUM, May

‘Systems’, Contemporary Art Society. ISBN 978 0 951755075.


Tagliafierro, Marco: The Young People Visiting Our Ruins See Nothing but a Style, ARTFORUM (online)

Exhibition Catalogue: I Giovani Che Visitano Le Nostre Rovine Non Vi Vedono Che Uno Stile, GAM Torino ISBN978-0-9559029-2-5

Exhibition Catalogue: A Corpes & a Textes, La Galerie, p. 11

Exhibition Catalogue: THE SCULPTURE SHOW, Eastside Projects, p. 24

Glen, Colin: Review, Art Monthly p.31 April

Trigg, David: Review, Metro p.19 March 3rd

New Work EXTRA, ArtWorld p.54-55 April-May

Polsinelli, Michael: Flash Review, Flash Art p.94 March-April

Del Vecchio, Gigiotto: Emerging Artists,Frieze p. 111 January-February

Grulli, Antonio: Michael Dean, Flash Art, p.274. February-March


Bria, Ginevra: Michael Dean,Exibiart, p.32, December

Delux, Bertrand: Michael Dean, Zero, p.34

Del Vecchio, Gigiotto: Focus London-Artists Dictionary, Flash Art, p.90, October

Glen, Colin: intervention/decoration, Art Monthly, p.30-31, June

Exhibition Catalogue, Morrissey, Simon: Michael Dean, intervention/decoration Foreground Projects, p.6-7

Exhibition Catalogue: Michael Dean Italia Italie Italien Italy Wlochy, ARCOS: Electa,p.38-41

Pedraglio, Francesco: Calligraphic Formalism, Mousse Magazine, No13, p.108-109

Viola, Eugenio: Yours, Flash Art, February, p.148

Riva, Caterina: Your Ramp My Slide, Velvet Magazine (London), January, p.14-15


Mountains and triangles, Grafik Magazine, March, p.78



Maria Adele Del Vecchio

Born in Caserta, IT

Lives and works in Rome, IT

2005-06    Filmklasse, teacher Mark Leckey, Städelschule, Frankfurt am Main, DE

Awards, Grants, Scholarships

shortlisted for Premio Furla 2015, ‘The Nude Prize’

Solo Shows


Within, rather than above, Galleria Tiziana Di Caro, Naples, IT


Blue (project), curated by Adriana Rispoli, Quartiere Intelligente, Naples, IT

Tonite let’s all make love in London, Supportico Lopez, Berlin, DE


Qui sembra ancora possibile, Parco del Pineto, Rome, IT. Curated by Maria Rosa Sossai


No end is limited, curated by Stefania Palumbo, Galleria Enrico Fornello, Prato, IT

Selected Group Shows


Viaggio al termine della parola/Journey to the end of the word, curated by Antonello Tolve, Galleria Tiziana Di Caro, Salerno, IT

Se il dubbio dello spazio è nello spazio,curated by Maria Adele Del Vecchio and Nemanja Cvijanovic, Museo MACRO, Rome, IT


Die Dritte Dimension, with Natalie Häusler, Henri Chopin, Giulio Delvé, Supportico Lopez at Frutta Gallery, Rome, IT


Door to Door, outdoor exhibition in the city center of Salerno, IT curated by Maura Picciau, Salerno

Premio Roma Centro Storico, Palazzo ex Monte di Pietà, Rome, IT curated by Cecilia Casorati, Roma


Badtime stories, Bedtime stories, Supportico Lopez, Berlin, DE


Emergency Room, curated by Thierry Geoffrey, Julia Draganovic, Francesca Boenzi, PAN, Naples, IT


Sistema Binario, curated by Sasa Janich, Adriana Rispoli and Eugenio Viola, Belgrado, RS

Classroom #1, curated by Salvatore Lacagnina, Project Room Museo MADRE, Naples, IT

Sistema Binario, curated by Adriana Rispoli and Eugenio Viola, subway station Mergellina, Naples, IT

A long time ago, last night, curated by Francesca Boenzi, Galerija Kortil, Rijeka, HR


Falansterio, Supportico Lopez, Naples, IT

Rundagang, Staedelschule, Frankfurt am Main, DE


Tracce di un seminario, Careof, Milan, IT


inCINEraciòn, Galera Sandunga, Granada, ES

Luogo/non-luogo = nuovo luogo, curated by Giacinto Di Pietrantonio, Angela Vettese, ex church San Francesco, Como, IT


Entr’acte, curated by Gino Giannuizzi, The basement tape, Bologna, IT

Workshop / Residencies


Classroom #1, workshop curated by Salvatore Lacagnina, Gigiotto Del Vecchio, Stefania Palumbo, with the collaboration of Francesca Boenzi, Museo MADRE, Naples, IT


Advanced course in Visual Art, visiting professor Richard Nonas, Fondazione Antonio Ratti, Como, IT


Giulio Delvé

Born 1984, Naples, IT

Lives and works in between Berlin and Naples, DE, IT


2009-10             Weißensee Kunsthochschule Berlin, DE

2006-09             Accademia di Belle Arti, Naples, IT

Solo shows


Andata e ricordo. Souvenir du voyage, MART, Rovereto, June-September
Il teorema di Gauss, group show, CO2 Gallery, Rome, May-June


AZIONE MECCANICA, Supportico Lopez, Berlin, DE


Objects in Mirror are Closer than they Appear, Unosolo Project Room, Milan, IT

Villa Del Vecchio, Gum, Carrara, IT


Energia : Artisti = Premio : Pan, Pan, Naples, IT


Four Rooms, curated by Gigiotto Del Vecchio and Stefania Palumbo, Project Room Museo MADRE, Naples, IT

Group shows


Performing a collection #3 with Mimmo Paladino and Antonio Biasiucci, Roberto Cuoghi, Giulio Delvè, John Henderson, Mario Schifano, Pádraig Timoney, Madre Museum Naples, Napoli, IT


Pugna Est Vita, Giulio Delvè & Federico Del Vecchio, Museo Apparente, Napoli, IT


Voyage Voyage, curated by Albertine de Galbert, Maison de L’Amerique Latine, Paris, FR

Epipedon, curated by Ludovico Pratesi, CO2 Contemporary Art, Rome, IT


Based in Berlin, curated by Angelique Campens, Fredi Fischli, Magdalena Magiera, Jakob Schillinger, Scott Cameron Weaver, Atelierhau Monbijoupark, Berlin, DE

Italiens, junge Kunst in der Botschaft, curated by Alessandra Pace e Marina Sorbello,Italian Embassy, Berlin, DE

Premio Ariane de Rothschild 2011. Alla scoperta dei giovani artisti italiani, curated by Laura Barreca e Marcello Smarrelli, Palazzo Reale, Milan, IT

Badtime stories, Bedtime stories, Supportico Lopez, Berlin, DE



IGAV in Shanghai with 28 artists, Expo Shangai, CN


Premio Terna 02 Exhibition, Tempio di Adriano, Rome, IT

Antipop, curated by Gigiotto Del Vecchio, Galleria Alessandro De March, Milan, IT

Nopassword, curated by Gruppo Estraneo Permanente, different places, Genoa, IT

Emergency Room, curated by Thierry Geoffroy, Pan Palazzo delle arti di Napoli, Naples, IT, curated by Francesco Poli, Francesco Bernardelli, Mario Gorni, Paola Nicita, Cristiana Perrella, Fondazione Merz, Turin, IT


Real Presence (workshop ending exhibition), curated by Dobrila Denegri e Bijana Tomic, Castello di Rivoli, Rivoli, Turin, IT

Videoart Yearbook, curated by Renato Barilli, Chiostro di Santa Cristina, Bologna
Classroom #1 (workshop ending exhibition), curated by Salvatore Lacagnina,
Project Room Museo MADRE, Naples, IT


Quotidiana_07, curated by Guido Bartorelli, Teresa Iannotta, Stefania Schiavon, Padova, IT



Workshop lead by Kim Jones, Viafarini, Milano, IT

Real Presence, workshop lead by Dobrila Denegri e Bijana Tomic, Castello di Rivoli, Rivoli, Turin, IT

Classroom #1, workshop curated by Salvatore Lacagnina, Gigiotto Del Vecchio, Stefania Palumbo, with the collaboration of Francesca Boenzi, Museo MADRE, Naples, IT


Marius Engh

Born 1974, Oslo, NO
Lives and works in Berlin, DE

1996-2000 The National Academy of Fine Arts, Oslo, NO
1999-2000 The Royal Danish Art Academy, Copenhagen, DK
2000-2001 The National Academy of Fine Arts, Master studio, Oslo, NO
1994-1996 Strykejernet Art School, Oslo, NO

Solo exhibitions

A Gaze Blank and Pitiless as the Sun, NoPlace, Oslo, NO

Plus Ultra, Taylor Macklin, Zürich, CH

Nothing in return, STANDARD (OSLO), Oslo, NO, 27 June – 26 July

Galerie Emanuel Layr, Wien, AT, June-August 2013

Dienstag Abend, Gdanska Galeria Miejska, Gdansk, PL, July


The Living Are Governed By The Dead, permanent exhibition, Unviersity of Bergen, Bergen, NO

Desperate Cases and Lost Causes, Ve.Sch, Raum und Form fur bildende Kunst, Vienna, AT

Time Has Turned Into Space And There Will Be No More Time, Till I Get Out Of Here, STANDARD (OSLO), Oslo, NO

Figureheads, Supportico Lopez, Frieze Frame, Frieze Art Fair, London, UK

An Aggregation of Adversary, Layr Wustenhagen Contemporary, Vienna, AT

Marius Engh, STANDARD (OSLO), Oslo, NO

Marius Engh, Landings Art Space, Vestfossen, NO, (June)

Exhume to Consume, Supportico Lopez, Berlin, DE

Center of the World, Curator: Jonas Ekeberg, Preus Museum, Horten, NO

Toe Pincher, Snowball Editions, Oslo, NO

Lycanthropic Chamber, STANDARD (OSLO), Oslo, NO

All Items Must Fit In Basket, STANDARD (OSLO), Oslo, NO

The Moon is a Harsh Mistress (with Ida Ekblad), Green Gallery, Milwaukee, US

No Comply, curator: Paul Brewer, Richard and Dolly Maass Gallery, State University of New York, Purchase College, New York, US

B-Sides, Projekt 0047, Berlin, DE

Cum Taedio In Infinitum (with Tarje Eikanger Gullaksen), Q, The Royal Danish Academy of Art, Copenhagen, DK

Free Drinks, Fotogalleriet, Oslo, NO

Notes From The Underground (with Gardar Eide Einarsson), Galleri 21:25, Oslo, NO

Group exhibitions

Future Ruins, Kulturhuset Banken, Lillehammer, NO, May
On the Other Side of the Wind, Harpefoss Hotell, Harpefoss, NO, August

Post-Dimension, curated by Giacoma Zaza, Torrioni Passari Center, Molfetta-Bari

Calumet, Galleria Gentilli, Madrid, ES

Als Morandi mit der Kinematographie liebäugelte, Supportico Lopez, Berlin, DE

Run, Comerade, the Old World is Behind You, Kunsthall Oslo, Oslo, NO

Tillman Kaiser / Marius Engh, Galerie Emanuel Layr, Vienna, AT

Dienstag Abend, Vesch – Raum und Form für bildende Kunst, Vienna, AT

Studio 9, curated by Eva Maria Stadler, Sammlung Lenikus, Vienna, AT

You Don*t Love Me Anymore, curated by Katja Schroeder, Westfälischer Kunstverein, Münster, DE

Wallpaperism, curated by Nick Oberthaler, Motel Campo, Geneva, CH

, Supportico Lopez, Basel, CH

LISTE 10, Layr Wuestenhagen Contemporary, Basel, CH

ROMA – The Road to Contemporary Art, Supportico Lopez, Rom, IT

ViennaFair 2010, Layr Wuestenhagen Contemporary, Vienna, AT

Stadt Einrichten – Stadt Berichten – Stadt Ausrichten, curated by Simone Zaugg and Pfelder, Weltecho, Chemnitz, DE

I Really Like The Works, But My Wife Is Still Concern. Please Keep Me Inform About New Works, STANDARD (OSLO), Oslo, NO

Statoil Art Award, Rogaland Museum of Fine Art, Stavanger, NO

Golden Parachutes, curator: David Horvitz, Berlin, DE, (March)

Like Tears in Rain, curator: Ana Luiza Teixeira de Freitas, The Palácio das Artes / Fábrica de Novos Talentos, Porto, P, (June)

Statoil Art Award, Kunstnerforbundet, Oslo, NO

Six Degrees of Separation, Mehdi Chouakri, Berlin, DE

Two in One, Witte de With Center of Contemporary Art and De Appel, Christie´s, Amsterdam, NL

Gjengangere, Bastard, Oslo, NO

Survival Kit, Curator: Solvita Krese,, Latvian Centre for Contemporary Art (LCCA), Riga, LV

“Show Me, Don’t Tell Me”, Witte de With Contemporary Art Center, curators: Nicolaus Schafhausen and Florian Waldvogel, Brussels Biennial 1, Brussels, BE
“Horror Vacui”, Layr Wuestenhagen Contemporary, Vienna, AT
“We Have Never Met Before, But It´s WIith Great Anticipation of Your Understanding That I´m Writing You And I Hope You Will In Good Faith Give A Deep Consideration To My Proposal Below.” curators: Mikkel E. Astrup and Eivind Furnesvik, STANDARD (OSLO), Oslo, NO
Frieze Art Fair, STANDARD (OSLO), London, UK
“When You Carry A Hammer A Lot Of Things Look Like Naiils”, Skalitzer Strasse 64, Berlin, DE
“Figureheads”, Torpedo Bokhandel / The White Tube, Oslo, NO
Hydro Corporate Collection, Henie Onstad Art Center, Høvik, NO
“Nerhagen Skogsfestival”, Vang, NO
“Nationalmuseum”, curator: Lars Monrad Vaage, Nationalmuseum Berlin, Schönleinstr. 6, Berlin, DE
“Master of Puppets” (with Sverre Gullesen), Planka, Oslo, NO


Frieze Art Fair, STANDARD (OSLO), London, UK“Tempo Skien 2007”, Public Art Project, Skien, NO

“Robert Smithson”, curators: Lina Viste Grønli and Anders Smebye, Fotogalleriet, Oslo, NO

“Routines of Resistance”, curator: Eivind Furnesvik, STANDARD (OSLO), Oslo, NO

“Unknown Unknowns”, curator: Tarje Gullaksen, Nord-Jyllands Kunstmuseum, Aalborg, NO

“Future Primitive”, curator: Helga Marie Nordby, UKS – Young Artists Society, Oslo, NO
“Skate Culture”, curator: Jonas Ekeberg / Gardar Eide Einarsson, Bildmuseet, Umeå, NO
“Paris Was Yesterday”, curator: Hanne Mugaas, La Vitrine, Paris, FR
“Dislocations (Don’t Try Popping Them Back Into Place)”, curated by: Chus Martinez, with Gardar Eide EInarsson and Matias Faldbakken, ARCO – Special Projects Section / STANDARD (OSLO), Madrid, ES



“Milwaukee International”, Willy Wonka Inc., Milwaukee, US

“Dice Thrown (Will Never Annul Chance)”, curator: Joao Ribas, Bellwether Gallery, New York, US
“White Stains”, STANDARD (OSLO) / Extra City, Antwerpen, BE
“Skate Culture”, curator: Jonas Ekeberg / Gardar Eide Einarsson, Bergen Kunsthall, Bergen, NO
“Cross My Heart And Hope To Die”, curators: Gudrun Benonysdottir, Hildigunnur Birgisdottir, Gunnar Tor Vilhjalmsson and Sigrun Edvardsdottir, Torpedo Bokhandel, Oslo, NO
“Street: Behind The Cliché”, curator: Nicolaus Schaffhausen and Renske Janssen, Witte de With Contemporary Art Center, Rotterdam, NL
“Bokaktig”, Fotogalleriet, Oslo, NO
“The Norwegian Sculpture Biennial”, curator: Cecilia Widernheim, The Vigeland Museum, Oslo, NO
“There Are Two Paths”, curator: Ida Ekblad and Hanne Mugaas Torpedo Kunstbokhandel, Oslo, NO
“Giving the People What They Want”, curator: Hanne Mugaas Glassbox, Paris, FR
“Several Ways Out”, curator: Craig Buckley, UKS Gallery, Oslo, NO
“Skate Culture”, curator: Jonas Ekeberg / Gardar Eide Einarsson, Preus Museum, Horten, NO
“50 / 50”, AK 28, Stockholm, SE
“Villa Jelmini – The Complex of Respect”, curator: Philippe Pirotte,Kunsthalle Bern, Bern, CH

“Blankness Is Not A Void”, curator: Gardar Eide Einarsson, STANDARD (OSLO), Oslo, NO
“Gardar Eide Einarsson / Marius Engh / Matias Faldbakken”, STANDARD (OSLO) /LISTE 05, STANDARD (OSLO), Basel, CH

“Salon 100 – Works on Paper”, Heimdalsgaten 4, (temporary exhibition space), Oslo, NO
“Standard Escape Routes”, curator: Eivind Furnesvik, ISCP, New York, US
“Pilot 1 – International Art Forum”, Limehouse Town Hall, London, UK
“Rank Xerox”, curator / exhibition: Gardar E. Einarsson and Matias Faldbakken, Bergen Kunsthall, Bergen, NO
“10 Years After” (with Anders Smebye), Bomuldsfabriken Kunsthall, Arendal, NO
“Shugacube”, Vincent Lunges Institutt, No. 9 – Visningssted for Samtidskunst, Oslo, NO
“Vækerø Sculpture Garden”, Public Art Project, Oslo, NO
“Listepop”, Fotogalleriet, Oslo, NO
LISTE 04, under the auspicy of Fotogalleriet, Basel, CH

“Institiution 2″, curator: Jens Hoffmann, Oslo Kunsthall, Kiasma, Helsinki, FIN
“Rathaus”, Oslo Open, Atelier C, Rådhuset, Oslo, NO
“Merry-Go-Round”, Video program, Oslo Open, Oslo, NO

Museum of Installation, London, UK
“Bjørvika 17. august”, Skur 55, Bjørvika, Subcomandante, Oslo, NO
“Brøl”, Zoo Copenhagen, Frederiksberg, DK
“I Deal Art For The Market”, Curatorial Market, curator: Tone Hansen, Cuchifritos, New York, US

“UKS biennalen 2001″, Seilduksfabrikken, Oslo, NO
“Fane”, Galleri Elbowroom, Gothenburg, S
“Måske”, (with Tarje Eikanger Gullaksen) Norbergfestivalen, Norberg, NO
“Heavy Backstage”, Ballongmagasinet, NO

“Postprofessionalism”, VCA, Melbourne, AUS
“Presenting the piece / Her er værket!, OTTO “, Galleri Rhizom, Århus, DK
“Cantine del Borgo II”, Underhaugsveien, Oslo, NO
Graduation Show, The National Academy of Fine Arts, Stenersenmuseet, Oslo, NO
Bergen Museum For Samtidskunst, Plakat, Bergen, NO
“Forrett, Statens kunstakademi”, Seilduksfabrikken, Oslo, NO

“Weisse Zwerge und Grosse Riesen”, Galleri Neu Deli, Bauhaus Universität, Weimar, DE
“Cantine del Borgo”, Galleri 21:25, SKA, Oslo, NO
“Vibrations”, Rogaland Kunstnersenter, Stavanger, NO

“Die Faster Recordings”, Quicksilver Gallery, Middelsex School of Art, London, UK
“Heavy Backstage – Live In Bergen”, Bergen Museum For Samtidskunst, Bergen, NO
“The Great Rock´n´Roll Battle (The Best Of Frode Fivel)”, Heavy Backstage, Galleri 21:25, Oslo, NO
“Heavy Backstage”, (with Daniel Jensen), Høyskolen i Bø, Telemark, NO
“Annekset”, Galleri 21:25, Oslo, NO

“Heavy Backstage”, (with Daniel Jensen), Annekset, Statens kunstakademi, Oslo, NO
“Punkpartyperformance”, Galleri 21:25, Oslo, NO


OCA Office for Contemporary Art Norway / Platform Garanti Residency Program Istanbul, Istanbul, TR
Milwaukee International Residency Program, Milwaukee, US
The National Academy of Fine Arts, Oslo – Arcueil, Paris, FR

Other activities

Co-founder and -curator of the gallery Bastard in Oslo, NO, with Anders Smebye, 2005-2006
Curator of the public art project “Vaekeroe Sculpture Garden”, Oslo, NO, 2004


Jonas Ekeberg, “Ingen sjel til salgs I London”,, May 15
Peter Amdam, “Emosjon og stillstand”,, February 22
Contemporary Art Daily, “Marius Engh at Layr Wuestenhagen”, February 4
Marisa Mazria Katz, “The Wannabe Art Capital”, Monocolumn,, Los Angeles, February 1
Christian Zuern, “Opening night at three midtown galleries”, January 22,
Arve Rød, “Graastandarden”, Dagens Näringsliv, January 9./10.
Kjetil Røed, “Gullrekka”,, January 11.
Mona Pahle Bjerke, “Meditativt og inspirerende”, NRK news/culture,, January 11.


Trond Olav Svendsen, “Marius Engh”, Store Norske Leksikon

Stefania Palumbo, “Devils, Werewolfs and Other Myths”, Statoil Art Award 2009, catalogue

Stefania Palumbo, “Suggest a song”, Mousse Magazine issue 18, page 106-108
Marius Engh, Frieze Yearbook 2008-09
“Positions in Nordic Photography 2”, Ed. Jonas Ekeberg and Susanne Ø. Saether, “The Places Themselves”, Ingrid Book and Carina Hedén / “The Center of the World”, Marius Engh, Preus Museum, National Museum for Photography, Horten, catalogue
Line Ulekleiv, “Dagens helter”, Morgenbladet, 11. December

“Brussels Biennial”, Ed. Barbara Vanderlinden, Verlag der Buchhandlung Walther König, catalogue
Rolf Wienkötter, “Im Vollbesitz der Leere”, Horror Vacui, Spike Art Quarterly, Reviews, Winter 2008
Nina Marie Haugen Holmefjord, “Kunst, kapital og fordervelse”, Dagsavisen, 15. Nov.
Petter Snare, “Frontal Frieze”,, Oslo
Marius Engh, “Figureheads”, published works, 28 page pamphlet, Torpedo Books, Oslo
“Horror Vacui”,, Ausstellungen, Vienna
Nicole Scheyerer, “Galerien: In Patrick Swayzes Armen”, Die Presse, Vienna
“A4 No. 1”, Attåt (publisher), magazine, 20 pages, Edition of 200, Oslo
Geir Haraldseth, “Kunsten å kjøpe kunst”, Elle Mann, spring/summer, Oslo
Andreas Schlaegel, “Summer´s White Night”, Flash Art, March / April
Tommy Olsson, “Dear Gonzo, I know you love me”,, March 7
André Gali, “Er du Square?”, Kunstmagasinet, No 1
Arve Rød, “Ren Tortur”, Dagens Næringsliv, February 23
Harald Flor, “Skulptur og Bur”, Dagbladet, February 24
Ika Kaminka, “Primitive Future”, Norwegian Art Yearbook 2007, Pax Publishing, Oslo

Cecilie Malm Brundtland (ed.), “Norwegian Contemporary Art Photography 1970–2007”, Arnoldsche Verlagsanstalt, catalogue
Nicolaus Schafhausen / Renske Jansen (ed.) “Changing Roles”, Witte de With Contemporary Art Center, catalogue
Line Ruud Ørslien, “Refleksjoner i byrommet”, Billedkunst no. 5
Erling Mostue Bugge, “Ut med industrien – inn med kunsten”,, August 24
Arve Rød, “Beskjeden i Skien”, Dagens Næringsliv, August 18
Tempo Skien 2007, catalogue
“Unknown Unknowns” by Tarje Gullaksen, “Match Race” Nordjyllands kunstmuseum, catalogue
Marit Paasche, “Fausts dilemma”,, May 4
“Paris was Yesterday”, Paris Art,, April
“Paris Was Yesterday”,
“Misc. New Art”, Yale Arts Library,, August 20
Tommy Olsson, “I det tomme rom”, Morgenbladet, May 11

Roberta Smith, “Dice Thrown (Will Never Annul Chance)”, Art in Review, The New York Times, November 3
Michael Gibbs, “Street: Behind the Cliché”, Exhibitions-Reviews, Art Monthly, November 6
Martin Herbert, “Rich Pickings”, Modern Painters, June
Daniela Paes, “Street: Behind the cliché”, Arte Capital,
Truls Ramberg, “Emerging Norway”, Art Review, No. 6, p. 110-111
Caroline Ugelstad, “Intro”, Art Review, No. 6, p. 88
Kjetil Røed, “Standard”, Norwegian Art Yearbook, p. 21-28
Anne Doran, “Dice Trown”, Time Out New York, November 2 – 8, issue 57
“Dice Thrown (Will Never Annul Chance)”,Trigger Magazine, New York, September 2006,“Shortcuts”, Rich Kids On LSD, Sleek Magazine for Art and Fashion, winter 2006/2007
“Street: Behind the cliché”, Witte de With, catalog
Tommy Olsson, “All beer must remain in gallery”, Morgenbladet No. 3
Gudrun Benonysdottir (ed.), “Cross My Heart and Hope to Die”, bookproject, Oslo and Island
Peter Amdam, Kunst, Natt & Dag, Februar
Kjetil Røed, “Konseptuelle kulisser”, Billedkunst No. 3
Marius Wang, “Skate Culture?”, Billedkunst No. 3
André Gali, “Minimale strukturer…”,
André Gali, “Kritisk blikk på nykonseptualisme”,
Norwegian Sculpture biennial 2006, catalogue

Power Ekroth, “Fast Track”, ArtReview, (Bastard)
Marit Paasche, “Rykter om et annet rom”, Utsmykkingsfondet for offentlige bygg 2004, catalogue
“Monumenter og mellomrom”, Norwegian Art Yearbook 2004
Øystein Aasan, “Don´t eat stuff off the sidewalk”, Billedkunst No. 6
Peter Amdam, “Bastardforsøk”, Natt & Dag, December
“Skate Culture”, Om Fotografi, Preus Museum, catalogue

Tommy Olsson, “Opptegnelser fra et kjellerdyp”, Billedkunst, No. 4
Anders Smebye and Marius Engh, “Cro-Mag”, Magazine
Anna B. Jenssen, Lars Laumann and Lena Ulven (ed.): “Nesten”, Aschehoug, Oslo
Sonia Hedstrand, “Framtidens konstförmedling”, Dagens Nyheter, 6. December
Mari Grinde Arntzen, “Fotogalleriet gjenåpner I nytt rom”, Aftenposten
Tone Hansen and Marit Paasche (ed.): “Noe kommer til å skje 2003-2020″, Frotté Factory, Oslo
Jonas Ekeberg (ed.): “New Institutionalism”, Verksted #1, Office for Contemporary Art Norway, Oslo
Lars Laumann: “Dasslokket”, Lars´sommergalleri, Morgenbladet, Nr. 33, Oslo

“Brøl – progressiv nutidskunst”, Zoo, Copenhagen, catalogue
Gardar Eide Einarsson and Matias Faldbakken (ed.): “UKS Forum 2/3/4, Architecture”

“UKS biennalen”, catalogue
“Barokkminimalist #1″, UKS biennalen,
“OTTO, Reol, Her er værket!”, catalogue
“Ballongmagasinet”,, Sound Zone, Heavy Backstage

“Strangers In Paradise”, Weimar / Oslo, catalogue

“Notes From The Underground”, fanzine
“Vibrasjoner – Nye feministiske trekk på 90-tallet,” catalogue


Nasjonalmuseet for kunst, arkitektur og design, Oslo, NO
Norsk Hydro, Corporate Collection, Oslo, NO
Telenor, Corporate Collection, Oslo, NO
Deka Bank, Frankfurt, DE
Preus Fotomuseum, Horten, NO
Fondazione Morra Greco, Napoli, IT
Norwegian Art Council, Oslo, NO
Private Collection, MiamiPrivate Collection, New York, US
Private Collections, Oslo, NO
Private Collection, London, UK
Private Collection, Amsterdam, NL


Arts Council Norway – State Grant for the Arts, 10 years work grant for Established Artists

Billedkunstnernes Vederlagsfond – Project Support

Billedkunstnernes Vederlagsfond – Prosject support
Billedkunstnernes Hjelpefond – 3 year work grant
Frie Fotografers Fond – Exhibition support

Norsk kulturråd, Exhibition support, Preus National Museum of Photography
OCA – Office for Contemporary Art Norway, International Support: Brussels Biennial 1, Brussels
Billedkunstnernes Vederlagsfonds – 1 year work grant

Billedkunstnernes Vederlagsfond – Project Support
OCA – Office for Contemporary Art Norway, International Support: La Vitrine, Paris
Stockholm Stads Kulturstipend: AK28, Stockholm

Statens Arbeidsstipend for Fotografer, 2 year work grant
OCA Residency and travel support: Patform Garanti Istanbul Residency Programme, Istanbul
OCA International Support: Witte de With Contemporary Art Center, Rotterdam

OCA International Support: Richard and Dolly Maass Gallery, SUNY, New York
OCA International Support: Kunsthalle Bern, Bern
Billedkunstnernes Vederlagsfond – Project Support

Statens Arbeidsstipend for yngre kunstnere, 2 year work grant

Billedkunstnernes Vederlagsfonds stipend, 1 year work grant
Norsk kulturråd, Debutantstøtte
Norsk Fotografisk Fond – Project Support

OCA International Support: Museum of Installation, London, UK
Norsk Kulturråd, Material Support

Thv. Erichsens Fond, Statens Kunstakademi, Oslo, NO


Jan Peter Hammer

Born in Kirchheim unter Teck, DE

Lives and works in Berlin, DE


1994–98      Sculpture, KHB, Berlin, DE

2000–03      MFA-Program, Hunter College, NYC

2002–03      Film Theory, The Graduate Center, NYC

Solo shows


Das Als-ob-Prinzip, Kunsthaus Bregenz, KUB Arena, AU

Tilikum, Supportico Lopez, Berlin, DE


Monarchs, Men & Monsters, LABOR, Mexico City, MX


ABC Berlin with Supportico Lopez, Berlin, DE

Bergen Assembly Triennial 2013, Bergen, NO


Nomas Foundation, Rome, IT

The Invisible Hand, Kunstverein Arnsberg, DE

The Fable of the Bees, Supportico Lopez, Berlin, DE


The Anarchist Banker, Supportico Lopez, Berlin, DE


The End of Love, Centre for Opinions in Music and Art, Berlin, DE


Galerie Meerrettich – Pavillon an der Volksbühne, Berlin, DE


Elizabeth Dee Gallery, New York, USA

Group shows and film festivals


The Beast and the Sovereign, MACBA, Barcelona, ES // WKV Württembergischer Kunstverein, Stuttgart, DE

Life’s Finest Values’, Kunsthalle Exnergasse, Wien, AU

Toys Redux, Migros Museum für Gegenwartskunst, Zürich, SW


Speculation And Economy: Life In Finance Capitalism, Goethe-Institut Montréal, CA

It’s the Political Economy, Stupid, Galerija Nova Zagreb, CR

Film Forum Udine / Gorizia, IT


4th Athens Biennale, Athens, GR

An Opal World: Biscotti, Fernandes, Hammer and De Michele, Kunstraum, London, UK

Liquid Assets,Steirischer Herbst, Graz, AU

Liaisons dangereuses,3-day conference as part of Liquid Assets at Steirischer Herbst, Graz, AU

It’s The Political Economy, Stupid, Center for Cultural Decontamination, Belgrade, RS

To have and have not,ACC Galerie Weimar, Weimar, DE

To have and have not,Halle 14, Leipzig, DE

Without Reality there is no Utopia, YBCA, Yerba Buena Center for the Arts, San Francisco, US

It’s The Political Economy, Stupid, Pori Art Museum, Pori, FI

Selected Artists, Berliner Senat Work Scholarship-Exhibition, NGBK, Neue Gesellschaft für Bildende Kunst e.V., Berlin, DE


Newtopia: The State of Human Rights, Cultural Center Mechelen, BE

AND Festival, Corner House, Manchester, UK

Beutezüge, Open Space Open System – Raum für Kunst, Vienna, AUS

It’s The Political Economy, Stupid, Austrian Cultural Forum New York, USA


The Savage Transparence, youngprojects, Los Angeles, USA

Based in Berlin, Berlin, DE

The Anarchist Banker, Kadist Foundation SF, San Francisco, USA

Indie Lisboa 8th International Independent Film Festival, Lisbon, PT

Without Reality there is no Utopia, CAAC – Centro Andaluz de Arte, ES

LOOP, Barcelona, ES

IFFR 40th International Film Festival Rotterdam, NL

Image-Movement, Centre d’Art Contemporain Geneva, CH


The Art of Camo / The Art of Comouflage, Cardi Black Box, Milan, IT

Schermo dell’Arte Film Festival, Florence, IT

Dok Leipzig, 53rd International Leipzig Festival for Documentary und Animated Film, Leipzig, DE

25FPS, International Festival for Experimental Film and Video, Zagreb, HR

LISTE Art Basel 2010, CH

Kulturen des Wirtschaftens / Cultures of Economics, Kulturstiftung des Bundes in collaboration with University Munich, DE

Novel II, Limoncello, London, UK

Novel II, International Project Space, Birmingham, UK


The Moving Image, Radialsystem, Berlin, DE


Anonym, in the Future…, Schirn Kunsthalle, Frankfurt, DE


Tuesday is Gone, Karvasla, Tbilisi, GE


All that was not then, Year Project, New York, USA


Market Place, Oni Gallery, Boston, USA

New White Biennial 2001, UCLA, Los Angeles, USA



Am schönen KollwitzplatzZeitgeist Kunst gegen Gentrifizierung: Jan Peter Hammers „Gedenktafel für die Verlierer der Wiedervereinigung“, der Freitag, by Stefan Heidenreich


The Boy Scout Project, Archive Books, Artist’s book


Art Faces The Economy, Kaleidoscope, by Nav Haq


Conversation with Thomas Locher, Mousse Magazine


The Anarchist Banker, Frieze magazine, by Jörg Heiser


The Anarchist Banker, Art Press, by Thibaut de Ruyter


Gib ihm die Pistole!, Taz, April Lamm and Franz von Stauffenberg


Light is a kind of Rhythm, Catalogue, by Alena Williams


The End of Love, Catalogue, by Ariane Beyn


Notes to the Frozen Sun, Catalogue, by Cletus Dalglish-Schommer


Suspensionen, Catalogue, by Sebastian Egenhofer

Filmography and performances

Frank 2003, DV, 9min., Partition (Atlantic) 2004, synchronized slideshow, 12min.; Oblivious 2005, 16mm, colour, dolby SR, 19min.; deep 2006, DV, 7min.; Der Ausflug (The Getaway) 2007, 16mm, colour, 10min.; wachbleiben (stay awake) 2007, 16mm, colour, 8min.; Wormhole 2009, synchronized slideshow, 32min.; The Anarchist Banker 2010, HD video, 29min.; The Fable of the Bees 2012, HD video, 8min.; That Which Is Seen and That Which Is Unseen, 2012 (performance); Monarchs & Men 2012, HD video, stereo, 25min; Tilikum 2013, HD video, 25min.; The Jungle Book 2013, HD video, 15 min.



Natalie Häusler

Born 1983, Munich, DE
Lives and works in Berlin, DE


MFA, Bard College, Milton Avery Graduate School of the Arts, New York, US

Diploma, Braunschweig University of Art, Braunschweig, DE
Graduation with Honors and Meisterschülerin

Awards, Grants, Scholarships


BAU/Camargo Fellow, BAU Institute, NY, Camargo Foundation, Cassis, FR


Residency and exhibition at Combo, Córdoba / La Fragua, Belalcazar, ES


Working grant from the Hans und Charlotte Krull Stiftung, Berlin, DE


Cité des Artes, Paris, FR

Förderpreis der Arthur Boskamp-Stiftung, Hohenlockstedt, DE


DAAD scholarship, MFA, Bard College, New York, US


Meisterschüler Award, Stiftung Braunschweigischer Kulturbesitz (SBK), Braunschweig, DE


PS122 Gallery Residency, New York, US


Bard College MFA Scholarship, New York, US


Scholarship of the Byrd Hoffman Watermill Foundation, Long Island/NY, US

Solo shows/ Two-person shows


Sounds like liberation of objects, with Lukas Goersmeyer and Christian Theiß, curated by Sabine Schiffer, Clages, Cologne, DE

El Polvo se posará/ Dust is going to settle, Natalie Häusler & Fernando M. Romero, Combo, Córdoba, ES


Impressionnisme, M1, Arthur Boskamp-Stiftung, Hohenlockstedt, DE

Case Mod, Supportico Lopez, Berlin, DE


Natalie Häusler & Niels Trannois, Sunday, London, UK


A situation of subtle control, Bard College, New York, US


This attitude does not necessarily open them to criticism, especially when they contribute to the preservation of well-being[…] In any case, we would be guilty, Natalie Häusler and Marysia Gacek, PS122 Gallery, New York, US

Party and Party and […], Natalie Häusler and Jesse Sugarman, Season, Seattle, Washington, US °

Loss – Lust, Bard College, New York
, US

What is it like to be a bat?, HBK, Braunschweig, DE


Students that struggle, critics that sing, Bard College, New York, US

Group shows


Group show with Margo Wolowiec and Eric Siedner (untitled), Laura Bartlett Gallery, London, UK


The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, DE

How the Tangible shapes the Mind, with Daria Martin, Natalie Häusler, Pauline M’barek, Timothy Davies, Kunstverein Nürnberg, Nürnberg, DE

HIGH WIRE, with Jugoslav Mitevski and Timothée Huguet, Petra Rinck Galerie, Düsseldorf, DE

Dear Green, Zentrum für Kunst und Urbanistik, Berlin, DE


Frieze London, Focus, Natalie Häusler, Michael Dean & Christina Mackie, London, UK

Baguette That!, Cité des Arts Internationale, Paris, FR

Mondes Parallèles, Eglise Saint-Merry, Paris, FR

Danielle Adair & Natalie Häusler, Infernoesque, Berlin, DE – curated by Gladys-Katherina Hernando

Die dritte Dimension, with Henri Chopin, Giulio Delvé, Maria Adele Del Vecchio, Supportico Lopez at Frutta Gallery, Rome, IT

On the golden wire [...], Marysia Gacek, Natalie Häusler, Katharina Marszewski, Nurture Art Foundation, New York, US °

Care Package, Nurture Art Foundation, New York, US

Ma prochaine vie, Courtesy Gallery, Los Angeles, US

On the Golden Wire for Thirty-Four, Nurture Art Gallery, Brooklyn, New York, US

Prisma Pavilion, Künstlerhaus Bethanien, Berlin, DE

Independent, Henry Chopin, Michael Dean, Natalie Häusler, Christina Mackie, Armando Andrade Tudela, New York, US


La Lucidezza, Reception, Berlin, DE

For Fruits and Vegetables, Fruit Stand, Queens, New York, US

Pull the stops out, come on!, Berlin Launch of MATERIAL Issue 3 (Los Angeles), Installation by Natalie Häusler and performances by David Raymond Conroy, Stephanie Taylor and Alice Könitz, Motto, Berlin, DE

An impossible distance, Border, Mexico City, MX

A bouquet for spring, A downloadable and printable exhibition hosted at, also shown at Border, Mexico City, MX

+6|2012 Shortlist Columbus Art Award, Kunsthalle Ravensburg, Ravensburg, DE °

Als Morandi mit der Kinematographie liebäugelte, Supportico Lopez, Berlin, DE


Bard MFA Show, UBS Gallery, Red Hook, New York, US

At the long table, Soi Fischer Projects (Vancouver), hosted by Butcher Gallery, Toronto, CA

Nomadische Unschärfen, Temporary Gallery Cologne, Cologne, DE

Crossing the Atlantic: 40 years of DAAD New York, Chelsea Art Museum, New York, US °

Plastische Positionen im Jetzt, Galerie Warhus Rittershaus, Cologne, DE


Death by papercut, Kunstklub, Berlin, DE

Panorama, Kunschaufenster – Zentrum für junge Kultur, Wolfsburg, DE °


Fünf zum Sehen, Lecture, Kunstverein Braunschweig
, DE

Magda Grubenboy trifft sich mit einigen Freunden, Jahnstraße, Braunschweig, DE °

Exotic Resistance, Schnittraum Lutz Becker, Cologne, DE

Our gift to the world, Kunstklub, Berlin
, DE

Gloria, Kur de Belles, Berlin, DE


Dross, Galerie der Hochschule, Braunschweig, DE °

Beyond the line, Galerie der Hochschule, Braunschweig, DE °

° catalog

Projects, Collaborations and Publications


A virus can be on a mussel [...], Natalie Häusler, poems, Mousse Publishing, Milan, IT

Frieze Focus, Natalie Häusler, Frieze d/e
Bierhimmel, Natalie Häusler & Gerry Bibby, Mousse Magazine
Critic‘s Pick, Aaron Bogart, Artforum
Natalie Häusler, Case Mod , Christine Schott
Natalie Häusler and David Horvitz, Watercolors, Eberl Print: Immenstadt, DE (artist book) Natalie Häusler, Still life, self-published (poems)

Limited edition print and publication of a text with Material Press Magazine, Los Angeles, US

Natalie Häusler, Like a jellyfish within architecture, self-published (poems)

Artist books with David Horvitz, Matter out of Place, The Kitchen: New York, US and

Ed Steck, A time stream in spaces: The cultic parody of time-induced capital, West: The Hague, NL

since 2011
Co-founder of the poetry press American Books (Natalie Häusler, Brett Price, Ed Steck)

100 Jahre Matisse Yo-Die Geschichte der Installation, Ruelle at Apartment Häusler&Marszewski, Natalie Häusler und Katharina Marszewski, Berlin, DE

Artist book with Marc Handelman, Archive for a Mountain, Jank Editions: New York, US

Watermill Summer Program, Watermill Center, Long Island/NY, US

Co-founder of the magazine When I was 23 I decided to dedicate my life to art, Braunschweig, DE



James Hoff

Born 1975 in Fort Wayne, Indiana, US

Lives and works in New York, NY and Oslo, NO


1998 Bachelor of Arts, Indiana University, US

Solo Exhibitions


Skywiper, Callicoon Fine Arts, New York, US

How Wheeling Feels When the Ground Walks Away, OR Gallery, Vancouver, CA


I’m Already a Has-Been,VI, VII, Oslo, NO

Milking the Flat Cow, Callicoon Fine Arts, New York, US

Group Exhibitions


The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, DE

Itself Not So, Lisa Cooley, New York, US

Farm to Table, Foxey Production, New York, US

Ellsworth Kelly’s Spectrum II (1966-67), Apples, New York, US

Postscript: Writing After Conceptual Art, Broad Art Museum, Lansing, Michigan, US

Poetry Will Be Made By All, LUMA Foundation/Westbau, Zürich, CH

Bachelor Machine, Room East, New York, US

Some Woolly Buzz, Publication Studio Vancouver, Vancouver, CA


New Humans, Bureau, New York, US

Parasitic Gaps, TEAM Gallery, New York, US

Reading List: Selections from the MoMA Library Collection Museum of Modern Art, New York, US

LYNX Satellite Pavillion, Norsk Skulpturbiennale, Oslo, NO

Drop Shadow, Oslo Kunsthall, Oslo, NO

The String and the Mirror, Lisa Cooley, New York, US

Pulp 3, Beta Pictoris Gallery, Birmingham, US

Postscript: Writing After Conceptual Art, Power Plant, Toronto, CA

Sound Spill, Zabludowicz Collection, New York, US


Postscript: Writing After Conceptual Art , Museum of Contemporary Art Denver, Denver, US

Can’t Stop The Rock Lobster, Martos Gallery/Shoot the Lobster, New York, US


I Don’t Know if It Makes Any Sense, IMO, Copenhagen, DK

Freaks and Geeks, Air De Paris, Paris, FR


Pig Latin, Nice & Fit Gallery, Berlin, DE

Mapping the Studio, Bastard, Oslo, NO


Indian Ocean, Dispatch Bureau, New York, US


Black Friday , Printed Matter, New York, US

Artist-Initiated Magazines, Rekord, Oslo, NO

Psychotic Reactions, KS Art, New York, US



La Monnaie / De Munt, Brussels, BE

Nicelle Beauchene, New York, US

Victoria and Albert Museum, London, UK


Issue Project Room, Brooklyn, NY

Dancing Lessons for the Advanced in Age, Museum of Contemporary Art Denver, Denver, US


PennSound: Edit Series, University of Pennsylvania, Philadelphia,US


How Wheeling Feels When the Ground Walks Away, Artists Space, New York, US

Selected Press


Frieze, Battaglia, Andrew, November-December

The Wire, Barry, Robert, October

Contagion! James Hoff’s Infected Media, Rhizome, Brown, DeForrest and Khan, Nora, September 18

10 of the Most Exciting Musical Art Shows Right Now, Gavin, Francesca, Dazed, September 11

The playlist, Beaumont-Thomas, Ben, The Guardian, August 25

Micchelli, Thomas, Hyperallergic, A Fundamental Rupture

Interview, Keszler, Eli, BOMB Magazine, September

I Like People, and I like People to Like Me, Del Torre, Mónica, Harriet, Poetry Foundation, July 29

NADA New York Delivers, Russeth, Andrew, The Galleriest, May 9

Discover Pan, Battaglia, Andy,, January 24

Bachelor Machine, The New Yorker, January 20


The Mating of Separates, Kincheloe Megan Liu.,, September 24

Parasitic Gaps at TEAM Gallery, Fiske, Courtney., Critics’ Pick,, September 14

The String and the Mirror at Lisa Cooley, Russeth, Andrew.,, August 13

Surround Sound, Dayal, Geeta. , Frieze d/e, May 1

Oslo City Report, Hoegsberg, Milena. Frieze no. 154, April 1

Postscript: Writing After Conceptual Art at MCA Denver, Wright, Lauren A., Frieze no. 154,

April 1

Hoff, James. 2Paragraphs, Fichter, Mary. , March 7

James Hoff: VI, VII, Oslo., Rana, Matthew. , Frieze no. 152, February 1


James Hoff, Greenberg, Kevin., The Last Magazine. December 20

James Hoff at Callicoon Fine Arts, Balestin, Juliana, New York, Purple Diary, December 5

James Hoff, I’m Already a Has-Been, Ceramics Now Magazine, September 29

James Hoff at VI, VII, Contemporary Art Daily, September 26

James Hoff Auto Correct and Callicoon Fine Arts, Kalm, James, Art Review, November 24

Time Out Recommends, Time Out, November 8

James Hoff’s Paintings Are Based on Language and Abstraction as a Culture-Bound Illness,, September 29

Selected Readings


Yale Union, Portland, US

Emily Carr Institute, Vancouver, CA

The Kitchen, New York, US

Academy of Fine Arts, Dresden, DE

Castillos Corrales, Paris, FR

Perez Art Museum of Miami, Miami, US

Museum of Modern Art, New York, US

Museum of Modern Art/PS1, New York, US


Goethe Institut, New York, US

Issue Project Room, Brooklyn, US

Museum of Contemporary Art, Denver, US


PS1/MoMA, New York, US

Bowery Poetry Club, New York, US

Torpedo Books, Oslo, NO


Museum of Modern Art Library, New York, US


Center for Book Arts, New York, US

New School for Social Research, New York, US

CAA, Chicago, IL, US

Pompidou, Paris, FR

Sorbonne, Paris, FR


Academy of Art, Oslo, NO

Walker Art Center, Minneapolis, US


Ronnells/OEI Reading Series, Stockholm, SE

École Normale Supérieure Lettres et Sciences Humaines, Lyon, FR

Academy of Art, Oslo, NO, February 11

St. Marks Poetry Project, New York, US, January 14

Selected Publications


Everybody’s Pixelated, Printed Matter

Blaster, PAN

Every Second One Hundred Bolts of Lighting. . ., Publication Studios Vancouver

Stuxnet (Version 2013), Invisible-Exports


Milking the Flat Cow (No Input Books), artists’ book

Toilet Paper Anthology (with Maurizio Cattelan), Damiani/DAP

Iodine Pilz (with Cary Loren and Elizabeth Sporleder), artist magazine


Inventory Arousal (Bedford Press), artist book

How Wheeling Feels When the Ground Walks Away, LP, PAN


Memoirs (No Input Books), artist book


Endless Nameless (No Input Books), artist book

Topten (No Input Books), artist book

In Dreams Begin Responsibility (AW Records), LP

Wavelength, artist book


Wedding Album (Collaboration with the New Humans/AW Records), LP

Live at New Museum (AW Records), CD

Airport War/Religious Knives CD


Wall As Mistress (AW Records), LP


Over and Over the Endless Corner (AW Records), 16 record album

Selected Writings


Mobius Striptease, I Make Another Room / Eline Mugaas, Galleri Riis, Oslo, NO


Seth Siegelaub,

Distributing Books, Art Papers

How the Box Found The Hat and Chair Floored the Table, Convolution No. 2


Argot (Winter Edition), OEI, Stockholm, SE

A rabbit in a hat is not a wonder, it is just a weird accident, Ole Jørgen Ness, Monograph, TI


Get It In Writing (Winter Edition), OEI, Stockholm, SE


Sweet Sweat, ArtForum, December

In Which End Meets End, Éditions Loevenbruck, Paris, FR


Introduction to 0 To 9 (Fall Edition), OEI, Stockholm, SE

Selected Curatorial


Excursis IV, Institute of Contemporary Art, Philadelphia, US


Memoirs of a Shy Pornographer, Tidens Krav, Oslo, NO; co-curated with Børre Sæthre


Hungry for Death (Destroy All Monsters), Boston University Art Gallery, Boston, US


Ear to the Page, Center for Book Arts, New York, US; co-curated with Alan Licht

Hungry for Death (Destroy All Monsters), AMP Gallery, Athens, GR

Hungry for Death (Destroy All Monsters), American Academy of Rome, Rome, IT

Hungry for Death (Destroy All Monsters), SPACE Gallery, London, UK


Year in Review, White Columns, New York, US

Hungry for Death (Destroy All Monsters), Projekt 0047, Oslo, NO

Hungry for Death (Destroy All Monsters), White Flag Project, St. Louis, US

Hungry for Death (Destroy All Monsters), Printed Matter, New York, US


Leaderless: Contemporary Cassette Culture Now, Torpedo, Oslo, NO


Fuck for Peace: A History of The Fugs , Printed Matter, New York, US

Leaderless: Contemporary Cassette Culture Now, Printed Matter, New York, US


Franziska Lantz

Born 1975, Switzerland

Lives and works in London

Selected Exhibitions and Projects


Global Warming, heat waves droughts and heavy rainfall, Supportico Lopez, Berlin, DE
aka DPM357X, greenlanads melting glaciers, Global Warming Records (record release)

Club Bermuda, Roxy Bar, London, UK (Live Performance)


Residency, Vital Arts, London, UK

aka DPM357X, (Wallscratcher) The Victoria, London, UK (Live Performance)

Fluo Night, Swiss Institute, Rome, IT (Live Set)

aka DPM357X, Club Integral, London, UK (Live Performance)

Cacotopia, curated by Laura Mansfield, Anthony Burgess Foundation, Manchester, UK


59.14 N 3.34 W, Brough of Birsay, Orkney, UK

SLEEP, Henry Moore Institute, Leeds, UK (Live Peerformance)

Let the Rhythm Hit ‘Em, Kunstraum Kreuzberg/Bethanien, Berlin, DE

SUNDAY with Supportico Lopez, London, UK

aka SAYDANCE, (Seven Sites) Manchester, UK (Live Set)

Liste 16 with Supportico Lopez, Basel, UK (Performance)

fires are raging, (a prequel a flat a title spread) 8fold, London, UK

Bedtime Stories Badtime Stories, Supportico Lopez, Berlin, DE
aka SAYDANCE, (Be Glad For The Song Has No End), Wysing Arts Centre, UK (Live Set)

DriftShift, (DeriveLab 2), Centre for Creative Collaboration, London, UK

Night Falls, (HaVE A LoOk ! HAve a Look!), FormContent, London, UK

aka SAYDANCE, Crisalide festival XVII, Forli (Live Set), IT
DriftShift, hosted by SAYDANCE (Zero Budget Biennial) Rokeby, London, UK
DriftShift, hosted by SAYDANCE (Test Bed 1) Beaconsfield, London

TreeWoodTree, SAYDANCE, Supportico Lopez, Berlin (Live Set), DE

Since 2008, Lantz has been producing ‘DriftShift’, a radio program of found sound and text broadcast weekly on London radio station Resonance 104.4FM.

The Social Ocean, TemporaryContemporary, London, UK

Justice, (Moral Plinth) Beaconsfield, London, UK

Selected Publications

grüne gründe roter fisch, NIMROD Literaturverlag Switzerland, ISBN 3-907149-20-3


Christina Mackie

Born 1956, Oxford, UK

Lives and works in London, UK



Central Saint Martins College of Art and Design, London, UK


Vancouver School of Art, Vancouver, CA

1972, 1973

Banff Centre, Alberta, CA

Awards, Grants, Scholarships


Contemporary Art Society Annual Commission with Nottingham Castle Museum

Shortlist Max Mara Prize 2012, UK


Paul Hamlyn Award for Artists 2010-2013, UK

Arts Council Oxford/Melbourne  Fellowship 2010, UK

British Council Berlin Exhibition Support, UK


VASL Residency, Karachi and Gadani, PK

Arts Council England, Grants for the Arts, Individual, UK


Becks Futures Prize, UK


Professor, CCA Kitakyushu, JP


London Arts Board Medium-scale Projects, UK

Arts Council England, Artists First Time Publications, UK

Production IIP, Henry Moore Foundation, Leeds, UK


British Council Travel Award, New York, US


British Council Vienna, Exhibition Support, UK


Arts Council England, Research and Development Grant, UK

Solo shows


Tate Britain Commission 2015: Christina Mackie, Tate Britain, London, UK


Cycle 3: 
Christina Mackie and Matt Mullican, PRAXES Center for Contemporary Art, Berlin, DE

Colour Drop, Renaissance Society, Chicago, US


The Judges III, Nottingham Castle Museum & Gallery, Nottingham, UK


Painting the Weights, Chisenhale Gallery, London, UK

Painting the Weights, Kunsthal Charlottenborg, Copenhagen, DK

Catriona Jeffries, Vancouver, CA


Us, Victorian College of the Arts, Melbourne, AU

The Judges, Supportico Lopez, Berlin, DE

The Judges, Jerwood Room, Oxford, UK


Steal, In the Silent, Sonia Rosso, Turin, IT


This that & the other, Herald St, London, UK

Art Now Sculpture Court, Tate Britain, London, UK (cat)


How to Begin, I-Cabin, London, UK

Gadani Project, Gadani, PK

Five 06, VM Gallery, Karachi, PK


I Can’t Help You, Herald St, London, UK


Solo, Magnani, London, UK


The Interzone, Henry Moore Institute, Leeds, UK


AC Project Room (with Katrin Asbury), New York, US


Meanwhile, CCA Kitakyushu, JP (cat)

Forcing It, Magnani, London, UK


AC Project Room, New York, US

IIP Intron Image Project, The Showroom, London, UK


show 50, (with Mark Hosking), City Racing, London, UK

Group shows/ Exhibitions


La Demeure Joyeuse II, Francesca Pia, Zurich, CH

Peer, London, UK

Ruby, curated by Eddie Peake, Gallery Vela, London, UK


Fragmented Bodies, Tate Britain, London, UK

Has the film already started? Special Display, Tate Britain, Fragmented Bodies, Tate Britain, London, UK


Sillabario, Nomas Foundation, Rome, IT

Molecular Etwas, Curated by Angela Bulloch, Kunstewerke, Berlin, DE


The Knights Tour, De Hallen Haarlem, NL

All Art Now 1st International Video Festival, All Art Now, Damascus, SY

V22 Presents: The Sculpture Show, The Biscuit Factory, London, UK

Celebration, curated by Isabella Bortolozzi & Karl Holmqvist, Galerie Isabella Bortolozzi, Berlin, DE

Hi, Low and In Between, curated by Matthew Day Jackson & Simone Subal, Grimm Gallery, Amsterdam, NL


Busan Biennale, Korea, curated by Tom Morton

Roger Hiorns, Christina Mackie, Maaike Schoorel, Diana Stigter, Amsterdam, NL


It starts From Here, De La Warr Pavillion, Bexhill on Sea, UK

Love Me Tender, Tate Britain, London, UK


Flutter, curated by Michael Readecker, The Approach, London, UK

British Art Show 6, Baltic, Newcastle, UK (touring)

5five, VM Gallery, Karachi, PK

Open day, Vasl International Artists Workshop, Gadani, PK


British Art Show 6, Baltic, Newcastle (touring), UK

5 Sculptors, Westfälischer Kunstverein, Münster, DE

Beck’s Futures, ICA, London, UK & CCA, Glasgow, UK

Inaugural, Herald St, London, UK


Real World, Modern Art Oxford, Oxford, UK

Concert in the Egg, The Ship, London, UK


Still Life, Museo de Bellas Artes, Santiago, Chile, UK

Black Box Recorder, Museum Ludwig, Cologne, DE


There is a Light That Never goes Out, Villa Galvani, Pordenone, IT

Animations, Kunstwerke, Berlin, DE


Animations, PS1, New York, US

City Racing, a Partial Account, ICA, London, UK


Retrace Your Steps: Remember Tomorrow, Sir John Soane Museum, London, UK

OLDNEWTOWN, Casey Kaplan, New York, US

Sweetie – Female Identity in British video, British School at Rome, IT (touring)


Common People: British Art between Phenomenon & Reality, Palazzo Re Rebaudengo, Turin, IT

How will we Behave?, Robert Prime, London, UK

Imperial College, London, UK


Life/Live, Musee d’Art Moderne de la Ville de Paris, Centro Cultural de Belem, Lisbon, PT (CAT)

Landschaft and Later, Galerie Grita Insam, Vienna, AUT


Something Else, Curated by Kirsty Bell, Exmouth Market, London, UK

Against, 30 years of video and film, Anthony D’Offay, London, UK


“Speaking of Sofas…”, London Electronic Arts touring program curated by Gregor Muir.


The Curator’s Egg, Anthony Reynolds, London, UK



Upcoming, Judges, jury and trestlepeople publication, CAS and Nottingham Castle Museum, UK


Christina Mackie, Kunsthall Charlottenborg, Chisenhale Gallery, DK

1000 Words, Artforum, February 2012, introduced by Nicholas Cullinan


Busan Biennale, Tom Morton, Busan, SK


Becks Futures, Rob Bowman, ICA, London, UK

Project for artreview, July


Real World, Suzanne Cotter, Michael Archer, Modern Art Oxford, UK


The Interzone, Henry Moore Institute, Leeds, UK

Friday Harbor, project for Frieze, March issue


The Feeling of Being Found Out, CCA, Kitakyushu, JP


Intron Image Project, Arts Council First Time Publications & The Showroom, London, UK



Rhea Dall, A Constant Drift, Mousse Magazine, Nr. 41 December, pp. 176-183


Tom Morton, Frieze, Jan-Feb, p.185


David Barrett, Art Monthly, July August, p.31


Sally O’Reilly, Frieze, May, cover and pp. 94-97

Louise Gray, Artreview, July, pp. 91-98

Lizzie Carey-Thomas, Untitled, summer p. 73


Suzanne Cotter, Michael Archer, “Real World”, Modern Art Oxford


Ann Gallagher, Still Life, British Council

Emily Pethick, Christina Mackie, Artext, no 78, Fall

Nancy Princenthal, Artist’s Book Beat, art on Paper, vol 6 no 3, Jan-Feb, 2002, pp.100.


Animations. Cat. PS1/Moma, Kunstwerke, Berlin


Simon Morrisey, Black box recorder, British Council

Pat Cadigan, Insight, Make, issue 89, pp 12-14

Mark Currah, Christina Mackie, Time Out, May 3-10, p.46


Laura Moffatt, Christina Mackie, Art Monthly, no.226, May, p.46

Stuart Shave, Coded Creations, I-D April, p.114

“Common People”, Fondazione Sandretto Re Rebaudengo per l’Arte, Turin

“Dreams”, Fondazione Sandretto Re Rebaudengo per l’Arte, Turin


Jennifer Higgie, Frieze, Issue 41, June-July. P.83

Hans Ulrich Obrist, Cream, pub, Phaidon press, p.264


David Barrett, Something Else, Frieze, Issue 30, p.79-80

Life/Live. Cat. Musee D’art Moderne de la Ville de Paris, p.166-169

Public Collections

Tate Collection, London, UK

Arts Council Collection


Athena Papadopoulos

Born 1988, Toronto, Canada

Lives and works in London, UK


2011 – 2013 Goldsmiths, University of London, MFA, Fine Art Practice, London, UK

2006- 2011 University of British Columbia, BFA in Contemporary Art Theory and Visual Art, Vancouver, Canada

Solo/two person exhibitions


Zabludowicz Invites: Athena Papadopoulos, (solo exhibition), Zabludowicz Collection, London, UK


Honeymoon in Pickle Paradise, (solo exhibition), curated by EMALIN: Leopold Thun and Jasmine Picôt-Chapman, The Landmark Hotel, London, UK

OUT COLD, (solo exhibition) OTHER Projects, Berlin, GE


LumpSum, (in collaboration with Derrick Jefferies), the invisible line, London, UK


HEADING, (in collaboration with Justin Worhaug Frederick), L/D’s Project Space, Vancouver, CA

Hair Piece, (solo public art display), Canada Line Public Art, King Edward Station, Canada Line, Vancouver, CA (February 2011- May 2012)


girls girls girls (in collaboration with Holly Parmley), AMS Gallery, Vancouver, CA

Selected group exhibitions


Dear Luxembourg (Yours Bucktoothed Grl), with Emma Hart, Sophie Jung, Germaine Hoffman, Genny Moore and Abri de Swart, Nosbaum Reding, Luxembourg


Bloomberg New Contemporaries, ICA, London, UK

Bloomberg New Contemporaries, World Museum, Liverpool, UK

AWAY, Sunset Terrace, Vancouver, CA


Push and Paint, Touch and Display, Vitrine Gallery, London, UK

Goldsmiths, MFA Graduation Exhibition, The Pool, London, UK

The Idiot of Nature, Koerner Library Gallery, UBC, Vancouver, CA


PACT, S.1, London, UK

Kill the Lollipop, ARTHOUSE, London, UK


Effects become Causes, University of British Columbia, AHVA Gallery, Vancouver, CA


SNAP! 2010 Preview (Aids Committee of Toronto group fundraiser), Edward Day Gallery, Toronto, CA


2014- 2015 Peter Lloyd Lewis Studio Award, Chisenhale Art Place, UK

2011 British Columbia Arts Council, Fine Art Scholarship for post-graduate studies, CA

2009 Snap Stars, Aids Committee of Toronto, auction proceeds to AIDS research, CA


Zin Taylor

born 1978 in Calgary, CA

Lives and works in Brussels, BE



MFA, University of Guelph, CA


BFA, Alberta College of Art and Design, CA

Solo Exhibitions


Stripes and Dots on the Isle of Portikus, A Story of Sound + Visuals (a small index of contemporary psych), Special programme on the occasion of the Night of the Museums, 25 April 2015, Portikus, Frankfurt/Main, DE


Solo show at 1646 The Hague, Den Haag, NL

Solo show at 21er Haus residency, Vienna, AT

The Tangental Zigzag, Kunstraum, London, UK

The Story of Stripes and Dots (Chapter 7), Jessica Bradley Gallery,Toronto, CA

L’Observatoire – Maison Gregoire, Brussels, BE


The story of stripes and dots (chapter 6), Southern Alberta Art Gallery, Lethbridge, CA (accompanied by a monograph catalog)

Site project installed at Maison Gregoire, Brussels, BE

The Story of Stripes and Dots (Chapter 5), Fogo Island Arts, Fogo Island, CA (accompanied by a book published by Sternberg Press and Fogo Island Arts)

Letterhead, POST, Kunsthalle Charlottenborg, DK

Performance Program, Liste, Basel, CH

Solo project, Supportico Lopez, MiArt, Milan, IT

Parrot Soup, Supportico Lopez, Berlin, DE


The Ceremony and The Spirit (with Roe Ethridge), La Loge, Brussels, BE

Art Statements, Art Basel, Basel, CH

The Story of Stripes and Dots (chapter 2), Jessica Bradley, Toronto, CA

The Story of Stripes and Dots (chapter 1), MuHKA, Antwerp, BE


Growth,  Kiosk, Gent, BE

Supportico Lopez, Berlin, DE

Ursula Blickle Stiftung, Kraichtal, DE

The Voids, Galerie VidalCuglietta, Brussels, BE


Plants do things, Artist-book published by Bywater Bros, CA

Artist project, Hunter and Cook Magazine, Toronto, CA

Residency, Fogo Island Arts Corporation, Fogo Island, CA

The Nine Fingers of Malakoff, Pavilion Projects / Les Maison des Arts de Malakoff, Malakoff, FR

The Bakery of Blok (first arrangement), Front Room, Contemporary Art Museum St Louis, St Louis, US


The Bakery of Blok and the Three Forms of Unit, Miguel Abreu Gallery, New York, US

The Bakery of Blok, Jessica Bradley Art + Projects, Toronto, CA


The Crystal Ship, BELvue Museum, Brussels, Belgium / Etablissement d’en Face Projects, Brussels, BE


The Flute of Sub, Isabella Bortolozzi Galerie, Berlin, DE

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon – Etablissement d’en Face Projects, Brussels, BE

Who Named the Days?, Jessica Bradley Art and Projects, Toronto, CA

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, YYZ Artist-Outlet, Toronto, CA

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, Presentation House, Vancouver, CA


Nub, Diaz Contemporary, Toronto, CA

The Spiders, Collaborative project with Damian Moppett, Contemporary Art Gallery, Vancouver, CA


The Flower Called Nowhere, Artspace, Peterborough, CA

Group Exhibitions


I want to be. Inside out, MOT International, Brussels, BE


The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, DE

The Tools, Root Division, San Francisco, US

Interprète, Frac Ile-de-France / Le Plateau, Paris, FR

Dirt and Copper (Portraits), Two-person show with Lorna MacIntyre, 221a, Vancouver, CA

Thinking Things, CGP London – Dilston Grove, London, UK

Independent Art Fair, Supportico Lopez, New York, US


Storytelling, National Gallery of Canada, Ottawa, CA

The Way of the Shovel, Museum of Contemporary Art, Chicago, US

Salon der Angst, Kunsthalle Wien, Vienna, AT

IN THE HOUSE OF MR & MRS, Temporary Gallery, Cologne, DE

An Anatomical Chart of Love Pains, The Model, IE

Dawson Gold, Carleton University Art Gallery, Ottawa, CA

A Handful of Dust, Contemporary Arts Forum, Santa Barbara, US


Stoppages, Hessel Museum of Art, Bard College, US

Manufacture, Centre PasquArt, Biel, CH


The Gong Show, curated by Didier Roelstraete, Micky Schubert in Berlin, DE


Architectooralooral, 1857, Oslo, NO

Triumphant Carrot: The Persistence of Still Life, Contemporary Art Gallery, Vancouver, CA


The Archeologists, Ursula Blickle Stiftung, Kraichtal, DE

Dream Machines: Objects and Physical Phenomena (A Reciprocal Love Story), Beaubourg, Brussels, BE

Transformers, Jessica Bradley Art + Projects, Toronto, CA

Architecture of Survival, Komplot, Brussels, BE


Ideas of North, Isabella Bortolozzi Galerie, Berlin, DE

18:Beckett, Walter Phillips Gallery, Banff, CA


Habitat, Jessica Bradley Art + Projects, Toronto, CA

18:Beckett, Blackwood Gallery, Toronto, CA

Poster Project, Toronto Sculpture Garden, Toronto, CA

Du coté de Jessica Bradley Art + Projects, Galerie René Blouin, Montreal, CA


Arm in Arm, Collaborative project with Allison Hrabluik, Or Gallery, Vancouver, CA

Dedicated to you but you weren’t listening, Power Plant Contemporary Art Gallery, Toronto, CA


What the World’s Like With The Words We Like, Catriona Jeffries Gallery, Vancouver, CA

Switch, University at Buffalo Gallery, Buffalo, NY, US

Publish or Perish, Open Space Gallery, Victoria, CA

New Toronto Artists in Adelaide, Downtown Art Space, Adelaide, AUS


Soundtracks: Re-Play (Touring 2003 – 2005)
- Ottawa Art Gallery, Ottawa, CA
- MacKenzie Gallery, Regina, CA
- Interaccess Gallery, Toronto, CA
- Edmonton Art Gallery, Edmonton, CA


Secondhand, Or Gallery, Vancouver, CA

Blue Calgary Sky, Art Gallery of Calgary, Calgary, CA

Essays and publications


The Ceremony and The Spirit, by Roe Ethridge and Zin Taylor, Karma, New York, US

Lichen scarf, Silk scarf edition with Kunsthalle Wien, Vienna, AT

Zin Taylor, monograph catalog, published by Southern Alberta Art Gallery, CA

The Story of Stripes and Dots (The Lichen), exhibition catalog, published by Sternberg Press and Fogo Island Arts, Fogo Island, CA

Parrot Soup, essay by Zin Taylor for the exhibition at Supportico Lopez, Berlin, DE


18:Becket, essay by Seamus Keally

Put Your Eye in your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-Net Station in Dawson City Yukon by Greg Elgstrand, YYZine, Spring Issue, 2007. (publication)


Dedicated to you but you weren’t listening, essay by Reid Shier.


Soundtracks: Re-Play, essay by Barbara Fischer. (Publication forthcoming)

Flower Called Nowhere, essay by Damian Moppett. (Publication)



Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, The Power Plant Contemporary Art Gallery, Toronto, ON.
Screening as part of Am I Repeating Yourself? Affectionate Homages and Hostile Takeovers, Part 1, June 25.

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, Pavilion Projects, Montreal, PQ, June 28. Screening, talk, and poster launch.



Frieze Magazine, Review of Zin Taylor at Supportico Lopez by Frances Loeffler, June 2013

Contemporary Art Daily, Zin Taylor at Supportico Lopez, April 2013, Zin Taylor at Supportico Lopez in Berlin by Rodney Latourelle, March 2013

Blouin Artinfo, SoCal’s “A Handful of Dust” Features Zin Taylor’s Contemporary Mystique by Yasmine Mohseni, February 2013


Border Crossings, How Zin Taylor Fits The Practice of Contemporary Sculpture by EC Woodley, Issue 112, Winter 2009

C magazine, Zin Taylor at Jessica Bradley Art + Pojects by Dan Adler, Issue 103, Autumn 2009

Flash Art, 100 Emerging Artists, October, 2009, Zin Taylor’s The Bakery of Blok at Miguel Abreu Gallery by Karen Archey, August, 2009, Critic’s Pick, The Bakery of Blok and the Three Forms of Unit by Michael Paulson, July, 2009

Time Out New York, Zin Taylor, “The Bakery of Blok and the Three Forms of Unit” by Nana Asfour, Issue 721 : Jul 23–29, 2009


Artforum, Idea of North by Jennifer Allen, April, 2007, Critic’s Pick, Who Named the Days? By Dan Adler, March, 2007

C Magazine, Idea of North by Doreen Mende, Summer 2007


Puerto Rico Herald, Exploring Collaboration by Sarah Milroy, April 5, 2005.

National Post, Art that entertains. Now there’s a concept by RM Vaughn, Pg. 8 – 9, April 9, 2005.

The Globe and Mail, Exploring Collaboration by Sarah Milroy, Pg. R3, April 5, 2005


The Globe and Mail, Talk of the Town by Tralee Pearce, Pg. M6, May 8, 2004.

db Magazine #322, Various Canadian Artist review by James Strickland, Jan 28 – Feb 10, 2004.

Now Regarding Music, CBC Radio, January 16 – 22, 2004.


Eye Magazine, We Got Art by David Balzer, January 25, 2003.

Eye Magazine, The Art of Noise by Denise Benson, October 30, 2003.

Jack Magazine, The Flower Called Nowhere, August 2003.

Broken Pencil Magazine #22, PHTCPY #2 review by Janis Demkiw, Pg. 93 – 94, 2003.

Edmonton Journal, Soundtracks: Various artists by Gilbert A. Bouchard, Pg. 8, July 5th, 2003.



Artist Panel, Centre PasquArt, Biel, CH


Artist Talk, Witte de With, Rotterdam, NL

Artist Talk, KIOSK, Gent, BE

Artist Talk, The Model, Sligo, IR

2010 Artist talk, Apent Forum, Oslo Art Academy, NO


Programming Board, Etablissement d’en face projects, Brussels, BE

Artist Talk, Hogeschool Sint-Lukas, Brussel, BE


Artist talk, Power Plant Contemporary Art Gallery, Toronto, CA

Instructor, Collage, Summer Semester, University of Toronto, Toronto, CA

Visiting Lecturer, University of Guelph, Guelph, CA


Visiting Lecturer, University of Toronto, Toronto, CA

Scottish Sculpture Workshop Residency, Lumsden, UK

Instructor, Extended Media 1, Winter Semester, University of Guelph, Guelph, CA

Panel Discussion, Power Plant Contemporary Art Gallery, Toronto, CA

Visiting Lecturer, History of Photographic Media – University of Guelph, Guelph, CA


Instructor, Special topics in Sculpture, Fall Semester, University of Guelph, Guelph, CA

Instructor, Extended Media 1, Fall Semester, University of Guelph, Guelph, CA


Visiting Lecturer, Special Topics in Sculpture, University of Guelph, Guelph, CA

Media Convergences Instructor, Winter Semester, University of Guelph, Guelph, CA

Panel Discussion, Power Plant Contemporary Art Gallery, Toronto, CA

Artist Talk, Power Plant Contemporary Art Gallery, Toronto, CA

Speakerlab Workshop, Contemporary Art Gallery, Vancouver, CA


Media Convergences Instructor, Fall Semester, University of Guelph, Guelph, CA

Visiting Lecturer, Dundas Valley School of Art, Dundas Valley, CA

Technician for Media Convergences – Winter Semester – University of Guelph, Guelph, CA


Speakerlab Workshop, Catch da Flave Community Radio Station, Regent Park, Toronto, CA

Speakerlab Workshop, Interaccess Artist-run Centre, Toronto, CA

Technician for Media Convergences, Fall Semester, University of Guelph, CA

Artist Talk, Artspace, Peterborough, CA

Artist Talk, Edmonton Art Gallery, Edmonton, CA

Speakerlab Workshop, Art Metropole, Toronto, CA

Awards, Grants, Scholarships


Canada Council Artist Travel Grant, CA


Canada Council Artist Grant, CA


Canada Council Artist Travel Grant, CA


OAC Exhibition Assistance Grant, CA

Canada Council Artist Travel Grant, CA


TAC Emerging Artist Grant, CA


OAC Exhibition Assistance Grant, CA


Steamwhistle Contemporary Art Award, Best Group Show, CA


Canada Council Artist Travel Grant 2001, CA


Stanford Perrot Innovative Project Grant, CA



Niels Trannois

Born 1976, FR

Lives and works in Berlin, DE

Solo shows


B (hands in a Chinese cookie jar), Galerie Valentin, Paris, FR

S (oú s’insinue une impression sourde), Supportico Lopez, Berlin, DE


Above sea level kind of things, Galerie Chez Valentin, Paris, FR

Below sea level kind of things, Unosolo project space, Milano, IT


Alternative vesperal seashore., Samsa, Berlin, DE

Les stances à arc-Fins a.c., Chert gallery, Berlin, DE


L’inqiétude du voile dans le temple, VonDoering, Schwäbisch Hall, DE


Lux Natura, Gabrielle Vitte, Marato, Corsica, FR

Group shows


Group show with Random International, Agathe de Bailliencourt, Chris Succo, Nils Trannois and Tom Owen, RH Contemporary Art, New York, US


Sir Thomas Trope, Villa du Parc – Centre d’Art Contemporain, Annemasse, FR


Als Morandi mit der Kinematographie liebäugelte, Supportico Lopez, Berlin Antidote, la Galerie des Galeries, Paris, FR


Antidote 7, la Galerie des Galeries, Paris, FR

Be nice to me, gallery Nordenhake, Berlin, DE

Pour vous, les trois saisons, Kunstverein Langenhagen, Germany, DE

together with Shannon Bool and Alex Müller
de la neige en été, le confort moderne, Poitiers, FR

What you see is not what it is: views on politics and poetics, Galerie Chez Valentin, Paris , FR


Jewelry, Samsa, Berlin,DE

Redefining center, artlight domaquaree, Berlin, DE (together with Shannon Bool, Ryan McLaughlin, Alex Müller, Xavier Mazzarol)

Antidote 6, la Galerie des Galeries, Paris, FR

Time’s arrow, Gallery Nordenhake, Stockholm, SE

the show, forgotten bar, Berlin, DE

Ins Blickfeld gerückt, curated By Francisca Würz and Gaëlle Boucand, Institut français, Berlin, DE

BBQ d’hiver, Galerie J, Lausanne, CH


1 69 A2, curated by Eric Stephany & Xavier Mazzarol, Paris, FR

Birds love fish, Chert gallery, Berlin, DE

Opera Rock, Jean-luc Blanc curated by Alexis Vaillant, CAPC, Bordeaux, FR

Im Kleinen Wald von Meudon, curated by Xavier Mazzarol, Berlin, DE

Diesseits der Alpen: Hunger, Jenseits der Alpen: Durst, Berlin, DE


Lo sfumato, curated by Aurélien Mole, ERSU, Sassari, Sardaigna, IT

l’arriére-salle de notre esprit, Showroom Berlin, Berlin, DE

Still loving you, Galerie de la Marine, Nice, FR

Visions Nocturnes, La Galerie, Noisy-le-sec, FR


Null Bock, Schickeria & Berliner Poster Verlag, Glaskasten, Berlin, DE

Faces, Showroom Berlin, Berlin
Niveau Alarm, Kunstraum Innsbruck, AT

Nacht der süßen Bienen, Glaskasten, schickeria, Berlin, DE

Our affects fly out of the field of human reality, Galerie Sandra Bürgel, Berlin, DE


Art France Berlin, organized by l’Ambassade de France et l’AFAA, Berlin, DE

Flatefiles, Pierogi, Liepzig, DE

Boundless, Stenersenmusee, Oslo, NO


Jean-Luc Verna / Raymond Pettibon, invitation de Jean Luc Verna, BFAS Blondeau Fine Art Services, Genéve, CH

Projects, Collaborations and Publications


Drawings, artist catalogue, MER, Paper Kunsthalle, Ghent BE, (forthcoming)

Takashi Ni, Alexis Vaillant interview with Niels Trannois, CURA magazine n°14


riviera, Le Purple Journal n°12


Ziggy Zowie’s fanzine, issue 0
Evenement E 1027, Le Purple Journal n°9, avec Sophie Bueno Boutellier et Jean-Michel Wicker


Le loup Alpha, phono/phono, published in Pacemaker n°7


Le travail de l’Espace, Revue JAVA N° 24


Armando Andrade Tudela

Armando Andrade Tudela

1975, Lima, PE

Lives and works in Berlin, DE


Jan Van Eyck Akademie, Maastricht, NL

The Royal College of Art, London, UK

Pontifícia Universidad Católica, Lima, PE

Solo Exhibitions


Nomadismus beginnt zu Hause, Künstlerhaus Bremen, DE


Le Grand Cafe in St Nazaire, St Nazaire, FR (forthcoming in October)

Gold Coast Costumes, Carl Freedman Gallery, London, UK (forthcoming in June)

Sombras del Progreso, Galeria Elba Benitez, Madrid, ES


Armando Andrade Tudela, DAAD Gallery, Berlin, DE

Liquidación, Museo de Arte de Lima, Lima, PE

Armando Andrade Tudela, Fortes Vilaça, São Paulo, BR


Alto, Sorta, Sopra, Supportico Lopez, Berlin, DE


Salle de Répétition Part 2, Carl Freedman Gallery, London, UK

Salle de Répétition Part 1, Carl Freedman Gallery, London, UK

Ahir, demà, Museu d’ Art Contemporani de Barcelona, Barcelona, ES

Hier, Aujourd’hui, Demain, Aujourd’hui, Demain, Hier, Demain, Hier, Aujourd’hui, FRAC Bourgogne, FR, 2010 / DAAD, Berlin, DE, June 2009 / Ikon Gallery, Birmingham, UK, February 2009


Gamblers Die Broke, Frankfurter Kunstverein, Frankfurt, DE, February and Kunsthalle Basel, Basel, CH


Les Signaux de L’Ame, Annet Gelink Gallery, Amsterdam, NL


Inka Snow, Carl Freedman Gallery (formerly Counter Gallery), London, UK


Camión, Carl Freedman Gallery (formerly Counter Gallery), London, UK


Armando Andrade Tudela, The Bakery at Annet Gelink Gallery, Amsterdam, NL

Selected Group Exhibitions


Fellbach Triennale, Fellbach, DE

Constellations, Tate Liverpool, Liverpool, UK


Oltre il muro/Beyond The Wall’, Museo d’Arte Contemporanea Castello di Rivoli, Turin, IT

ABC: Art Berlin Contemporary, Berlin, DE

Performances da Abstração, Galeria Luciana Brito, São Paulo, BR

En Obras. Coleção Teixeira de Freitas, TEA – Tenerife Espacio de las Artes, Santa Cruz de Tenerife , ES

The Persistence of Geometry: Works from la Caixa Foundation and MACBA collections, CaixaForum, Madrid, ES


Distant Star/Estrella Distante, Regen Projects, Los Angeles and Kurimanzutto, MEX

Public Abstraction, Private Construction, Kunstverein Arnsberg, DE

Transmitter/Receiver: The Persistance of Collage, Arts Council Collection touring exhibition beginning at MIMA, Middlesbrough, UK

Cut & Mix: Contemporary Art from Peru and Chile, ifa Gallery, Stuttgart, DE

FRAC Piemonte collection exhibition, Cittadellarte-Fondazione Pistoletto, Biella, IT

Drawing 2011, The Drawing Room, London, UK

21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, AUS


The Mirage of History, Kaleidoscope, Milan, IT

Love of Diagrams, PICA, Perth, AUS

Le Dernier Roman Du Monde, Supportico Lopez, Berlin, DE

Incidents of Travel in Central America, Chipas, Yucatan and Elsewhere…, Centro Cultural de Espana, Guatemala

Rethinking Location, Spruth Magers, Berlin, DE

Does the Angle Between Two Walls Have a Happy Ending?, curated by Ishmael Randall Weeks, Federica Schiavo Gallery, Rome, IT

Rehabilitation, Wiels, Brussels, BE


Panorama da Arte Brasileira, Museu de Arte Moderno, Sao Paulo, BR

Warsaw Under Construction, Museum of Modern Art, Warsaw, PL

Modernologies, Museu d’Art Contemporani de Barcelona, Barcelona, ES, September 2009 and Museum of Modern Art, Warsaw, PL, February 2010

Time as Matter: New Acquistions, Museu d’Art Contemporani de Barcelona, Barcelona, ES

Yellow and Green, MMK, Frankfurt, DE

Second Hand, curated by Jasper Sharp, Engholm Englehorn Gallery, Vienna, AT


Armando Andrade Tudela, two-person show with Florian Pumshol, Krobath Wimmer Galerie, Vienna, AT

() Neutre Intense, La Maison Populaire, Paris, FR and Carl Freedman Gallery


Brave New Worlds, Walker Art Centre, Minneapolis(Touring), US

Lyon Biennial, Lyon, FR

Curación Geométrica, The Reliance, London, UK


Shanghai Biennial – selected by Jonathan Watkins, CN

Sao Paulo Biennial – selected by Adriano Pedrosa, BR


Torino Trienniale, T1, selected by Carolyn Christov-Bakargiev & Francesco Bonami, Various venues, Torino, IT

Tropical Abstraction, Stadelijk Museum, Bureau, Amsterdam, US, curated by Roos Gortzak

Farsites, inSITE 05, curated by Adriano Pedrosa, Tijuana / San Diego Museum of Art


Rheinschau Projects, Cologne, DE

PR04, Puerto Rico Biennale, Rincón, Puerto Rico

The Concert In The Egg, The Ship, London, UK

To Be Political It Has To Look Nice, Apex Art, New York, US


Retriever, Pearl Projects, London, UK

The Progressive Future, Platform Gallery, London, UK

The Protective Clothing Company, Knox Gallery, London, UK

El Paso, Casa Cultura Mario Quintana, Porto Alegre


Interim Show, Royal College of Art, London, UK

Diversion, 291 Gallery, London, UK


X Concurso Patronato de la Telefónica, Sala Fundación Telefónica del Perú, Lima, Peru

XI Concurso Pasaporte Para Un Artista, Sala Centro Cultural Universidad Católica del Perú, Lima, Peru


Proyecto Terreno De Experiencia 1, Sala Luis Miro Quesada Garland, Lima, Peru


El Ultimo Lustro, Sala Luis Miro Quesada Garland, Lima, Peru

Irrealidad, Centro Cultural Ricardo Palma, Lima, Peru


Viaje a la Luna, Centro Cultural Español, Lima, Peru

Projects, Collaborations and Publications


Armando Andrade Tudela, Sombras del Progreso, Galeria Elba Benitez, Madrid, exhibition review by Javier Hontoria, Artforum, Summer edition

Selected Works – 2003-2012, Armando Andrade Tudela, Texts by Peio Aguirre, Yann Chateigné Tytelman, Max Hernández-Calvo, Chus Martínez, Armando Andrade Tudela, Les presses du reel: Dijon, FR


Rencontres à Trésors, interview by Francesco Manacorda, Kaleidoscope magazine, Feb 2010, pp.120-125

Vertical Integration, words by John Slyce, Kaleidoscope magazine, Feb 2010, pp. 130-133


Efectiviwonder, Ikon Gallery, Berliner Künstler Program/ DAAD, DE


Armando Andrade Tudela, Nine Images of the Glass House and one Portrait, Annet Gelink Gallery, DE


Camion, Köln/London, Verlag der Buchhandlung Walther König, DE

Public Collections

Museo Nacional Centro de Arte Reina Sofía, Madrid, ES
Centre Georges Pompidou, Paris, FR
Arts Council Collection, London, UK
Museo de Arte de Lima, Lima, PE
Museum fur Moderne Kunst, Frankfurt, DE
Museu d’Art Contemporani de Barcelona, Barcelona, ES
Museum of Modern Art, New York, US
Tate, London, UK
Queensland Art Gallery Collection, Brisbane, OZ


J. Parker Valentine

Born 1980, Austin, Texas, US

Lives and works in Los Angeles, US



MFA, San Francisco Art Institute, New Genres


BFA with Honors, University of Texas at Austin, School of Art and Art History

Solo Exhibitions


Node, Misako and Rosen, Tokyo, JP

Topo, Langen Foundation, Neuss, DE


Frieze Frame with Supportico Lopez, New York, US

Failure Envelope, Artpace International Artist in Residency Program, curated by Suzanne Cotter, San Antonio, Texas, US


Who Made Who, Supportico Lopez, Berlin, DE

Who Made Who, Galerie Max Mayer, Dusseldorf, DE


Cut-Outs-Inter-Sections, Peep-Hole, Milan, IT

The Perfect Landscape, Supportico Lopez, Berlin, DE

J. Parker Valentine, Lisa Cooley, New York, US

J. Parker Valentine, Taka Ishii Gallery, Kyoto, JP


J. Parker Valentine, Lisa Cooley, New York, US

Selected Group Exhibitions


Towers of Dub (Live Orbient 3.9.93), group show with Olga Balema, Tom Humphreys, Win McCarthy, Emanuel Röhss, José Rojas and J. Parker Valentine, Thomas Duncan Gallery, Los Angeles, US.

An Account of Discovery and Wonder; Detailing intrepid exploration, inevitable peril and infallible resolve, as evidenced by relics, replicas, artifacts, counterfeits, documents, samples, souvenirs, ephemera, scraps and residue; group show with Francis Alys, Alan Bean, Elain Cameron-Weir, Mirak Jamal, Sean Landers and J. Parker Valentine. With a collection of objects curated by Markus Li Stensrud, 1857, Oslo, NO


The Gardens of Sardinia, Cyprus, and Jerusalem, curated by Paolo Chiasera, collaboration with Alessandro Biggio, MAN, Nuoro, Sardinia, IT

After Walker Evans, curated by Rachel Cook, Fort Worth Contemporary Arts, Fort Worth, Texas, US

Go and Come Back, with Julian Beck, Marco Bruzzone, Henri Chopin, J. Parker Valentine, Supportico Lopez at Paradise Garage, Los Angeles, US

The John Riepenhoff Experience, Night Gallery, Los Angeles, US


BRACCIA #2, collaboration with Alessandro Biggio, Museo Marino Marini, Florence, IT

Imprisoned, Jailbreak, XYZ, Tokyo, JP

Sister Sarah’s Theme, Prism, Los Angeles, US

BRACCIA, collaboration with Alessandro Biggio, MAN, Nuoro, Sardinia, IT

SPUT, The Gardens, Vilnius, LT

Reds and Triangulars, Collaboration and continued project with Ray Brassier and Ian Rosen, commissioned by New Museum, New York,US


Today, Lisa Cooley, New York, US

Evidence of Houdiniʼs Return, Arthouse at the Jones Center, Austin, Texas, US


Nobuyoshi Araki, Cerith Wyn Evans, Nobuya Hoki, Sterling Ruby, J. Parker Valentine, Taka Ishii Gallery, Tokyo, JP

Alice Channer, Jamie Isenstein, J. Parker Valentine, Lisa Cooley, New York, US

New Art in Austin: Fifteen to Watch, Austin Museum of Art, Austin, Texas, US

Organic Relationships, The Center for Cosmic Wonder, Osaka, JP

Organic Relationships, Kyoto Seika University, Kyoto, JP


Organic Relationships, The Center for Cosmic Wonder, Tokyo, JP

36 Dramatic Situations, Louis V E.S.P., Brooklyn, New York, US

Substance Abuse, curated by Colin Huerter, Leo Koenig Inc., New York, US


Christopher Orr & J. Parker Valentine & Rezi van Lankveld, Front Room, Contemporary Arts Museum, St. Louis, Missouri, US

If the Dogs are Barking, Artists Space, New York, US

Retractions, Root Division, San Francisco, California, US


Creswell Crags, Lisa Cooley, New York, US



Ceruti, Cotter, Schneider, Valentine. “Fiction.” Sternberg Press.

Biggio, Alessandro. Braccia. Mousse publishing.

Huberman, Schindler. “The Front Room: Artists’ Projects…2008­2013.” Contemporary Art Museum, St. Louis.


Ambrosio, Daniela, Review for Braccia, Flash Art Italia, n.312, October 2013

Work in Progress, V magasine, Issue #60, June 2013

Cashdan, Marina, Vitamin D2, Phaidon Books, May 2013

Special Project, Zing Magazine #23, May 2013

Bailey, Stephanie,  Review for Who Made Who, Modern Painters, March 2013


“Who made Who” cura.magazine, 11 December

Harper, James, ”Art: Understand J. Parker Valentineʼs Narrative at Supportico Lopez”, INDI Berlin, 28 November

Yeoh, Peter, “Who Made Who”,, 16 November


Dikeou, Devon. “Interview: J. Parker Valentine.” Zingmagazine, August.

“Alice Channer / Jamie Isenstein / J . Parker Valentine” The New Yorker. 2 May.

Rosenberg, Karen. “Rising and Regrouping on Lower East Side” The New York Times, 21 April.

Meneghel, Barbara. “J. Parker Valentine. Cut-Outs-Inter-Sections,” Flash Art Italia n. 291 March.

Bonansinga, Kamps, & Mellard. New Art in Austin: 15 to Watch. Exhibition Catalogue


Fitzgerald, Ali. “J. Parker Valentine,” …might be good, Issue 159.

Fried, Laura. “Nice to Meet You: J. Parker Valentine,” Mousse Magazine: Issue 26.

Moriguchi, Madoka. “Presentation of the Abstract Image: Universal Reasoning of ‘The Self’,” The Kyoto Shimbun News, 15 July.

Kleinberg, Joanna. “On J. Parker Valentine at Lisa Cooley,” The Drawing Center Bottom Line, 8 April.

“Critics Pick: Sculpture: J. Parker Valentine,” TimeOut New York, April.


Baran, Jessica, “Featured Review: Christopher Orr & J. Parker Valentine & Rezi van Lankveld” Riverfront Times, 9 June.

Younger than Jesus: The Artist Directory, co-published by the New Museum and Phaidon.


Smith, Roberta. “Creswell Crags” The New York Times, September 27, 2008.

Maxwell, P. “Emerging Artist: J. Parker Valentine,” Phillips Art Expert, July 17.