Daniele Milvio “Brache”

Daniele Milvio - "Brache"

18 November 2017 – 27 January 2018

November 18, 2017 6-9 pm

Daniele Milvio
La campana delle sei, 2017
Bronze, illuminated globe
285 × 40 cm
(detail)
Daniele Milvio
La campana delle sei, 2017
Bronze, illuminated globe
285 × 40 cm
(detail)
Daniele Milvio
La campana delle sei, 2017
Bronze, illuminated globe
285 × 40 cm
(lights out)
Daniele Milvio
La campana del dovere, 2017
Bronze, illuminated globe
285 × 40 cm
(detail)
Daniele Milvio
La campana del dovere, 2017
Bronze, illuminated globe
285 × 40 cm
(detail)
Daniele Milvio
La campana del dovere, 2017
Bronze, illuminated globe
285 × 40 cm
(lights out)
Daniele Milvio
Da qualche parte tra Viterbo e il centro della Terra , 2017
Bronze, illuminated globe
55 × 40 cm
Daniele Milvio
Cambia la tua faccia o te la cambia un sampietrino in faccia, 2017
Ink on paper on wooden board painted with egg temper
55 × 40 cm
Daniele Milvio
Constatazione amichevole , 2017
Ink on paper on wooden board painted with egg temper
77 × 125 cm
Daniele Milvio
IRI, 2017
Ink on paper on wooden board painted with egg temper
77 × 125 cm
Daniele Milvio
I miei migliori auguri , 2017
Ink on paper on wooden board painted with egg temper
77 × 125 cm
Daniele Milvio
Educazione dei giovani ateniesi , 2017
Ink on paper on wooden board painted with egg temper
77 × 125 cm
Daniele Milvio
Formula contro i serpenti (part.1), 2017
Ink on paper on wooden board painted with egg temper
77 × 125 cm
Daniele Milvio
L'acqua si fa bassa, tra poco vi lascio, 2017
Ink on paper on wooden board painted with egg temper
77 × 125 cm
Daniele Milvio
Sopra il mio letto dormo, e mai sogno di voi, 2017
Ink on paper on wooden board painted with egg temper
77 × 125 cm
Daniele Milvio
Il finanziere, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Un incensurato? E chi lo conosce, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Si é mangiato un secchio di cachi poi si é fatto il bagno, é morto, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Buttati al fiume , 2015
Oil pastel and gouache on paper
Framed: 50 × 70 cm
Daniele Milvio
La mia casa é sporca, compramene una pulita, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Occhiali nuovi , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Un incubo di regata, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Vive in gattabuia e mi saluta sorridendo , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Ho colto un fiore dal secchio per te , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Si lava entrambe le ascelle per te , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Il primo arrivato , 2017
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Tre nasi , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Sotto le scale (guardone), 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Il re delle anguille , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Il bello , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Postino , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Allergico ai costracei , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Con un occhio frigge il pesce e con un occhio guarda il gatto , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Belicoso , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Orecchio Assoluto , 2015
Oil pastel and gouache on paper
framed: 70 × 50 cm
Daniele Milvio
Sassaiola , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Secerne sangue dal nasale , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Faina, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
È un ragazzo sensibbile, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Er più, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
L´iscaiuolo , 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Il batticazziere, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio
Un incensurato, 2015
Oil pastel and gouache on paper
Framed: 70 × 50 cm
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017
Daniele Milvio, "Brache"
Installation view at Supportico Lopez, Berlin, 2017

Supportico Lopez is happy to announce Daniele Milvio’s first solo exhibition with the gallery.

Dear Stefania and Gigiotto,
Don’t let the length of my e-mail scare you; these are both very relevant points and it means it a lot to me to be able to explain my thought process regarding our exhibition “Brache”.

The extreme difficulty in reading the texts – those texts that were written paying specific attention to the composition and balance of painting and not of calligraphy – it is a point that in this case poses itself wholly, and not in the relationship with the German public, given that the texts are mostly comprehensible only to myself, my sister, an old and elderly high school professor of mine and to the psychiatrist with an expertise in self-hypnosis BS.

My writing became voluntarily almost illegible to others from very early on, for reasons that primarily have something to do with the incredibly powerful sense of shame that can overcome he who is in disagreement with his own age.

I therefore think that I can say without seeming unconcerned that the Italian language is the most minor of obstacles to whoever wishes to read the content of the papers; reading is not the objective of the assortment, I am scanning all of the papers, in order to, one day, propose an anastatic print enriched by transcriptions and translations, but today is not that day.

I am not able to make predictions on the marketable or non marketable nature of the panels, as I have never understood how shared preferences, which I have remarked in the few years of my work, are formed. I can only state that an auric rectangle of 125/77 is a magnificent form, that the colours that I will use are the world’s most beautiful colours – it is not a hyperbole – and that the volume of documents that I will nail on the panels will have the form of the most complete confession that I can make, and that will likely ever make.

I would like to specify the heterogeneity of the material that will be nailed:

Recent papers utilising the automatic writing method
Recent papers written while clearheaded
Recent drawings
Drawings I did when I was a teenager
Illustrated homework
Pages from a school agenda
Notes
A curse
Calculations
Copies
Fines
Complaints
Reflections
A few copies of etchings by Kathe Kollwitz I did as a teenager
An etching done as a teenager from a portrait of Gudrun Ensslin
Drawings made between the ages of 12 and 20
Greeting cards
Receipts
Etcetera

Attached are some examples.

I was thinking of the wall that delimits the alcove where my painting was hung on the occasion of the group show Carpet for a Lord.We could hang the 28 portraits on this wall.
This could also provide works that will be more agile in economically supporting the show, and the mass exhibition of these drawings is something that I have been wanting to do for some time.

I anxiously await your thoughts.

Hugs,
Daniele

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