Upcoming|Mass No. 3

Supportico Lopez presents The Performance Agency at Archivio Conz Berlin

Friday 2nd february 2018, 7pm

Activated and inspired by the performance anarchist Robert Delford Brown.
A colleague of artists like Jim Dine, Claes Oldenburg and Nam June Paik, Robert Delford Brown was a central figure in the anarchic New York art scene of the early 1960s, a participant in — and instigator of — events-as-art known as “happenings.” He saw the potential for aesthetic pronouncement in virtually everything. His métier was willful preposterousness, and his work contained both anger and insouciance.
He was inventing a creation myth, he said later, and indeed, his appearance in “Originale” led him to create his own religion, The First National Church of the Exquisite Panic, Inc. The church was jokey, but not a joke. It had a deity, called Who, to answer the mysterious questions of the universe. (What does the future hold? Who knows.) It had a philosophy, known as Pharblongence, an Anglicized skewing of the Yiddish word farblonjet, meaning “confused.” Robert Delford Brown died in the US in 2009.


Mass #3 will feature (still in progress)…
Robert Delford Brown
Eric Wesley
Juliette Blightman
Camille Alena
Pepe Dayaw& Dan Timm
Esther Ferrer
Chosil Kil
Jan St Werner + DAF
Alvaro Urbano
Marco Bruzzone
John Furnival
Ben Patterson
and others

Mass No.2

Supportico Lopez presents The Performance Agency
“The Topography of Chance” at Archivio Conz*

Friday 15th December 2017, 7pm

An evening with: 

Gerry Bibby
Juliette Bilghtman
Tina Braegger
Sergio Cena
Dorothy Iannone
Ro Hofmann
Lisa Holzer
Nuri Koerfer
Quinn Latimer
Lawrence Sky Walking
Lonely Boys
Paul Sharits
Daniel Spoerri

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3 November – 19 December 2017

Supportico Lopez in NY

Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomrimger,
Installation view at GrandArmyCollective, New York, 2017
Eugen Gomringer
AEIOU, 1985/90

Supportico Lopez is happy to announce an exhibition with works by Eugen Gomringer at GrandArmyCollective, Brooklyn, NY.

Eugen Gomringer (born January 20, 1925 in Cachuela Esperanza, Bolivia) is often called (as well as the Brazilian poets Augusto de Campos, Haroldo de Campos and Décio Pignatari) the father of concrete poetry. Eugen Gomringer is head of the Institut für Konstruktive Kunst und Konkrete Poesie (IKKP) in Rehau the town where he lives.

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Mass No.1

 

Supportico Lopez presents
The Performance Agency at Archivio Conz*

Friday 29th September 2017

An evening with

Anatomie Fleur
Battle-ax
Juliette Bilghtman
Forever Traxx
Jessie Holmes
Paolo Thorsen Nagel
Garrett Nelson
Felix Mathias Ott & Bahar Temiz


* Archivo Conz houses artworks, documents, editions and personal belongings collected and catalysed by Francesco Conz (Cittadella, 1935–Verona, 2010) over the course of more than 30 years. More than a collector, he worked closely with artists from the main artistic Avant-garde movements of his time—Fluxus, Concrete Poetry, Actionism and Lettrism. He left an archive of more than three thousand items.

Archivio Conz
Lise-Meitner-str. 39
10589 Berlin
S+U Bahnhof Jungfernheide

7 September – 7 October 2017

Independent Régence Brussels

Zin Taylor
An Arrangement of Units Suspended in the Air (I), 2017
CPVC, paint, plaster cloth, polymer clay, string, wire
185 × 40 cm
Zin Taylor
An Arrangement of Units Suspended in the Air (II), 2017
CPVC, paint, plaster cloth, polymer clay, string, wire
161 × 88 cm
Zin Taylor
An Arrangement of Units Suspended in the Air (III), 2017
CPVC, paint, plaster cloth, polymer clay, string, wire
150 × 55 cm
Zin Taylor
An Arrangement of Units Suspended in the Air (IV), 2017
CPVC, paint, plaster cloth, polymer clay, string, wire
154 × 54 cm
Zin Taylor
An Arrangement of Units Suspended in the Air (Lavender Arc), 2017
CPVC, paint, plaster cloth, polymer clay, string, wire
160 × 117 cm
Zin Taylor,
exhibition view, Independent Régence, Brussels, 2017
Zin Taylor,
Installation view, Independent Régence, Brussels, 2017
Zin Taylor,
Installation view, Independent Régence, Brussels, 2017
Zin Taylor,
Installation view, Independent Régence, Brussels, 2017
Zin Taylor,
exhibition view, Independent Régence, Brussels, 2017
Charlie Billingham
Smog, 2017
Oil on Linen
100 × 80 cm
Charlie Billingham
Miasma, 2017
Oil on Linen
100 × 80 cm
Charlie Billingham
A Night At The Opera , 2017
Oil on Linen
100 × 80 cm
Charlie Billingham
My Hobbies Are Fishing And Jogging, 2016
Oil on Linen
100 × 80 cm
Charlie Billingham
May, 2016
Oil on Linen
100 × 80 cm
Charlie Billingham
Agog, 2016
Oil on Linen
100 × 80 cm
Charlie Billingham
Lamento, 2016
Oil on Linen
100 × 80 cm
Charlie Billingham
What Will You Do With This Room , 2016
Oil on Linen
100 × 80 cm
Charlie Billingham
Dec, 2017
Oil on paper and linen
180 × 150 cm
Charlie Billingham
I Like, 2017
Oil on Linen
180 × 150 cm
Charlie Billingham
Jigsaw Falling Into Place, 2017
Oil on paper and linen
180 × 150 cm
Charlie Billingham
Please Please , 2017
Oil and Acrylic on Linen
180 × 150 cm
Charlie Billingham,
exhibition view, Independent Régence, Brussels, 2017
Charlie Billingham,
exhibition view, Independent Régence, Brussels, 2017
Charlie Billingham,
exhibition view, Independent Régence, Brussels, 2017
Charlie Billingham,
exhibition view, Independent Régence, Brussels, 2017
Charlie Billingham,
exhibition view, Independent Régence, Brussels, 2017
Charlie Billingham,
exhibition view, Independent Régence, Brussels, 2017

Supportico Lopez is happy to present an exhibition of Charlie Billingham and Zin Taylor at Independent Régence Brussels.

Independent Régence is the fair’s permanent exhibition space located in Brussels that supports the programs of Independent’s galleries throughout the year. Independent’s Régence platform is part of the fair’s ongoing commitment to the experimentation of presenting and viewing contemporary art, creating unique opportunities to supporting the changing needs of the fair’s extended gallery network.

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14 January – 11 February 2017

Franziska Lantz

Franziska Lantz "expanding arid zones"
exhibition view at Rodeo, London, 2017
Photo by Plastiques
Franziska Lantz "expanding arid zones"
exhibition view at Rodeo, London, 2017
Photo by Plastiques
Franziska Lantz "expanding arid zones"
exhibition view at Rodeo, London, 2017
Photo by Plastiques
Franziska Lantz "expanding arid zones"
exhibition view at Rodeo, London, 2017
Photo by Plastiques
Franziska Lantz "expanding arid zones"
exhibition view at Rodeo, London, 2017
Photo by Plastiques

Franziska Lantz
expanding arid zones
Supportico Lopez hosted by Rodeo | CONDO 2017

In her exhibition, expanding arid zones, Lantz will present a new body of work consisting of matter largely retrieved from the banks of the river Thames.

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24 April – 22 May 2016

Bloody Life

Installation view at Herald St with works of Franziska Lantz and Athena Papadopoulos
Installation view at Herald St with works of Franziska Lantz and Athena Papadopoulos
Installation view at Herald St with works by Franziska Lantz and Athena Papadopoulos

“Bloody Life” is an exhibition curated by Supportico Lopez in collaboration with Herald St.

Artists in show: Rebecca Ackroyd, Robert Bittenbender, Nicholas Cheveldave, Rob Chavasse, Cary Kwok, Lindsay Lawson, Jill Mulleady, Franziska Lantz, Yugi Nagai, Athena Papadopoulos, Jessi Reaves

Postmumblecore

Independent American Film Program
curated by Maria Adele Del Vecchio in collaboration with Zach Weintraub
featuring films by Sophia Takal, Zach Weintraub, Nandan Rao, Scott Cummings
Wednesday, 17 February 2016
Screening starts at 5pm, doors open at 4pm

The film director Nandan Rao will be present
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5 January – 20 February 2016

Starship Magazine

Supportico Lopez will host Starship Magazine’s Editorial Office in the gallery space
5 January – 20 February 2016
preparing the issue Starship 14 Spring 2016

6 February – 20 March 2015

Henri Chopin Pêche de Nuit (oh hell ah well yes well)

Carl Andre, Mel Bochner, George Brecht, John Cage, Bob Cobbing, Raoul Hausmann, Geoffrey Hendricks, Dick Higgins, Jackson Mac Low, Maurizio Nannucci, Gerhard Rühm, Arrigo Lora Totino, Emmett Williams curated by Supportico Lopez for RaebervonStenglin, Zürich CH

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9 January – 11 January 2015

Mårten Spångberg

untitled-5
Mårten Spångberg , The Internet
Supportico Lopez, Berlin
2015
untitled-4
Mårten Spångberg , The Internet
Supportico Lopez, Berlin
2015
untitled-1
Mårten Spångberg , The Internet
Supportico Lopez, Berlin
2015
untitled-2
Mårten Spångberg , The Internet
Supportico Lopez, Berlin
2015
untitled-3
Mårten Spångberg , The Internet
Supportico Lopez, Berlin
2015

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13 July – 26 August 2013

Zin Taylor – new edition released by Mousse

zt_sequence
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50
zt_edition06
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50
zt_edition05
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50
zt_edition04
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50
zt_edition03
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50
zt_edition02
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50
zt_edition01
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50
zt_mousse
Living systems, narrative haze (a sequence of palm trees obscured by the fog)
6 duotone prints, 29.7 x 42 cm – 11.69 x 16.54 in
Edition of 50

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23 June – 23 July 2011

Carmelo Bene

nostra_signora_bene_imm2

“Nostra signora dei turchi” (1968)

We are born with a contraction and we die with a sneer”

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