Born 1974, Oslo, NO
Lives and works in Oslo, NO
The National Academy of Fine Arts, Master studio, Oslo, NO
The Royal Danish Art Academy, Copenhagen, DK
The National Academy of Fine Arts, Oslo, NO
Strykejernet Art School, Oslo, NO
Arts Council Norway – State Grant for the Arts, 10 years work grant for Established Artists Norwegian Arts Council – Project Support – publication
OCA – Office for Contemporary Art Norway, International Support: Taylor Macklin, Zürich, CH
Norwegian Arts Council – Project Support, NO
W17 – Bildende Kunstneres Hjelpefond Atelierprogram, Kunstnernes Hus, Oslo, NO
OCA – Office for Contemporary Art Norway / 18th Street Arts Center, Santa Monica, US-CA
OCA – International Support: Musée d’Art Moderne de la Ville de Paris / ARC, Paris, FR
Statens Arbeidsstipend for Biledkunstnere – 3-year work grant
Kulturetaten – Oslo Kommune, Studio Recidency, Folkeobservatoriet, 4 years, NO
W17 – Bildende Kunstneres Hjelpefond Atelierprogram, Kunstnernes Hus, Oslo, NO
Billedkunstnernes Vederlagsfond – Project Support
OCA – Office for Contemporary Art Norway, International Support: Torrione Passari, Molfetta, Bari, IT
Billedkunstnernes Vederlagsfond – Project Support
OCA – Office for Contemporary Art Norway, International Support: Weltecho, Chemnitz
Norwegian Arts Council – Project Support
Billedkunstnernes Vederlagsfond – Prosject support
Billedkunstnernes Hjelpefond – 3 year work grant
Frie Fotografers Fond – Exhibition support
Norsk kulturråd, Exhibition support, Preus National Museum of Photography
OCA – Office for Contemporary Art Norway, International Support: Brussels Biennial 1, Brussels
Billedkunstnernes Vederlagsfonds – 1 year work grant
Billedkunstnernes Vederlagsfond – Project Support
OCA – Office for Contemporary Art Norway, International Support: La Vitrine, Paris
Stockholm Stads Kulturstipend: AK28, Stockholm
Statens Arbeidsstipend for Fotografer, 2 year work grant
OCA Residency and travel support: Patform Garanti Istanbul Residency Programme, Istanbul
OCA International Support: Witte de With Contemporary Art Center, Rotterdam
OCA International Support: Richard and Dolly Maass Gallery, SUNY, New York
OCA International Support: Kunsthalle Bern, Bern
Billedkunstnernes Vederlagsfond – Project Support
Statens Arbeidsstipend for yngre kunstnere, 2 year work grant
Billedkunstnernes Vederlagsfonds stipend, 1 year work grant
Norsk kulturråd, Debutantstøtte
Norsk Fotografisk Fond – Project Support
OCA International Support: Museum of Installation, London, UK
Norsk Kulturråd, Material Support
Thv. Erichsens Fond, Statens Kunstakademi, Oslo, NO
OCA – Office for Contemporary Art Norway / 18th Street Arts Center, Santa Monica, California W17 – BKH Atelierprogram, Kunstnernes Hus, Oslo, NO
Folkeobservatoriet, 4 years residency – Kulturetaten, City Council, Oslo W17 – BKH Atelierprogram, Kunstnernes Hus, Oslo
Lenikus Sammlung Residency Program, Vienna
OCA Office for Contemporary Art Norway / Platform Garanti Residency Program Istanbul, Istanbul, TR
Milwaukee International Residency Program, Milwaukee, US
The National Academy of Fine Arts, Oslo – Arcueil, Paris, FR
"Marius Engh", VIS, Hamburg , DE
“Double Bill” , Galerie Emanuel Layr Rome, IT
“When We Dead Awaken”, Munchmuseet Oslo, Norway
Eschscholzia Californica, Standard (Oslo), Oslo, NO
Eschscholzia Californica, Spazio Veda, Florence, IT
Ornamental Sleep (with Morten Slettemeås), Luis Adelantado, Valencia, ES
A Gaze Blank and Pitiless as the Sun, NoPlace, Oslo, NO
On the other side of the wind (8 acts), with Tarje EIkanger Gullaksen, Harpefoss Hotell, NO
Nec Plus Ultra, Taylor Macklin, Zürich, CH
Berlin Brandenburg Surf Club (with Jordan Rosenfeld), Gaasa, Oslo, NO
Nothing in return, STANDARD (OSLO), Oslo, NO
Eschscholzia Californica, Galerie Emanuel Layr, Wien, AT
No Know, W17 Atelierprogram, Kunstnernes Hus, Oslo, NO
My Target Is Your Eyes, permanent exhibition, KORO / Ørje Tollsted, Ørje, NO
Dienstag Abend, Gdanska Galeria Miejska, Gdansk, PL
Order, Calm, Silence and Drain, STANDARD (OSLO), Oslo, NO
The Living Are Governed By The Dead, permanent exhibition, University of Bergen, Bergen, NO
Desperate Cases and Lost Causes, Ve.Sch, Raum und Form fur bildende Kunst, Vienna, AT
Fruit, Flowers and Clouds, Galerie Emanuel Layr, MAK – Österreichisches Museum für Angewandte Kunst, Vienna, AT
Time Has Turned Into Space And There Will Be No More Time, Till I Get Out Of Here, STANDARD (OSLO), Oslo, NO
Figureheads, Supportico Lopez, Frieze Frame, Frieze Art Fair, London, UK
An Aggregation of Adversary, Layr Wustenhagen Contemporary, Vienna, AT
Marius Engh, STANDARD (OSLO), Oslo, NO
Dead Ahead, Landings Art Space, Vestfossen, NO
My Target Is Your Eyes, Galleria Gentili, Prato, IT
Exhume to Consume, Supportico Lopez, Berlin, DE
Center of the World, Curator: Jonas Ekeberg, Preus Museum – National Museum of Photography, Horten “Toe Pincher”, Snowball Editions, Oslo, NO
Toe Pincher, Snowball Editions, Oslo, NO
Lycanthropic Chamber, STANDARD (OSLO), Oslo, NO
All Items Must Fit In Basket, STANDARD (OSLO), Oslo, NO
The Moon is a Harsh Mistress (with Ida Ekblad), Green Gallery, Milwaukee, US
No Comply, curated by Paul Brewer, Richard and Dolly Maass Gallery, State University of New York, Purchase College, New York, US
B-Sides, Projekt 0047, Berlin, DE
Cum Taedio In Infinitum (with Tarje Eikanger Gullaksen), Q, The Royal Danish Academy of Art, Copenhagen, DK
Free Drinks, Fotogalleriet, Oslo, NO
Notes From The Underground (with Gardar Eide Einarsson), Galleri 21:25, Oslo, NO
“When We Dead Awaken”, Munchmuseet Oslo, NO
MMMMMMMMMM, NoPlace, Oslo, NO
Ri-pensare il medium: il fantasma del disegno, casa masaccio / centro per l’arte contemporanea, San Giovanni Valdarno, IT
Norwegian Sculpture Biennial 2015, curated by Anna Szefer Karlser, Vigelandsmuseet, Oslo, NO
On the Other Side of the Wind (III), (with Tarje Eikanger Gullaksen), Harpefoss Hotell, Harpefoss, NO
Silicon, U1, Oslo, NO
Tilfældet Oslo, Ringsted galleriet, Ringsted, DK
Spring Depot, Tenthaus, Oslo, NO
Menneskeberget (Mot lyset er vi på vei), curated by Christian Norum, Edvard Munch’s studio, Ekely, Oslo, NO
Kjerringøy Land Art Biennale 2015 (with Tarje Eikanger Gullaksen), Kjerringøy, NO
Berlin Brandenburg Surf Club, with Jordan Rosenfeld, Øya festivalen, Oslo, NO
Mind & Matter (with Jordan Rosenfeld), Lynx, Oslo NO
Vi lever på en stjerne / We are living on a star, Henie Onstad Art Center, Høvik, NO
Attention Economy, Kunsthalle Wien, Vienna, AT
Decorum – Carpets and Tapestries by Modern and Contemporary Artists, curator: Anne Dressen, Power Station of Art, Shanghai, RC
El Rey de Icod, curated by Anna Haukeland, Tenerife Espacio de las Artes, Santa Cruz, Tenerife, E
100 timer, Norsk Teknisk Museum, Oslo, NO
Polarity and Resonance, Sammlung Lenikus, Vienna, AT
Tredje akt – Utvalgte verk fra Nordea Norge Kunstsamling, Drammens Museum, Drammen, NO
Collection as Allocated Objects, Tidens Krav & Sverre Gullesen, Oslo, NO
On the Other Side of the Wind (II), (with Tarje Eikanger Gullaksen), Harpefoss Hotel, Harpefoss, NO
Common Trade, Sequel Tiempo / Ulving Kunsthandel, Tønsberg, NO
Decorum – Carpets and Tapestries by Modern and Contemporary Artists, curated by Anne Dressen, Musée d’Art Moderne de la Ville de Paris / ARC, Paris, FR
Languageleaps, curated by Adriana Blidaru, Galeria Plan B, Berlin, DE
Parking Everywhere, 18th Street Arts Center, Santa Monica, US-CA
Smudge Stomp, (with Jordan Rosenfeld), BAM fest, 18th Street Arts Center, Santa Monica, US-CA
Marius Engh; Benjamin Hirte, Liza Holzer, Galerie Emanuel Layr @ Knust x Kunz, Munich, DE
Dienstag Abend, curated by Ludwig Kittinger, and Fernando Mesquita, Gdanska Galeria Miejska, Gdansk, PL
Fremtidsruiner / Future Ruins (with Tarje Eikanger Gullaksen), curator: Eivind Slettemeås, Harpefoss Hotell, Harpefoss, NO
Future Ruins, Kulturhuset Banken, Lillehammer, NO
On the Other Side of the Wind, Harpefoss Hotell, Harpefoss, NO
Als Morandi mit der Kinematographie liebäugelte, Supportico Lopez, Berlin, DE
Friends, Countrymen, Gaudel de Stampa, Paris, FR
Oscar knows Gardar. Gardar knows Matias. Matias knows Fredrik. Fredrik sort of knows Gardar. But Gardar knows Marius. And that Gardar knows Matias we already know. But Matias also knows Anders, STANDARD (OSLO), Oslo, NO
Drawing Quote, Pigna Project Space, Roma, IT
Fantasie Fluttuanti, curated by Giacomo Zaza, Torrione Passari Art Center, Molfetta, Bari, IT
Run, Comrade, the Old World is Behind You, Kunsthall Oslo, Oslo, NO
Dienstag Abend, Vesch – Raum und Form für bildende Kunst, Vienna, AT
Studio 9, curated by Eva Maria Stadler, Sammlung Lenikus, Vienna, AT
You Don´t Love Me Anymore, curated by Katja Schroeder, Westfälischer Kunstverein, Münster, DE
Wallpaperism, curated by Nick Oberthaler, Motel Campo, Geneva, CH
Selected Works – Tillman Kaiser and Marius Engh, Galerie Emanuel Layr, Vienna, AT
Stadt Einrichten – Stadt Berichten – Stadt Ausrichten, curated by Simone Zaugg and Pfelder, Weltecho, Chemnitz, DE
I Really Like The Works, But My Wife Is Still Concern. Please Keep Me Inform About New Works, STANDARD (OSLO), Oslo, NO
Statoil Art Award, Rogaland Museum of Fine Art, Stavanger, NO
Golden Parachutes, curator: David Horvitz, Berlin, DE
Like Tears in Rain, curator: Ana Luiza Teixeira de Freitas, The Palácio das Artes / Fábrica de Novos Talentos, Porto, PT
Babel, Stenersen Contemporary, Bergen Art Museum, Bergen, NO
When Do You See Yourself In Ten Years?, STANDARD (OSLO), Oslo, NO
Mike, Alec or Rufus? (Tom, Dick or Harry), Layr Wuestenhagen, Vienna, AT
No Soul for Sale, Torpedo Bookshop / Press, Oslo, Tate Modern, Turbine Hall, London, UK
Kiosk, curated by David Horvitz, Golden Parachutes, Berlin, DE
Kiosk, curated by David Horvitz, RAID Projects and Workspace, Los Angeles, US-CA
Statoil Art Award, Kunstnerforbundet, Oslo, NO
Six Degrees of Separation, Mehdi Chouakri, Berlin, DE
Two in One, Witte de With Center of Contemporary Art and De Appel, Christie´s, Amsterdam, NL
Gjengangere, Bastard, Oslo, NO
Survival Kit, Curator: Solvita Krese,, Latvian Centre for Contemporary Art (LCCA), Riga, LV
Show Me, Don’t Tell Me, curated by: Nicolaus Schafhausen and Florian Waldvogel, Witte de With Contemporary Art Center, Brussels Biennial 1, Brussels, BE
Horror Vacui, Layr Wuestenhagen Contemporary, Vienna, AT
We Have Never Met Before, But It´s WIith Great Anticipation of Your Understanding That I´m Writing You And I Hope You Will In Good Faith Give A Deep Consideration To My Proposal Below, curated by Mikel E. Astrup and Eivind Furnesvik, STANDARD (OSLO), Oslo, NO
When You Carry A Hammer A Lot Of Things Look Like Nails, Skalitzer Strasse 64, Berlin, DE
Figureheads, Torpedo Bokhandel / The White Tube, Oslo, NO
Hydro Corporate Collection, Henie Onstad Art Center, Høvik, NO
Nerhagen Skogsfestival, Vang, NO
Nationalmuseum, curated by Lars Monrad Vaage, Nationalmuseum Berlin, Schönleinstr. 6, Berlin, DE
Master of Puppets (with Sverre Gullesen), Planka, Oslo, NO
Tempo Skien 2007, Public Art Project, Skien, NO
Robert Smithson, curators: Lina Viste Grønli and Anders Smebye, Fotogalleriet, Oslo, NO
Routines of Resistance, curator: Eivind Furnesvik, STANDARD (OSLO), Oslo, NO
Unknown Unknowns, curator: Tarje Gullaksen, Nord-Jyllands Kunstmuseum, Aalborg, NO
Future Primitive, curated by Helga Marie Nordby, UKS – Young Artists Society, Oslo, NO
Skate Culture, curated by Jonas Ekeberg / Gardar Eide Einarsson, Bildmuseet, Umeå, NO
Paris Was Yesterday, curated by Hanne Mugaas, La Vitrine, Paris, FR
Dislocations (Don’t Try Popping Them Back Into Place), curated by Chus Martinez, with Gardar Eide EInarsson and Matias Faldbakken, ARCO – Special Projects Section / STANDARD (OSLO), Madrid, ES
Milwaukee International, Willy Wonka Inc., Milwaukee, US
Dice Thrown (Will Never Annul Chance), curated by Joao Ribas, Bellwether Gallery, New York, US
White Stains, STANDARD (OSLO) / Extra City, Antwerpen, BE
Skate Culture, curator: Jonas Ekeberg / Gardar Eide Einarsson, Bergen Kunsthall, Bergen, NO
Skate Culture, curated by Jonas Ekeberg / Gardar Eide Einarsson, Preus Museum, Horten, NO
Cross My Heart And Hope To Die, curated by Gudrun Benonysdottir, Hildigunnur Birgisdottir, Gunnar Tor Vilhjalmsson and Sigrun Edvardsdottir, Torpedo Bokhandel, Oslo, NO
Street: Behind The Cliché, curated by Nicolaus Schaffhausen and Renske Janssen, Witte de With Contemporary Art Center, Rotterdam, NL
Bokaktig, Fotogalleriet, Oslo, NO
The Norwegian Sculpture Biennial, curated by Cecilia Widernheim, The Vigeland Museum, Oslo, NO
There Are Two Paths, curated by Ida Ekblad and Hanne Mugaas Torpedo Kunstbokhandel, Oslo, NO
Giving the People What They Want, curated by Hanne Mugaas Glassbox, Paris, FR
Several Ways Out, curated by Craig Buckley, UKS Gallery, Oslo, NO
50 / 50, AK 28, Stockholm, SE
Villa Jelmini – The Complex of Respect, curated by Philippe Pirotte,Kunsthalle Bern, Bern, CH
Blankness Is Not A Void, curated by Gardar Eide Einarsson, STANDARD (OSLO), Oslo, NO
Salon 100 – Works on Paper, Heimdalsgaten 4, (temporary exhibition space), Oslo, NO
Standard Escape Routes, curated by Eivind Furnesvik, ISCP, New York, US
Pilot 1 – International Art Forum, Limehouse Town Hall, London, UK
Rank Xerox, curated by: Gardar E. Einarsson and Matias Faldbakken, Bergen Kunsthall, Bergen, NO
10 Years After (with Anders Smebye), Bomuldsfabriken Kunsthall, Arendal, NO
Shugacube, Vincent Lunges Institutt, No. 9 – Visningssted for Samtidskunst, Oslo, NO
Vækerø Sculpture Garden, Public Art Project, Oslo, NO
Listepop, Fotogalleriet, Oslo, NO
Institiution 2, curated by Jens Hoffmann, Oslo Kunsthall, Kiasma, Helsinki, FIN
Rathaus, Oslo Open, Atelier C, Rådhuset, Oslo, NO
Merry-Go-Round, Video program, Oslo Open, Oslo, NO
Museum of Installation, London, UK
Bjørvika 17. august, Skur 55, Bjørvika, Subcomandante, Oslo, NO
Brøl, Zoo Copenhagen, Frederiksberg, DK
I Deal Art For The Market, Curatorial Market, curated by Tone Hansen, Cuchifritos, New York, US
UKS biennalen 2001, Seilduksfabrikken, Oslo, NO
Fane, Galleri Elbowroom, Gothenburg, SE
Måske, (with Tarje Eikanger Gullaksen) Norbergfestivalen, Norberg, NO
Heavy Backstage, Ballongmagasinet, NO
Postprofessionalism, VCA, Melbourne, AUS
Presenting the piece / Her er værket!, OTTO , Galleri Rhizom, Århus, DK
Cantine del Borgo II, Underhaugsveien, Oslo, NO
Graduation Show, The National Academy of Fine Arts, Stenersenmuseet, Oslo, NO
Bergen Museum For Samtidskunst, Plakat, Bergen, NO
Forrett, Statens kunstakademi, Seilduksfabrikken, Oslo, NO
Weisse Zwerge und Grosse Riesen, Galleri Neu Deli, Bauhaus Universität, Weimar, DE
Cantine del Borgo, Galleri 21:25, SKA, Oslo, NO
Vibrations, Rogaland Kunstnersenter, Stavanger, NO
Die Faster Recordings, Quicksilver Gallery, Middelsex School of Art, London, UK
Heavy Backstage – Live In Bergen, Bergen Museum For Samtidskunst, Bergen, NO
The Great Rock´n´Roll Battle (The Best Of Frode Fivel), Heavy Backstage, Galleri 21:25, Oslo, NO
Heavy Backstage, (with Daniel Jensen), Høyskolen i Bø, Telemark, NO
Annekset, Galleri 21:25, Oslo, NO
Heavy Backstage, (with Daniel Jensen), Annekset, Statens kunstakademi, Oslo, NO
Punkpartyperformance, Galleri 21:25, Oslo, NO
The National Museum for Contemporary Art, Architecture and Design, Oslo
Deka Bank, Frankfurt am Main
Nordea Art Collection, Oslo
Norsk Hydro, Corporate Collection, Oslo
Telenor, Corporate Collection, Oslo
KORO – Kunst i Offentlig Rom, Oslo / Universitetet i Bergen – Fakultet for Historie og Filosofi, Bergen
KORO – Kunst i Offentlig Rom, Oslo / Ørje Tollsted, Ørje
Preus Museum – National Museum of Photography, Horten
Fondazione Mora Grecco, Napoli
Norwegian Art Council, Oslo
Acid Cats Foundation, London
JPMorgan Chase Art Collection, New York
Sammlung Lenikus, Vienna
Co-founder and -curator of the gallery Bastard in Oslo, NO, with Anders Smebye, 2005-2006
Curator of the public art project “Vaekeroe Sculpture Garden”, Oslo, NO, 2004
Sara R. Yazdani, “Objectets sociala process”, Kunstkritikk.no, January 27.
Marius Engh, “The Garden of the Gods”, Cornerkiosk Press, Oslo
Marius Engh, “Oslo”, Frenetic Happiness, Liverpool
Åse Anna Markussen, “Villa Moderne i Arcueil – Kunstakademiets Atelierhus i 75 år”, The Academy of Fine Art, Oslo, p. 126-128
Nick Oberthaler and Marius Engh, Untitled (Card Deck), publication, Galerie Emanuel Layr
Vienna Arve Rød, “Hotellkultur”, Dagbladet.no, August 20
Arve Rød, “Ingenting tilbake”, Dagbladet.no, July 7
Kristian Skylstad, “Marius blandt ruinene”, Kunstkritikk.no, July 3
Gunnar Danbolt, “Frå Modernisme til det kontemporære – tendensar i norsk samtidskunst etter 1990″, Samlaget Forlag, “Den relasjonelle kunsten”, chap. 3, p. 47 / “Om det konseptuelle”, chap. 6, p. 89
“Out There – John Divola and Marius Engh in conversation with Dorothée Perret”, Paris, LA
#11; Spring 2014, Photography Here and Now, p. 74-83
Hilde Berteig Rustan, “Mellom stjernestøv og betongklosser”, Argument, Nummer to, Kultur, p. 32-33
Even Smith Wergeland, Martin Braathen, Johanne Borthne, Vilhelm Christensen, Marius Engh, “Gjenopprett Arne Garborgs plass”, Aftenposten.no / Aftenposten, Oslo, p. 10, February 28
Stian Gabrielsen, “Ordskyer og sårede landskap”, Kunstkritikk.no, February 27
Even Smith Wergeland, Martin Braathen, Johanne Borthne, Vilhelm Christensen, Marius Engh, “Behold Y-blokka og gjenopprett Arne Garborgs plass”, Arkitektnytt.no, Debatt, February 21
Kjetil Røed, “Teppet som ble bombet i stykker”, Aftenposten, Kultur & Meninger, page 13, February 1
“Kjent av Mange og Ingen”/”Known to Many and Nobody”, Kunstforum #1, Portrettet/Portrait, p. 28-33/58-59
“Drawing Quote!”, Ed. Nick Oberthaler/PIGNA Project Space Roma, Roma
Erling Moestue Bugge, “Ruinen som kunstnerisk erfringsrom”, Objektiv – Tidsskrift for kamerabasert kunst, Issue 8, page 28-37
Tia Karlsen, “Og teppet var ikke dødt”, D2, Dagens Næringsliv, October 11, p. 56
“Marius Engh at Emanuel Layr, Contemporary Art Daily.com, Aug 5
“Marius Engh and Plamen Dejanoff at Emanuel Layr, Vienna!, Moussemagazine.it, July 28
Christa Benzer, “Rund um die Murphy Ranch”, derStandard.at, June 19
Sverre Malling, “Tre bøker om forbindelser og brudd”, Kunstforum, No. 3, p. 51
Tom Egil Hverven, “Framtidsruiner”, Klassekampen, Bokmagasinet, page 58, June 1
Johanne Nordby Wernøm, “Kunstseminar på Litteraturfestivalen”, Kunstkritikk.no, May 27
“Hegdehaugsveien 3″, STANDARD BOOKS, Oslo
Stian Gabrielsen, “Å gå å gå”, interview with Tarje Eikanger and Marius Engh, Kunstkritikk.no, January 17
Marius Engh, “The Living Are Governed By The Dead”, publication, University of Bergen – Faculty of History and Philosophy / KORO, WTF Kodex, Bergen, Second edition
“Marius Engh”, Conversation with Benjamin Hirte, Annual Art Magazine, Issue 5
Tarje Eikanger Gullaksen and Marius Engh, “A Nuthing in a Nutshell”, The Museum Of The Void Press
Marius Engh, “The Living Are Governed By The Dead”, publication, University of Bergen – Faculty of History and Philosophy / KORO, WTF Kodex, Bergen
Simon Rees, “Marius Engh & Tillman Kaiser”, Frieze d/e, Issue 3, Winter, 2011-12
Øystein Ustvedt, “New Norwegian Art since 1990″ / “Ny Norsk Kunst etter 1990″,
Fagbokforlaget, Bergen
Sinziana Ravini, “Locket faller igen och igen”, Kunstkritikk.no, October 14
Geir Haraldseth, “Kritikk på bestilling”, Kunstkritikk.no, October 14
Lærke Hein, “Den Stora Maleboken”
Marius Engh, “An Aggregation of Adversary”, Torpedo Press, Oslo
“Wallpaperism”, Ed. Nick Oberthaler, Boa Books, Geneva
Eva Klerck Gange, Objektiv – Tidsskrift for kamerabasert kunst No.3
Contemporary Art Daily, “Group exhibition at Westfälischer Kunstverein”, May 13
Jonas Ekeberg, “Ingen sjel til salgs I London”, Kunstkritikk.no, May 15
Peter Amdam, “Emosjon og stillstand”, Kunstkritikk.no, February 22
Contemporary Art Daily, “Marius Engh at Layr Wuestenhagen”, February 4
Marisa Mazria Katz, “The Wannabe Art Capital”, Monocolumn, Monocle.com, Los Angeles, February 1
Christian Zuern, “Opening night at three midtown galleries”, theartview.blogspot.com. January 22
Arve Rød, “Graastandarden”, Dagens Näringsliv, January 9/10
Kjetil Røed, “Gullrekka”, Kunstkritikk.no, January 11
Mona Pahle Bjerke, “Meditativt og inspirerende”, NRK news/culture, nrk.no, January 11
Trond Olav Svendsen, “Marius Engh”, Store Norske Leksikon
Stefania Palumbo, “Devils, Werewolfs and Other Myths”, Statoil Art Award 2009, catalogue
Stefania Palumbo, “Suggest a song”, Mousse Magazine issue 18, page 106-108
Marius Engh, Frieze Yearbook 2008-09
“Positions in Nordic Photography 2”, Ed. Jonas Ekeberg and Susanne Ø. Saether, “The Places Themselves”, Ingrid Book and Carina Hedén / “The Center of the World”, Marius Engh, Preus Museum, National Museum for Photography, Horten, catalogue
Line Ulekleiv, “Dagens helter”, Morgenbladet, 11 December
“Brussels Biennial”, Ed. Barbara Vanderlinden, Verlag der Buchhandlung Walther König, catalogue
Rolf Wienkötter, “Im Vollbesitz der Leere”, Horror Vacui, Spike Art Quarterly, Reviews, Winter 2008
Nina Marie Haugen Holmefjord, “Kunst, kapital og fordervelse”, Dagsavisen, 15 November
Petter Snare, “Frontal Frieze”, Kunstkritikk.no, Oslo
Marius Engh, “Figureheads”, published works, 28 page pamphlet, Torpedo Books, Oslo
“Horror Vacui”, www.Events.at, Ausstellungen, Vienna
Nicole Scheyerer, “Galerien: In Patrick Swayzes Armen”, Die Presse, Vienna
“A4 No. 1”, Attåt (publisher), magazine, 20 pages, Edition of 200, Oslo
Geir Haraldseth, “Kunsten å kjøpe kunst”, Elle Mann, spring/summer, Oslo
Andreas Schlaegel, “Summer´s White Night”, Flash Art, March / April
Tommy Olsson, “Dear Gonzo, I know you love me”, Kunstkritikk.no, March 7
André Gali, “Er du Square?”, Kunstmagasinet, No 1
Arve Rød, “Ren Tortur”, Dagens Næringsliv, February 23
Harald Flor, “Skulptur og Bur”, Dagbladet, February 24
Ika Kaminka, “Primitive Future”, Norwegian Art Yearbook 2007, Pax Publishing, Oslo
Cecilie Malm Brundtland (ed.), “Norwegian Contemporary Art Photography 1970–2007”, Arnoldsche Verlagsanstalt, catalogue
Nicolaus Schafhausen / Renske Jansen (ed.) “Changing Roles”, Witte de With Contemporary Art Center, catalogue
Line Ruud Ørslien, “Refleksjoner i byrommet”, Billedkunst no. 5
Erling Mostue Bugge, “Ut med industrien – inn med kunsten”, Kunstkritikk.no, August 24
Arve Rød, “Beskjeden i Skien”, Dagens Næringsliv, August 18
Tempo Skien 2007, catalogue
“Unknown Unknowns” by Tarje Gullaksen, “Match Race” Nordjyllands kunstmuseum, catalogue
Marit Paasche, “Fausts dilemma”, Kunstkritikk.no, May 4
“Paris was Yesterday”, Paris Art, paris-art.com, April
“Paris Was Yesterday”, Nettime.org
“Misc. New Art”, Yale Arts Library, Artslibrary.wordpress.com, August 20
Tommy Olsson, “I det tomme rom”, Morgenbladet, May 11
Roberta Smith, “Dice Thrown (Will Never Annul Chance)”, Art in Review, The New York Times, November 3
Michael Gibbs, “Street: Behind the Cliché”, Exhibitions-Reviews, Art Monthly, November 6
Martin Herbert, “Rich Pickings”, Modern Painters, June
Daniela Paes, “Street: Behind the cliché”, Arte Capital, artecapital.net
Truls Ramberg, “Emerging Norway”, Art Review, No. 6, p. 110-111
Caroline Ugelstad, “Intro”, Art Review, No. 6, p. 88
Kjetil Røed, “Standard”, Norwegian Art Yearbook, p. 21-28
Anne Doran, “Dice Trown”, Time Out New York, November 2 – 8, issue 57
“Dice Thrown (Will Never Annul Chance)”,Trigger Magazine, New York, September
“Shortcuts”, Rich Kids On LSD, Sleek Magazine for Art and Fashion, winter 2006/2007
“Street: Behind the cliché”, Witte de With, catalogue
Tommy Olsson, “All beer must remain in gallery”, Morgenbladet No. 3
Gudrun Benonysdottir (ed.), “Cross My Heart and Hope to Die”, bookproject, Oslo and Island
Peter Amdam, Kunst, Natt & Dag, February
Kjetil Røed, “Konseptuelle kulisser”, Billedkunst No. 3
Marius Wang, “Skate Culture?”, Billedkunst No. 3
André Gali, “Minimale strukturer…”, Kunstkritikk.no
André Gali, “Kritisk blikk på nykonseptualisme”, Kunstkritikk.no
Norwegian Sculpture biennial 2006, catalogue
Power Ekroth, “Fast Track”, ArtReview
Marit Paasche, “Rykter om et annet rom”, Utsmykkingsfondet for offentlige bygg 2004, catalogue
“Monumenter og mellomrom”, Norwegian Art Yearbook 2004
Øystein Aasan, “Don´t eat stuff off the sidewalk”, Billedkunst No. 6
Peter Amdam, “Bastardforsøk”, Natt & Dag, December
“Skate Culture”, Om Fotografi, Preus Museum, catalogue
Tommy Olsson, “Opptegnelser fra et kjellerdyp”, Billedkunst, No. 4
Anders Smebye and Marius Engh, “Cro-Mag”, Magazine
Anna B. Jenssen, Lars Laumann and Lena Ulven (ed.): “Nesten”, Aschehoug, Oslo
Sonia Hedstrand, “Framtidens konstförmedling”, Dagens Nyheter, 6 December
Mari Grinde Arntzen, “Fotogalleriet gjenåpner I nytt rom”, Aftenposten
Tone Hansen and Marit Paasche (ed.): “Noe kommer til å skje 2003-2020″, Frotté Factory, Oslo
Jonas Ekeberg (ed.): “New Institutionalism”, Verksted #1, Office for Contemporary Art Norway, Oslo
Lars Laumann: “Dasslokket”, Lars´sommergalleri, Morgenbladet, Nr. 33, Oslo
“Brøl – progressiv nutidskunst”, Zoo, Copenhagen, catalogue
Gardar Eide Einarsson and Matias Faldbakken (ed.): “UKS Forum 2/3/4, Architecture”
“UKS biennalen”, catalogue
“Barokkminimalist #1″, UKS biennalen, www.barokkminimalist.no
“OTTO, Reol, Her er værket!”, catalogue
“Ballongmagasinet”, www.ballongmagasinet.com, Sound Zone, Heavy Backstage
“Strangers In Paradise”, Weimar / Oslo, catalogue
“Notes From The Underground”, fanzine
“Vibrasjoner – Nye feministiske trekk på 90-tallet,” catalogue
