Marius Engh

ME_005
Marius Engh
Untitled (refuted pearls), 2005
Found plastic pearls, cotton fabric and vitrine
Pearl necklace: 60 cm diameter / Vitrine: 22x29x29 cm
ME_001
Marius Engh
Untitled (playground structure), 2005
Wood beams, steel bars, plywood, tint, bolts and nuts
212x233,5x233,5 cm
man_with_the_dogs
Marius Engh
Man with the dogs, 2006 Found wooden sticks and dog leash
90x30x30 cm
ME_006
Marius Engh
Gleaming the cube (press kit), 2006 - 9
framed text pages / photographs of original press kit (1989)
34,5x28 cm each
ME_004
Marius Engh
Untitled (platform), 2005 / 2006
Xerox copy of photograph
90x120 cm
2006-uks-iv-02
Marius Engh
Untitled (staircase), 2006 Chip wood and paint 90x190x280 cm
ME_002
Marius Engh
Adrift, 2007
Cotton fabric and nylon straps
135x135 cm
2007-004
Marius Engh
Tomb, 2007
Analogue C-print and text, framed
140x118 cm
ME_003
Marius Engh
Atlantic wall #1, 2008 Photography in a series of 3
47x62 cm
2008-004
Marius Engh
Defender who shall not be seen, 2008
Pine wood chair
83x39x41 cm
2008-003
Marius Engh
Saltire, 2008
Oak wood
228x119,5x5 cm
2008-002
Marius Engh
Nightwatch, 2008
Walnut wood
144x120,5x105 cm
2008-001
Marius Engh
Pinstripes, 2008
Wielded steel and hinges 2x240x208 cm
Marius Engh, “Eschscholzia Californica”,
Spazio Veda, Florence, 2016,
installation view
Marius Engh, “Eschscholzia Californica”,
Spazio Veda, Florence, 2016,
installation view
Marius Engh, “Eschscholzia Californica”,
Spazio Veda, Florence, 2016,
installation view
Marius Engh, “Eschscholzia Californica”,
Spazio Veda, Florence, 2016,
installation view
Marius Engh, “Eschscholzia Californica”,
Spazio Veda, Florence, 2016

Bio

Born 1974, Oslo, NO

Lives and works in Oslo, NO

Education

2000-2001

The National Academy of Fine Arts, Master studio, Oslo, NO

1999-2000

The Royal Danish Art Academy, Copenhagen, DK

1996-2000

The National Academy of Fine Arts, Oslo, NO

1994-1996

Strykejernet Art School, Oslo, NO

Grants

2015

Arts Council Norway – State Grant for the Arts, 10 years work grant for Established Artists Norwegian Arts Council – Project Support – publication

OCA – Office for Contemporary Art Norway, International Support: Taylor Macklin, Zürich, CH

2014

Norwegian Arts Council – Project Support, NO

2013

W17 – Bildende Kunstneres Hjelpefond Atelierprogram, Kunstnernes Hus, Oslo, NO

OCA – Office for Contemporary Art Norway / 18th Street Arts Center, Santa Monica, US-CA

OCA – International Support: Musée d’Art Moderne de la Ville de Paris / ARC, Paris, FR

2012

Statens Arbeidsstipend for Biledkunstnere – 3-year work grant

Kulturetaten – Oslo Kommune, Studio Recidency, Folkeobservatoriet, 4 years, NO

W17 – Bildende Kunstneres Hjelpefond Atelierprogram, Kunstnernes Hus, Oslo, NO

2011

Billedkunstnernes Vederlagsfond – Project Support

OCA – Office for Contemporary Art Norway, International Support: Torrione Passari, Molfetta, Bari, IT

2010

Billedkunstnernes Vederlagsfond – Project Support

OCA – Office for Contemporary Art Norway, International Support: Weltecho, Chemnitz

Norwegian Arts Council – Project Support

2009

Billedkunstnernes Vederlagsfond – Prosject support

Billedkunstnernes Hjelpefond – 3 year work grant

Frie Fotografers Fond – Exhibition support

2008

Norsk kulturråd, Exhibition support, Preus National Museum of Photography

OCA – Office for Contemporary Art Norway, International Support: Brussels Biennial 1, Brussels

Billedkunstnernes Vederlagsfonds – 1 year work grant

2007

Billedkunstnernes Vederlagsfond – Project Support

OCA – Office for Contemporary Art Norway, International Support: La Vitrine, Paris

Stockholm Stads Kulturstipend: AK28, Stockholm

2006

Statens Arbeidsstipend for Fotografer, 2 year work grant

OCA Residency and travel support: Patform Garanti Istanbul Residency Programme, Istanbul

OCA International Support: Witte de With Contemporary Art Center, Rotterdam

2005

OCA International Support: Richard and Dolly Maass Gallery, SUNY, New York

OCA International Support: Kunsthalle Bern, Bern

Billedkunstnernes Vederlagsfond – Project Support

2004

Statens Arbeidsstipend for yngre kunstnere, 2 year work grant

2003

Billedkunstnernes Vederlagsfonds stipend, 1 year work grant

Norsk kulturråd, Debutantstøtte

Norsk Fotografisk Fond – Project Support

2002

OCA International Support: Museum of Installation, London, UK

Norsk Kulturråd, Material Support

2000

Thv. Erichsens Fond, Statens Kunstakademi, Oslo, NO

Residencies

2013

OCA – Office for Contemporary Art Norway / 18th Street Arts Center, Santa Monica, California W17 – BKH Atelierprogram, Kunstnernes Hus, Oslo, NO

2012

Folkeobservatoriet, 4 years residency – Kulturetaten, City Council, Oslo W17 – BKH Atelierprogram, Kunstnernes Hus, Oslo

2010

Lenikus Sammlung Residency Program, Vienna

2006

OCA Office for Contemporary Art Norway / Platform Garanti Residency Program Istanbul, Istanbul, TR

Milwaukee International Residency Program, Milwaukee, US

2005

The National Academy of Fine Arts, Oslo – Arcueil, Paris, FR

Solo and two persons exhibitions

2016

Eschscholzia Californica, Spazio Veda, Florence, IT

2015

Ornamental Sleep (with Morten Slettemeås), Luis Adelantado, Valencia, ES

A Gaze Blank and Pitiless as the Sun, NoPlace, Oslo, NO

On the other side of the wind (8 acts), with Tarje EIkanger Gullaksen, Harpefoss Hotell, NO

Nec Plus Ultra, Taylor Macklin, Zürich, CH

2014

Berlin Brandenburg Surf Club (with Jordan Rosenfeld), Gaasa, Oslo, NO

Nothing in return, STANDARD (OSLO), Oslo, NO

2013

Eschscholzia Californica, Galerie Emanuel Layr, Wien, AT

No Know, W17 Atelierprogram, Kunstnernes Hus, Oslo, NO

My Target Is Your Eyes, permanent exhibition, KORO / Ørje Tollsted, Ørje, NO

Dienstag Abend, Gdanska Galeria Miejska, Gdansk, PL

2012

Order, Calm, Silence and Drain, STANDARD (OSLO), Oslo, NO

2011

The Living Are Governed By The Dead, permanent exhibition, University of Bergen, Bergen, NO

Desperate Cases and Lost Causes, Ve.Sch, Raum und Form fur bildende Kunst, Vienna, AT

Fruit, Flowers and Clouds, Galerie Emanuel Layr, MAK – Österreichisches Museum für Angewandte Kunst, Vienna, AT

2010

Time Has Turned Into Space And There Will Be No More Time, Till I Get Out Of Here, STANDARD (OSLO), Oslo, NO

Figureheads, Supportico Lopez, Frieze Frame, Frieze Art Fair, London, UK

An Aggregation of Adversary, Layr Wustenhagen Contemporary, Vienna, AT

Marius Engh, STANDARD (OSLO), Oslo, NO

Dead Ahead, Landings Art Space, Vestfossen, NO

My Target Is Your Eyes, Galleria Gentili, Prato, IT

2009

Exhume to Consume, Supportico Lopez, Berlin, DE

Center of the World, Curator: Jonas Ekeberg, Preus Museum – National Museum of Photography, Horten “Toe Pincher”, Snowball Editions, Oslo, NO

Toe Pincher, Snowball Editions, Oslo, NO

2008

Lycanthropic Chamber, STANDARD (OSLO), Oslo, NO

2006

All Items Must Fit In Basket, STANDARD (OSLO), Oslo, NO

The Moon is a Harsh Mistress (with Ida Ekblad), Green Gallery, Milwaukee, US

2005

No Comply, curated by Paul Brewer, Richard and Dolly Maass Gallery, State University of New York, Purchase College, New York, US

B-Sides, Projekt 0047, Berlin, DE

Cum Taedio In Infinitum (with Tarje Eikanger Gullaksen), Q, The Royal Danish Academy of Art, Copenhagen, DK

2003

Free Drinks, Fotogalleriet, Oslo, NO

1999

Notes From The Underground (with Gardar Eide Einarsson), Galleri 21:25, Oslo, NO

Group exhibitions

2016

MMMMMMMMMM, NoPlace, Oslo, NO

2015

Ri-pensare il medium: il fantasma del disegno, casa masaccio / centro per l’arte contemporanea, San Giovanni Valdarno, IT

Norwegian Sculpture Biennial 2015, curated by Anna Szefer Karlser, Vigelandsmuseet, Oslo, NO

On the Other Side of the Wind (III), (with Tarje Eikanger Gullaksen), Harpefoss Hotell, Harpefoss, NO

Silicon, U1, Oslo, NO

Tilfældet Oslo, Ringsted galleriet, Ringsted, DK

Spring Depot, Tenthaus, Oslo, NO

Menneskeberget (Mot lyset er vi på vei), curated by Christian Norum, Edvard Munch’s studio, Ekely, Oslo, NO

Kjerringøy Land Art Biennale 2015 (with Tarje Eikanger Gullaksen), Kjerringøy, NO

Berlin Brandenburg Surf Club, with Jordan Rosenfeld, Øya festivalen, Oslo, NO

2014

Mind & Matter (with Jordan Rosenfeld), Lynx, Oslo NO

Vi lever på en stjerne / We are living on a star, Henie Onstad Art Center, Høvik, NO

Attention Economy, Kunsthalle Wien, Vienna, AT

Decorum – Carpets and Tapestries by Modern and Contemporary Artists, curator: Anne Dressen, Power Station of Art, Shanghai, RC

El Rey de Icod, curated by Anna Haukeland, Tenerife Espacio de las Artes, Santa Cruz, Tenerife, E

100 timer, Norsk Teknisk Museum, Oslo, NO

Polarity and Resonance, Sammlung Lenikus, Vienna, AT

Tredje akt – Utvalgte verk fra Nordea Norge Kunstsamling, Drammens Museum, Drammen, NO

Collection as Allocated Objects, Tidens Krav & Sverre Gullesen, Oslo, NO

On the Other Side of the Wind (II), (with Tarje Eikanger Gullaksen), Harpefoss Hotel, Harpefoss, NO

Common Trade, Sequel Tiempo / Ulving Kunsthandel, Tønsberg, NO

2013

Decorum – Carpets and Tapestries by Modern and Contemporary Artists, curated by Anne Dressen, Musée d’Art Moderne de la Ville de Paris / ARC, Paris, FR

Languageleaps, curated by Adriana Blidaru, Galeria Plan B, Berlin, DE

Parking Everywhere, 18th Street Arts Center, Santa Monica, US-CA

Smudge Stomp, (with Jordan Rosenfeld), BAM fest, 18th Street Arts Center, Santa Monica, US-CA

Marius Engh; Benjamin Hirte, Liza Holzer, Galerie Emanuel Layr @ Knust x Kunz, Munich, DE

Dienstag Abend, curated by Ludwig Kittinger, and Fernando Mesquita, Gdanska Galeria Miejska, Gdansk, PL

Fremtidsruiner / Future Ruins (with Tarje Eikanger Gullaksen), curator: Eivind Slettemeås, Harpefoss Hotell, Harpefoss, NO

Future Ruins, Kulturhuset Banken, Lillehammer, NO

On the Other Side of the Wind, Harpefoss Hotell, Harpefoss, NO

2012

Als Morandi mit der Kinematographie liebäugelte, Supportico Lopez, Berlin, DE

Friends, Countrymen, Gaudel de Stampa, Paris, FR

Oscar knows Gardar. Gardar knows Matias. Matias knows Fredrik. Fredrik sort of knows Gardar. But Gardar knows Marius. And that Gardar knows Matias we already know. But Matias also knows Anders, STANDARD (OSLO), Oslo, NO

Drawing Quote, Pigna Project Space, Roma, IT

Fantasie Fluttuanti, curated by Giacomo Zaza, Torrione Passari Art Center, Molfetta, Bari, IT

2011

Run, Comrade, the Old World is Behind You, Kunsthall Oslo, Oslo, NO

Dienstag Abend, Vesch – Raum und Form für bildende Kunst, Vienna, AT

Studio 9, curated by Eva Maria Stadler, Sammlung Lenikus, Vienna, AT

You Don´t Love Me Anymore, curated by Katja Schroeder, Westfälischer Kunstverein, Münster, DE

Wallpaperism, curated by Nick Oberthaler, Motel Campo, Geneva, CH

Selected Works – Tillman Kaiser and Marius Engh, Galerie Emanuel Layr, Vienna, AT

2010

Stadt Einrichten – Stadt Berichten – Stadt Ausrichten, curated by Simone Zaugg and Pfelder, Weltecho, Chemnitz, DE

I Really Like The Works, But My Wife Is Still Concern. Please Keep Me Inform About New Works, STANDARD (OSLO), Oslo, NO

Statoil Art Award, Rogaland Museum of Fine Art, Stavanger, NO

Golden Parachutes, curator: David Horvitz, Berlin, DE

Like Tears in Rain, curator: Ana Luiza Teixeira de Freitas, The Palácio das Artes / Fábrica de Novos Talentos, Porto, PT

Babel, Stenersen Contemporary, Bergen Art Museum, Bergen, NO

When Do You See Yourself In Ten Years?, STANDARD (OSLO), Oslo, NO

Mike, Alec or Rufus? (Tom, Dick or Harry), Layr Wuestenhagen, Vienna, AT

No Soul for Sale, Torpedo Bookshop / Press, Oslo, Tate Modern, Turbine Hall, London, UK

Kiosk, curated by David Horvitz, Golden Parachutes, Berlin, DE

Kiosk, curated by David Horvitz, RAID Projects and Workspace, Los Angeles, US-CA

2009

Statoil Art Award, Kunstnerforbundet, Oslo, NO

Six Degrees of Separation, Mehdi Chouakri, Berlin, DE

Two in One, Witte de With Center of Contemporary Art and De Appel, Christie´s, Amsterdam, NL

Gjengangere, Bastard, Oslo, NO

Survival Kit, Curator: Solvita Krese,, Latvian Centre for Contemporary Art (LCCA), Riga, LV

2008

Show Me, Don’t Tell Me, curated by: Nicolaus Schafhausen and Florian Waldvogel, Witte de With Contemporary Art Center, Brussels Biennial 1, Brussels, BE

Horror Vacui, Layr Wuestenhagen Contemporary, Vienna, AT

We Have Never Met Before, But It´s WIith Great Anticipation of Your Understanding That I´m Writing You And I Hope You Will In Good Faith Give A Deep Consideration To My Proposal Below, curated by Mikel E. Astrup and Eivind Furnesvik, STANDARD (OSLO), Oslo, NO

When You Carry A Hammer A Lot Of Things Look Like Nails, Skalitzer Strasse 64, Berlin, DE

Figureheads, Torpedo Bokhandel / The White Tube, Oslo, NO

Hydro Corporate Collection, Henie Onstad Art Center, Høvik, NO

Nerhagen Skogsfestival, Vang, NO

Nationalmuseum, curated by Lars Monrad Vaage, Nationalmuseum Berlin, Schönleinstr. 6, Berlin, DE

Master of Puppets (with Sverre Gullesen), Planka, Oslo, NO

2007

Tempo Skien 2007, Public Art Project, Skien, NO

Robert Smithson, curators: Lina Viste Grønli and Anders Smebye, Fotogalleriet, Oslo, NO

Routines of Resistance, curator: Eivind Furnesvik, STANDARD (OSLO), Oslo, NO

Unknown Unknowns, curator: Tarje Gullaksen, Nord-Jyllands Kunstmuseum, Aalborg, NO

Future Primitive, curated by Helga Marie Nordby, UKS – Young Artists Society, Oslo, NO

Skate Culture, curated by Jonas Ekeberg / Gardar Eide Einarsson, Bildmuseet, Umeå, NO

Paris Was Yesterday, curated by Hanne Mugaas, La Vitrine, Paris, FR

Dislocations (Don’t Try Popping Them Back Into Place), curated by Chus Martinez, with Gardar Eide EInarsson and Matias Faldbakken, ARCO – Special Projects Section / STANDARD (OSLO), Madrid, ES

2006

Milwaukee International, Willy Wonka Inc., Milwaukee, US

Dice Thrown (Will Never Annul Chance), curated by Joao Ribas, Bellwether Gallery, New York, US

White Stains, STANDARD (OSLO) / Extra City, Antwerpen, BE

Skate Culture, curator: Jonas Ekeberg / Gardar Eide Einarsson, Bergen Kunsthall, Bergen, NO

Skate Culture, curated by Jonas Ekeberg / Gardar Eide Einarsson, Preus Museum, Horten, NO

Cross My Heart And Hope To Die, curated by Gudrun Benonysdottir, Hildigunnur Birgisdottir, Gunnar Tor Vilhjalmsson and Sigrun Edvardsdottir, Torpedo Bokhandel, Oslo, NO

Street: Behind The Cliché, curated by Nicolaus Schaffhausen and Renske Janssen, Witte de With Contemporary Art Center, Rotterdam, NL

Bokaktig, Fotogalleriet, Oslo, NO

The Norwegian Sculpture Biennial, curated by Cecilia Widernheim, The Vigeland Museum, Oslo, NO

There Are Two Paths, curated by Ida Ekblad and Hanne Mugaas Torpedo Kunstbokhandel, Oslo, NO

Giving the People What They Want, curated by Hanne Mugaas Glassbox, Paris, FR

Several Ways Out, curated by Craig Buckley, UKS Gallery, Oslo, NO

50 / 50, AK 28, Stockholm, SE

Villa Jelmini – The Complex of Respect, curated by Philippe Pirotte,Kunsthalle Bern, Bern, CH

2005

Blankness Is Not A Void, curated by Gardar Eide Einarsson, STANDARD (OSLO), Oslo, NO

2004

Salon 100 – Works on Paper, Heimdalsgaten 4, (temporary exhibition space), Oslo, NO

Standard Escape Routes, curated by Eivind Furnesvik, ISCP, New York, US

Pilot 1 – International Art Forum, Limehouse Town Hall, London, UK

Rank Xerox, curated by: Gardar E. Einarsson and Matias Faldbakken, Bergen Kunsthall, Bergen, NO

10 Years After (with Anders Smebye), Bomuldsfabriken Kunsthall, Arendal, NO

Shugacube, Vincent Lunges Institutt, No. 9 – Visningssted for Samtidskunst, Oslo, NO

Vækerø Sculpture Garden, Public Art Project, Oslo, NO

Listepop, Fotogalleriet, Oslo, NO

2003

Institiution 2, curated by Jens Hoffmann, Oslo Kunsthall, Kiasma, Helsinki, FIN

Rathaus, Oslo Open, Atelier C, Rådhuset, Oslo, NO

Merry-Go-Round, Video program, Oslo Open, Oslo, NO

2002

Museum of Installation, London, UK

Bjørvika 17. august, Skur 55, Bjørvika, Subcomandante, Oslo, NO

Brøl, Zoo Copenhagen, Frederiksberg, DK

I Deal Art For The Market, Curatorial Market, curated by Tone Hansen, Cuchifritos, New York, US

2001

UKS biennalen 2001, Seilduksfabrikken, Oslo, NO

Fane, Galleri Elbowroom, Gothenburg, SE

Måske, (with Tarje Eikanger Gullaksen) Norbergfestivalen, Norberg, NO

Heavy Backstage, Ballongmagasinet, NO

2000

Postprofessionalism, VCA, Melbourne, AUS

Presenting the piece / Her er værket!, OTTO , Galleri Rhizom, Århus, DK

Cantine del Borgo II, Underhaugsveien, Oslo, NO

Graduation Show, The National Academy of Fine Arts, Stenersenmuseet, Oslo, NO

Bergen Museum For Samtidskunst, Plakat, Bergen, NO

Forrett, Statens kunstakademi, Seilduksfabrikken, Oslo, NO

1999

Weisse Zwerge und Grosse Riesen, Galleri Neu Deli, Bauhaus Universität, Weimar, DE

Cantine del Borgo, Galleri 21:25, SKA, Oslo, NO

Vibrations, Rogaland Kunstnersenter, Stavanger, NO

1998

Die Faster Recordings, Quicksilver Gallery, Middelsex School of Art, London, UK

Heavy Backstage – Live In Bergen, Bergen Museum For Samtidskunst, Bergen, NO

The Great Rock´n´Roll Battle (The Best Of Frode Fivel), Heavy Backstage, Galleri 21:25, Oslo, NO

Heavy Backstage, (with Daniel Jensen), Høyskolen i Bø, Telemark, NO

Annekset, Galleri 21:25, Oslo, NO

1997

Heavy Backstage, (with Daniel Jensen), Annekset, Statens kunstakademi, Oslo, NO

Punkpartyperformance, Galleri 21:25, Oslo, NO

Selected collections

The National Museum for Contemporary Art, Architecture and Design, Oslo

Deka Bank, Frankfurt am Main

Nordea Art Collection, Oslo

Norsk Hydro, Corporate Collection, Oslo

Telenor, Corporate Collection, Oslo

KORO – Kunst i Offentlig Rom, Oslo / Universitetet i Bergen – Fakultet for Historie og Filosofi, Bergen

KORO – Kunst i Offentlig Rom, Oslo / Ørje Tollsted, Ørje

Preus Museum – National Museum of Photography, Horten

Fondazione Mora Grecco, Napoli

Norwegian Art Council, Oslo

Acid Cats Foundation, London

JPMorgan Chase Art Collection, New York

Sammlung Lenikus, Vienna

Others

Co-founder and -curator of the gallery Bastard in Oslo, NO, with Anders Smebye, 2005-2006

Curator of the public art project “Vaekeroe Sculpture Garden”, Oslo, NO, 2004

Bibliography

2015

Sara R. Yazdani, “Objectets sociala process”, Kunstkritikk.no, January 27.

Marius Engh, “The Garden of the Gods”, Cornerkiosk Press, Oslo

Marius Engh, “Oslo”, Frenetic Happiness, Liverpool

Åse Anna Markussen, “Villa Moderne i Arcueil – Kunstakademiets Atelierhus i 75 år”, The Academy of Fine Art, Oslo, p. 126-128

2014

Nick Oberthaler and Marius Engh, Untitled (Card Deck), publication, Galerie Emanuel Layr

Vienna Arve Rød, “Hotellkultur”, Dagbladet.no, August 20

Arve Rød, “Ingenting tilbake”, Dagbladet.no, July 7

Kristian Skylstad, “Marius blandt ruinene”, Kunstkritikk.no, July 3

Gunnar Danbolt, “Frå Modernisme til det kontemporære – tendensar i norsk samtidskunst etter 1990″, Samlaget Forlag, “Den relasjonelle kunsten”, chap. 3, p. 47 / “Om det konseptuelle”, chap. 6, p. 89

“Out There – John Divola and Marius Engh in conversation with Dorothée Perret”, Paris, LA

#11; Spring 2014, Photography Here and Now, p. 74-83

Hilde Berteig Rustan, “Mellom stjernestøv og betongklosser”, Argument, Nummer to, Kultur, p. 32-33

Even Smith Wergeland, Martin Braathen, Johanne Borthne, Vilhelm Christensen, Marius Engh, “Gjenopprett Arne Garborgs plass”, Aftenposten.no / Aftenposten, Oslo, p. 10, February 28

Stian Gabrielsen, “Ordskyer og sårede landskap”, Kunstkritikk.no, February 27

Even Smith Wergeland, Martin Braathen, Johanne Borthne, Vilhelm Christensen, Marius Engh, “Behold Y-blokka og gjenopprett Arne Garborgs plass”, Arkitektnytt.no, Debatt, February 21

Kjetil Røed, “Teppet som ble bombet i stykker”, Aftenposten, Kultur & Meninger, page 13, February 1

“Kjent av Mange og Ingen”/”Known to Many and Nobody”, Kunstforum #1, Portrettet/Portrait, p. 28-33/58-59

2013

“Drawing Quote!”, Ed. Nick Oberthaler/PIGNA Project Space Roma, Roma

Erling Moestue Bugge, “Ruinen som kunstnerisk erfringsrom”, Objektiv – Tidsskrift for kamerabasert kunst, Issue 8, page 28-37

Tia Karlsen, “Og teppet var ikke dødt”, D2, Dagens Næringsliv, October 11, p. 56

“Marius Engh at Emanuel Layr, Contemporary Art Daily.com, Aug 5

“Marius Engh and Plamen Dejanoff at Emanuel Layr, Vienna!, Moussemagazine.it, July 28

Christa Benzer, “Rund um die Murphy Ranch”, derStandard.at, June 19

Sverre Malling, “Tre bøker om forbindelser og brudd”, Kunstforum, No. 3, p. 51

Tom Egil Hverven, “Framtidsruiner”, Klassekampen, Bokmagasinet, page 58, June 1

Johanne Nordby Wernøm, “Kunstseminar på Litteraturfestivalen”, Kunstkritikk.no, May 27

“Hegdehaugsveien 3″, STANDARD BOOKS, Oslo

Stian Gabrielsen, “Å gå å gå”, interview with Tarje Eikanger and Marius Engh, Kunstkritikk.no, January 17

Marius Engh, “The Living Are Governed By The Dead”, publication, University of Bergen – Faculty of History and Philosophy / KORO, WTF Kodex, Bergen, Second edition

2012

“Marius Engh”, Conversation with Benjamin Hirte, Annual Art Magazine, Issue 5

Tarje Eikanger Gullaksen and Marius Engh, “A Nuthing in a Nutshell”, The Museum Of The Void Press

Marius Engh, “The Living Are Governed By The Dead”, publication, University of Bergen – Faculty of History and Philosophy / KORO, WTF Kodex, Bergen

2011

Simon Rees, “Marius Engh & Tillman Kaiser”, Frieze d/e, Issue 3, Winter, 2011-12

Øystein Ustvedt, “New Norwegian Art since 1990″ / “Ny Norsk Kunst etter 1990″,
Fagbokforlaget, Bergen


Sinziana Ravini, “Locket faller igen och igen”, Kunstkritikk.no, October 14

Geir Haraldseth, “Kritikk på bestilling”, Kunstkritikk.no, October 14

Lærke Hein, “Den Stora Maleboken”

Marius Engh, “An Aggregation of Adversary”, Torpedo Press, Oslo

“Wallpaperism”, Ed. Nick Oberthaler, Boa Books, Geneva

Eva Klerck Gange, Objektiv – Tidsskrift for kamerabasert kunst No.3

Contemporary Art Daily, “Group exhibition at Westfälischer Kunstverein”, May 13

2010

Jonas Ekeberg, “Ingen sjel til salgs I London”, Kunstkritikk.no, May 15

Peter Amdam, “Emosjon og stillstand”, Kunstkritikk.no, February 22

Contemporary Art Daily, “Marius Engh at Layr Wuestenhagen”, February 4

Marisa Mazria Katz, “The Wannabe Art Capital”, Monocolumn, Monocle.com, Los Angeles, February 1

Christian Zuern, “Opening night at three midtown galleries”, theartview.blogspot.com. January 22

Arve Rød, “Graastandarden”, Dagens Näringsliv, January 9/10

Kjetil Røed, “Gullrekka”, Kunstkritikk.no, January 11

Mona Pahle Bjerke, “Meditativt og inspirerende”, NRK news/culture, nrk.no, January 11

2009

Trond Olav Svendsen, “Marius Engh”, Store Norske Leksikon

Stefania Palumbo, “Devils, Werewolfs and Other Myths”, Statoil Art Award 2009, catalogue

Stefania Palumbo, “Suggest a song”, Mousse Magazine issue 18, page 106-108

Marius Engh, Frieze Yearbook 2008-09

“Positions in Nordic Photography 2”, Ed. Jonas Ekeberg and Susanne Ø. Saether, “The Places Themselves”, Ingrid Book and Carina Hedén / “The Center of the World”, Marius Engh, Preus Museum, National Museum for Photography, Horten, catalogue


Line Ulekleiv, “Dagens helter”, Morgenbladet, 11 December

2008

“Brussels Biennial”, Ed. Barbara Vanderlinden, Verlag der Buchhandlung Walther König, catalogue

Rolf Wienkötter, “Im Vollbesitz der Leere”, Horror Vacui, Spike Art Quarterly, Reviews, Winter 2008

Nina Marie Haugen Holmefjord, “Kunst, kapital og fordervelse”, Dagsavisen, 15 November

Petter Snare, “Frontal Frieze”, Kunstkritikk.no, Oslo

Marius Engh, “Figureheads”, published works, 28 page pamphlet, Torpedo Books, Oslo

“Horror Vacui”, www.Events.at, Ausstellungen, Vienna

Nicole Scheyerer, “Galerien: In Patrick Swayzes Armen”, Die Presse, Vienna

“A4 No. 1”, Attåt (publisher), magazine, 20 pages, Edition of 200, Oslo

Geir Haraldseth, “Kunsten å kjøpe kunst”, Elle Mann, spring/summer, Oslo

Andreas Schlaegel, “Summer´s White Night”, Flash Art, March / April

Tommy Olsson, “Dear Gonzo, I know you love me”, Kunstkritikk.no, March 7

André Gali, “Er du Square?”, Kunstmagasinet, No 1

Arve Rød, “Ren Tortur”, Dagens Næringsliv, February 23

Harald Flor, “Skulptur og Bur”, Dagbladet, February 24

Ika Kaminka, “Primitive Future”, Norwegian Art Yearbook 2007, Pax Publishing, Oslo

2007

Cecilie Malm Brundtland (ed.), “Norwegian Contemporary Art Photography 1970–2007”, Arnoldsche Verlagsanstalt, catalogue

Nicolaus Schafhausen / Renske Jansen (ed.) “Changing Roles”, Witte de With Contemporary Art Center, catalogue

Line Ruud Ørslien, “Refleksjoner i byrommet”, Billedkunst no. 5

Erling Mostue Bugge, “Ut med industrien – inn med kunsten”, Kunstkritikk.no, August 24

Arve Rød, “Beskjeden i Skien”, Dagens Næringsliv, August 18

Tempo Skien 2007, catalogue

“Unknown Unknowns” by Tarje Gullaksen, “Match Race” Nordjyllands kunstmuseum, catalogue

Marit Paasche, “Fausts dilemma”, Kunstkritikk.no, May 4

“Paris was Yesterday”, Paris Art, paris-art.com, April

“Paris Was Yesterday”, Nettime.org

“Misc. New Art”, Yale Arts Library, Artslibrary.wordpress.com, August 20

Tommy Olsson, “I det tomme rom”, Morgenbladet, May 11

2006

Roberta Smith, “Dice Thrown (Will Never Annul Chance)”, Art in Review, The New York Times, November 3

Michael Gibbs, “Street: Behind the Cliché”, Exhibitions-Reviews, Art Monthly, November 6

Martin Herbert, “Rich Pickings”, Modern Painters, June

Daniela Paes, “Street: Behind the cliché”, Arte Capital, artecapital.net

Truls Ramberg, “Emerging Norway”, Art Review, No. 6, p. 110-111

Caroline Ugelstad, “Intro”, Art Review, No. 6, p. 88

Kjetil Røed, “Standard”, Norwegian Art Yearbook, p. 21-28

Anne Doran, “Dice Trown”, Time Out New York, November 2 – 8, issue 57

“Dice Thrown (Will Never Annul Chance)”,Trigger Magazine, New York, September

“Shortcuts”, Rich Kids On LSD, Sleek Magazine for Art and Fashion, winter 2006/2007

“Street: Behind the cliché”, Witte de With, catalogue

Tommy Olsson, “All beer must remain in gallery”, Morgenbladet No. 3

Gudrun Benonysdottir (ed.), “Cross My Heart and Hope to Die”, bookproject, Oslo and Island

Peter Amdam, Kunst, Natt & Dag, February

Kjetil Røed, “Konseptuelle kulisser”, Billedkunst No. 3

Marius Wang, “Skate Culture?”, Billedkunst No. 3

André Gali, “Minimale strukturer…”, Kunstkritikk.no

André Gali, “Kritisk blikk på nykonseptualisme”, Kunstkritikk.no

Norwegian Sculpture biennial 2006, catalogue

2005

Power Ekroth, “Fast Track”, ArtReview

Marit Paasche, “Rykter om et annet rom”, Utsmykkingsfondet for offentlige bygg 2004, catalogue

“Monumenter og mellomrom”, Norwegian Art Yearbook 2004

Øystein Aasan, “Don´t eat stuff off the sidewalk”, Billedkunst No. 6

Peter Amdam, “Bastardforsøk”, Natt & Dag, December

“Skate Culture”, Om Fotografi, Preus Museum, catalogue

2004

Tommy Olsson, “Opptegnelser fra et kjellerdyp”, Billedkunst, No. 4

Anders Smebye and Marius Engh, “Cro-Mag”, Magazine

Anna B. Jenssen, Lars Laumann and Lena Ulven (ed.): “Nesten”, Aschehoug, Oslo

2003

Sonia Hedstrand, “Framtidens konstförmedling”, Dagens Nyheter, 6 December

Mari Grinde Arntzen, “Fotogalleriet gjenåpner I nytt rom”, Aftenposten

Tone Hansen and Marit Paasche (ed.): “Noe kommer til å skje 2003-2020″, Frotté Factory, Oslo

Jonas Ekeberg (ed.): “New Institutionalism”, Verksted #1, Office for Contemporary Art Norway, Oslo

Lars Laumann: “Dasslokket”, Lars´sommergalleri, Morgenbladet, Nr. 33, Oslo

2002

“Brøl – progressiv nutidskunst”, Zoo, Copenhagen, catalogue

Gardar Eide Einarsson and Matias Faldbakken (ed.): “UKS Forum 2/3/4, Architecture”

2001

“UKS biennalen”, catalogue

“Barokkminimalist #1″, UKS biennalen, www.barokkminimalist.no

“OTTO, Reol, Her er værket!”, catalogue

“Ballongmagasinet”, www.ballongmagasinet.com, Sound Zone, Heavy Backstage

2000

“Strangers In Paradise”, Weimar / Oslo, catalogue

1999

“Notes From The Underground”, fanzine

“Vibrasjoner – Nye feministiske trekk på 90-tallet,” catalogue