Natalie Häusler

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Natalie Häusler - What pilgrims trust they shall encounter (Advanced Morandi Effect / Mere Exposure Effect), 2012 - Pear, Orange, Banana, applejuice guache on fabric, woodframe. Digitalprint on silk and wooden table. Silk needles, fruits, glasses, laserprint, water - variable dimensions - detail
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Natalie Häusler - What pilgrims trust they shall encounter (Advanced Morandi Effect / Mere Exposure Effect), 2012 - Pear, Orange, Banana, applejuice guache on fabric, woodframe. Digitalprint on silk and wooden table. Silk needles, fruits, glasses, laserprint, water - variable dimensions - detail
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Natalie Häusler - What pilgrims trust they shall encounter (Advanced Morandi Effect / Mere Exposure Effect), 2012 - Pear, Orange, Banana, applejuice guache on fabric, woodframe. Digitalprint on silk and wooden table. Silk needles, fruits, glasses, laserprint, water - variable dimensions - detail
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Natalie Häusler
like a jellyfish within architecture, 2011
Pigment print on aludibond, wood, laquer, metal brackets
Hand rail: 15 x 610 x 220 cm
3 Prints, each: 128 x 85 x 13 cm
natalie-hausler-crisis-del-ladrillo-no-3
Natalie Häusler
Crisis del ladrillo (No.3), 2014
white cement, marble powder,
watercolor, found objects, 21 x 16 cm
the-spine-is-only-flexible-to-a-certain-degree-3-natalie-hausler
Natalie Häusler
The spine is only flexible to a certain degree (3), 2013
Cement, speakers, clothes, aluminum, paper
140 x 80 x 130 cm
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Natalie Häusler
christine/bed, 2012
stained glass, speakers, mp3-player
62 x 50 x 10 cm
nh_casemode_11
Natalie Häusler aykan/casino, 2012
stained glass, speakers, mp3-player
78 x 48 x 16 cm
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Natalie Häusler
charmelle/bar, 2012
stained glass, speakers, mp3-player
77 x 42 x 16 cm
nh_casemode_08
Natalie Häusler
ed/scifi, 2012
stained glass, speakers, mp3-player
64 x 47 x 20 cm
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Natalie Häusler
sam/bed, 2012
stained glass, speakers, mp3-player
65 x 50 x 20 cm
nh_casemode_10
Natalie Häusler
cheyney/balcony, 2012
stained glass, speakers, mp3-player
90 x 38 x 16 cm
Natalie Häusler,
Aykan / Casino, 2013,
stained glass, speakers, mp3 player, sound,
book page from 'still life',
64 × 47 × 20 cm/ 48sec
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Natalie Häusler, "Case Mod"
Installation view at Supportico Lopez, Berlin 2013
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Natalie Häusler
monika/subway (floor piece), 2012
acrylic on card boards, speakers, mp3-players
Dimensions variable
Natalie Häusler,
What is it like to be a bat No.4, 2010,
pigment print on paper, 80 x 100 cm
Natalie Häusler,
RYB/RGB/CMYK, 2011,
sheets of glass with different heights, inkjet prints, transparent colored fabric, three different kinds of glasses
filled with red, yellow and blue water, laser prints
Natalie Häusler,
We are getting a little bit too close here (still life), 2012,
digital print on habotai silk, disassembled readymade desks, wood, fruit
Natalie Häusler,
LEAKING (from: The spine is only flexible to a certain degree), 2014,
two identical white sweaters and pants, pierced water bottles, water, algae, rope, speakers, sound, variable in size
Natalie Häusler,
Monika / Subway (from: Case Mod), 2013,
acrylic on cardboard, speakers, mp3 players, sound, book pages from "still life"
Natalie Häusler,
20:28 (from: Impressionnisme), 2013,
oil pastel and woodcut on wood, sound, 16 × 21 cm / 11 h 23 min
Natalie Häusler
Corals, No.7, 2014
Oil pastel on partially burned wood
21 x 16 cm
Natalie Häusler
Corals, No.6, 2014
Oil pastel on partially burned wood
21 x 16 cm
Henri Chopin and Natalie Häusler
Supportico Lopez at Paris Internationale 2015
Henri Chopin and Natalie Häusler
Supportico Lopez at Paris Internationale 2015
Henri Chopin and Natalie Häusler
Supportico Lopez at Paris Internationale 2015
Natalie Häusler,
Impressionnisme, 2013/14
24 paintings, 4 venetian blind sculptures, white fabric, wooden frames, laser prints of the poem, sound collage
dimensions variable / 11 h 23 min
Natalie Häusler,
Corals (excerpt): Reflexionsarmer Raum/ Anechoic Chamber Experiment (No.4),
acoustic foam, fabric, wood, audio recorder, laser print, 50 × 70 × 8 cm each
Natalie Häusler,
Corals (excerpt): Reflexionsarmer Raum/ Anechoic Chamber Experiment (No.4),
acoustic foam, fossilized corals and oysters, audio adapter, glove, speaker, sound, 50 × 70 × 8 cm each
Natalie Häusler,
Excerpt, 2015,
aquatic plants, wine bottles, water, shelf, LED lights
Natalie Häusler,
Excerpt, 2015,
aquatic plants, wine bottles, water, shelf, LED lights
natalie_haeusler_corals_web_14
Natalie Häusler
Le Corail, 2015
speakers, bar furniture, shelf, wine bottles, water, aquatic plants, laser prints on paper, sound (36 min),
Dimensions variable
Natalie Häusler,
Private Pan, 2015,
engraving and oil-pastel on one-way mirror, 30 × 20 cm
natalie-hausler-eeee
Natalie Häusler
$$$$€€€€$$, 2015
fabric dye and acrylic paint on acoustic foam,
copper engraving and pastel on mirror
215 x 112 x 3 cm
natalie-hausler-private-club-2015
Natalie Häusler
Private Club, 2015
room door, acoustic foam, oil pastel on mirror,
artestone, metal hinges
laser print on paper, 200 x 100 x 8 cm
Natalie Häusler,
Corals, 2015,
acoustic foam, fabric paint, acrylic paint, copper pipes, spandex, one-way mirrors, industrial door, artestone,
bracelets, oil-pastel, laser prints on paper, bar furniture, aquatic plants, wine bottles, water, shelf, LED lights,
speakers, sound (36 min)
Natalie Häusler
Trampoline Bed No.1 (Christine), 2016,
plaster, latex, latex tubes, metal, wood, 192 × 82 × 47 cm
Natalie Häusler
Curtain, 2016,
PVC strip curtain, laquer, alu-profile, 200 × 2600 cm
Natalie Häusler
Curtain, 2016,
PVC strip curtain, laquer, alu-profile, 200 × 2600 cm
Natalie Häusler
Curtain, 2016,
PVC strip curtain, laquer, alu-profile, 200 × 2600 cm
Natalie Häusler
Vacuum Bed No.1 (Eric), 2016,
plaster, latex, rope, wire, metal, wood, plastic tube, vakuum pump, timer, 192 × 96 × 50 cm
Natalie Häusler
Vacuum Bed No.1 (Eric), 2016
plaster, latex, rope, wire, metal, wood, plastic tube, vakuum pump, timer, 192 × 96 × 50 cm
Natalie Häusler
Rue Desert (No.9), 2017
Acrylic and oil pastel on wood
19.5 x 14.5 x 1.5 cm
Natalie Häusler
Rue Desert (No.10), 2017
Acrylic and oil pastel on wood
19.5 x 14.5 x 1.5 cm
Natalie Häusler
Rue Desert (No.5), 2017
Acrylic and oil pastel on wood
19.5 x 14.5 x 1.5 cm
Natalie Häusler
Rue Desert (No.9), 2017
Acrylic and oil pastel on wood
19.5 x 14.5 x 1.5 cm
Natalie Häusler
Trampoline Sculpture 2, 2016
Plaster, latex, metal
200 x 90 x 50 cm
Natalie Häusler
Vacuum Bed No. 2 (Christine), 2016
Plaster, latex, rope, wire, metal, wood, plastic tube, vakuum pump, timer
210 x 110 x 50 cm
Natalie Häusler
Vacuum Bed No. 2 (Christine), 2016
Plaster, latex, rope, wire, metal, wood, plastic tube, vakuum pump, timer
210 x 110 x 50 cm
Natalie Häusler
The Bird, 2017
Parrot feathers, clockwork
approx.: ø 60 cm
Natalie Häusler
The Source / Die Quelle (for Josephine Saladyak)
2017
Ceramic tiles, stained glass, mortar, fountain pump, plastic hose, copper pipe, wood
347 x 90 x 45 cm
Natalie Häusler
The (Hello) Tree, 2017
Acrylic on passepartout
Dimensions variable
Natalie Häusler, "Hello from Rue Desert"
Installation view at Supportico Lopez, 2017
Natalie Häusler, "Hello from Rue Desert"
Installation view at Supportico Lopez, 2017

Bio

Born 1983, Munich, DE

Lives and works in Berlin, DE

Education

2009-11

MFA, Bard College, Milton Avery Graduate School of the Arts, New York, US

2004-11

Diploma, Braunschweig University of Art, Braunschweig, DE Graduation with Honors and Meisterschülerin

Awards, Grants & Scholarships

2014

BAU/Camargo Fellow, BAU Institute, NY, Camargo Foundation, Cassis, FR

Residency and exhibition at Combo, Córdoba / La Fragua, Belalcazar, ES

2013/2014

Working grant from the Hans und Charlotte Krull Stiftung, Berlin, DE

2013

Cité des Arts, Paris, FR

Förderpreis der Arthur Boskamp-Stiftung, Hohenlockstedt, DE

2010/11

DAAD scholarship, MFA, Bard College, New York, US

2011

Meisterschüler Award, Stiftung Braunschweigischer Kulturbesitz (SBK), Braunschweig, DE

2010

PS122 Gallery Residency, New York, US

2009/11

Bard College MFA Scholarship, New York, US

2008

Scholarship of the Byrd Hoffman Watermill Foundation, Long Island/NY, US

Solo and two-persons Exhibitions

2017

Hello from Rue Desert, Supportico Lopez, Berlin, DE (solo)

2016

La Torre, Natalie Häusler & Tommy Høvik, Noplace, Oslo, NO

The Rhyme, curated by Thomas Thiel, Kunstverein Bielefeld, Bielefeld, DE (solo)

2015

Corals, Supportico Lopez, Berlin, DE

2014

Sounds like liberation of objects, with Lukas Goersmeyer and Christian Theiß, curated by Sabine Schiffer, Clages, Cologne, DE

El Polvo se posará/ Dust is going to settle, Natalie Häusler & Fernando M. Romero, Combo, Córdoba, ES

2013

Impressionnisme, M1, Arthur Boskamp-Stiftung, Hohenlockstedt, DE

Infernoesque curated by Gladys - Katherina Hernando, Danielle Adair & Natalie Häusler, Berlin, DE

Case Mod, Supportico Lopez, Berlin, DE

2012

Natalie Häusler & Niels Trannois, Sunday, London, UK

2011

A situation of subtle control, Bard College, New York, US

2010

This attitude does not necessarily open them to criticism, especially when they contribute to the preservation of well-being[…] In any case, we would be guilty, Natalie Häusler and Marysia Gacek, PS122 Gallery, New York, US

Party and Party and […], Natalie Häusler and Jesse Sugarman, Season, Seattle, Washington, US

Loss – Lust, Bard College, New York
, US

What is it like to be a bat?, HBK, Braunschweig, DE

2009

Students that struggle, critics that sing, Bard College, New York, US

Group Exhibitions

2017

Cosmic Words, Lisbon Municipal Gallery, Galería Boavista, Lisbon, PT

2016

Augury, BQ Berlin, Berlin, DE

The 7th Guest, Galerie Tobias Naehring, Leipzig, DE

Sighs Trapped by Liars – Language in Art, Künstlerhaus- Halle für Kunst & Medien, Graz, AU

Works from the Collection, curated by Info-Punkt, Galerie Gebr. Lehmann, Berlin, DE

2015

Freedom Square, curated by Jazz Bar, with Joseph Beuys, Anna Fehr, Natalie Häusler, Robert Keil, Simon Lässig, Hanne Lippard, Vera Lutz, Zacharias Wackwitz, Belle Air, Essen, DE

Picture the Cricket’s Legs Apart curated by James Krone, with Ketuta Alexi-Meskhishvili, Aaron Garber-Maikovska, Justin Hansch, Julian Hoeber, Dawn Kasper, Alexi Kukuljevic, Analia Saban, Kavi Gupta - Washington Blvd Project Space, Chicago, US

Poem N°0000000000000000000000000000,9 with Julian Beck, Henri Chopin, Adriano Costa, Lenora de Barros, James Hoff, Karl Holmqvist, Zin Taylor, curated by Supportico Lopez, Mendes Wood DM, São Paulo, BR

Nobody Home, with Charlie Billingham, Giulio Delvè, Douglas Gordon, Christina Mackie, Pentti Monkkonen, Niels Trannois, A Palazzo, Brescia, IT

The Verdant, curated by Daniel Horn, with Shadi Habib Allah, Alex da Corte, Verena Dengler, Tue Greenfort, Lutz Hatzor, Natalie Häusler, Tobias Kaspar, Nik Kosmas, Adriana Lara, Hans-Christian Lotz, Basim Magdy, Carter Mull, Stephen G. Rhodes, Maximilian Zentz ZlomovitzHacienda, Zurich, CH

Speaking Part, with Brian Catling, Michael Dean, Natalie Häusler, Ewa Partum, Heather Phillipson, Agnieskza Polska and Giorgio Sadotti, Raven Raw, London, UK

La Mer Insomniaque, ith Margo Wolowiec and Eric Siedner, Laura Bartlett Gallery, London, UK

2014

The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, DE

How the Tangible shapes the Mind, with Daria Martin, Pauline M’barek, Timothy Davies, Kunstverein Nürnberg, Nürnberg, DE

HIGH WIRE, with Jugoslav Mitevski and Timothée Huguet, Petra Rinck Galerie, Düsseldorf, DE

Dear Green, Zentrum für Kunst und Urbanistik, Berlin, DE

2013

Frieze London, Focus, Natalie Häusler, Michael Dean & Christina Mackie, London, UK

Baguette That!, Cité des Arts Internationale, Paris, FR

Mondes Parallèles, Eglise Saint-Merry, Paris, FR

Die dritte Dimension, with Henri Chopin, Giulio Delvé, Maria Adele Del Vecchio, Supportico Lopez at Frutta Gallery, Rome, IT

On the golden wire […], Marysia Gacek, Natalie Häusler, Katharina Marszewski, Nurture Art Foundation, New York, US

Care Package, Nurture Art Foundation, New York, US

Ma prochaine vie, Courtesy Gallery, Los Angeles, US

On the Golden Wire for Thirty-Four, Nurture Art Gallery, Brooklyn, New York, US

Prisma Pavilion, Künstlerhaus Bethanien, Berlin, DE

Independent, Henry Chopin, Michael Dean, Natalie Häusler, Christina Mackie, Armando Andrade Tudela, New York, US

2012

La Lucidezza, Reception, Berlin, DE

For Fruits and Vegetables, Fruit Stand, Queens, New York, US

Pull the stops out, come on!, Berlin Launch of MATERIAL Issue 3 (Los Angeles), Installation by Natalie Häusler and performances by David Raymond Conroy, Stephanie Taylor and Alice Könitz, Motto, Berlin, DE

An impossible distance, Border, Mexico City, MX

A bouquet for spring, A downloadable and printable exhibition hosted at www.sendspace.com, also shown at Border, Mexico City, MX

+6|2012 Shortlist Columbus Art Award, Kunsthalle Ravensburg, Ravensburg, DE

Als Morandi mit der Kinematographie liebäugelte, Supportico Lopez, Berlin, DE

2011

Bard MFA Show, UBS Gallery, Red Hook, New York, US

At the long table, Soi Fischer Projects (Vancouver), hosted by Butcher Gallery, Toronto, CA

Nomadische Unschärfen, Temporary Gallery Cologne, Cologne, DE

Crossing the Atlantic: 40 years of DAAD New York, Chelsea Art Museum, New York, US

Plastische Positionen im Jetzt, Galerie Warhus Rittershaus, Cologne, DE

2009

Death by papercut, Kunstklub, Berlin, DE

Panorama, Kunschaufenster – Zentrum für junge Kultur, Wolfsburg, DE

2008

Fünf zum Sehen, Lecture, Kunstverein Braunschweig
, DE

Magda Grubenboy trifft sich mit einigen Freunden, Jahnstraße, Braunschweig, DE

Exotic Resistance, Schnittraum Lutz Becker, Cologne, DE

Our gift to the world, Kunstklub, Berlin
, DE

Gloria, Kur de Belles, Berlin, DE

2007

Dross, Galerie der Hochschule, Braunschweig, DE

Beyond the line, Galerie der Hochschule, Braunschweig, DE

Projects and Collaborations

2014

Le Geste Du Retournement Des Masques, an evening of reading by Jeroen Nieuwland, Joel Scott, Shane Anderson, Marc Hiatt, Jake Schneider, Juan Diego Otero , Antoine Hummel, Érica Zíngano, Sam Langer, Natalie Häusler, Supportico Lopez, Berlin, DE

Spin the Bottle, performance by Natalie Häusler, during the 56. Venice Biennale for Pane Per Poveri, Teatro Marinoni, Lido, IT

2012

100 Jahre Matisse, yo! Die Geschichte der Installation, Ruelle at Apartment Häusler & Marszewski, collaboration with Katharina Marszewski, Berlin

Limited edition print and publication of a text with Material Press Magazine, Los Angeles

Ed Steck (A time stream in spaces: [...], The Hague) and David Horvitz (Matter out of Place, The Kitchen, NY )

2011

Co-founder and publisher of the poetry press American Books (Natalie Häusler/ Brett Price/ Ed Steck) - ongoing

2010 - 2011

Artist books with Marc Handelman (Archive for a Mountain, NY, 2010/11)

2008

Watermill Summer Program, collaboration on projects directed by Robert Wilson, Long Island/ New York

2007

Co-founder and publisher of the magazine When I was 23 I decided to dedicate my life to art, Braunschweig

Website

http://npiece.com/natalie-haeusler

Bibliography

Publications

2015

Blackbox Manifold, „Corals“, online magazine, University of Cambridge/ University of Sheffield, UK

artiCHOKE # 2, „Corals“, magazines published in conjunction with a reading series, Berlin, DE

2014

LCS, Veer Books, Birkbeck College’s Contemporary Poetics Research Centre (CPRC), London

Noon on the Moon, Poetic Series #4, Edited by Fiona Bryson, Keren Cytter, Sternberg Press, Berlin

A virus can be on a mussel [...], Natalie Häusler, poems, Mousse Publishing, Milan

2013

General Fine Arts (Issue 1, vol. 1.), poems, e-journal by Version House

Still life, poems, self-published

2013/2012

Watercolors, Natalie Häusler & David Horvitz, artist book

2012

Like a jellyfish within architecture, poems, self-published

2010

Seduction of the quote, newsprint

2008

Scatter book (Gedichte eines im Tannenwald erfroren aufgefundenen jungen Mannes [...]), artist book

Selected Press

2015

Watchlist, Anne Kohlick, Monopol,

2014

The word today serves no one [...], Melissa Canbaz, Artforum, Critic's Picks

december [...], Matthew Rana, Kunstkritikk, Oslo, Norway

2013

In the Company of Flesh and Blood, Matthew Rana, Frieze

Frieze Focus - Natalie Häusler, Jennifer Allen, Frieze d/e

Bierhimmel, Natalie Häusler & Gerry Bibby, Mousse Magazine

Critic‘s Pick, Aaron Bogart, Artforum

Natalie Häusler, Case Mod, Text by Christine Schott

2012

Facing Pages–On the work of Natalie Häusler, Ed Steck, Revolver Publishing

Sculpture Center, Curators‘ Notebook, Kristen Chappa, Sculpture Center Blog