The Show Continues Upstairs

Sebastian Hammwöhner, William E. Jones, Judith Hopf, Henri Chopin, Lucy Stein, Klaus Weber, Patrick Tuttofuoco, Adrian Piper, Maximilian Zentz Zlomowitz

20 June – 25 July 2009

"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009
"The Show Continues Upstairs"
Installation view at Supportico Lopez, Berlin 2009

The show continues upstairs. Somewhere else. As the different expressive dimensions of artists always do, a split personality that necessarily has something to do with the corruption of the human being. The crowding is continuous, obscure, impenetrable to the artist himself. The show continues upstairs, in between the rational and the irrational, finite and infinite, hope and disappointment. It’s not just an attempt of disorientation but it’s about the necessity to warp, to consider the possibility of strabismus as a way to better understand what is going on around you. Numbers, lights, experiments, colours, faces, sounds, signs, stories, words.

With the precious support of Alessandro de March. Supportico Lopez would like to thank Paul Leslie Griffiths and Peppe Morra, Martin Klosterfelde, Federico Maddalozzo, Pallina, Eleonora Meoni, Edoardo Bonaspetti, Mousse Magazine, Ciro Palumbo, Simona Buondonno, Teresa Guadagno, Maria Adele Del Vecchio, Florian Zeyfang, Simeone Crispino, Saverio Tonoli Adamo, Loredana Di Lillo, Adrian Piper Research Archive, Alessio Delli Castelli, Galleria Emi Fontana, Milan; Studio Guenzani, Milan; Galerie Meyer – Riegger, Karlsruhe/Berlin; Galerie Micky Schubert, Berlin; Herald St,  London; Croy Nielsen, Berlin; David Kordanski, LA; Martin Van Zomeren, Amsterdam; Gimpel Fils, London; Eric Wesley.