Zin Taylor

Zin Taylor,
“Five Units of Haze”
Installation view at Oakville Galleries, Oakville, CA 2016
Zin Taylor "The Ceremony and the Spirit"
Exhibition View at La Lodge, 2012
Zin Taylor "The Ceremony and the Spirit"
Exhibition View at La Lodge, 2012
Zin Taylor "The Ceremony and the Spirit"
Exhibition View at La Lodge, 2012
Zin Taylor "The Ceremony and the Spirit"
Exhibition View at La Lodge, 2012
Zin Taylor "The Ceremony and the Spirit"
Exhibition View at La Lodge, 2012
Zin Taylor
The CThe Crystal Ship, 2008
Mixed media installation, dimensions variable
An arrangement of voids #13, 2011
Zin Taylor
An arrangement of voids #13, 2011
Printing ink on paper
An arrangement of voids #12, 2011
Zin Taylor
An arrangement of voids #12, 2011
Printing ink on paper
A haze of influence choreographed into an arm #4, 2011
Zin Taylor
A haze of influence choreographed into an arm #4, 2011
Plaster, paint, wood
A haze of influence choreographed into an arm #1, 2011
Zin Taylor
A haze of influence choreographed into an arm #2, 2011
Plaster, paint, wood
The Story of Stripes and Dots Chapter 1, Exhibition view, 2012 MuHKA, Antwerp
Zin Taylor "The Story of Stripes and Dots (Chapter 1)"
Exhibition view at MuHKA, Antwerp, 2012
The Story of Stripes and Dots Chapter 1, Exhibition view, 2012 MuHKA, Antwerp
Zin Taylor "The Story of Stripes and Dots (Chapter 1)"
Exhibition view at MuHKA, Antwerp, 2012
The Story of Stripes and Dots Chapter 1, Exhibition view, 2012 MuHKA, Antwerp
Zin Taylor"The Story of Stripes and Dots (Chapter 1)"
Exhibition view at MuHKA, Antwerp, 2012
Zin Taylor
Alphabet City, 2013
MDF, Paint, Ink, 200 x 800 cm
Zin Taylor
Lichen Voices / Stripes and Dots, 2013
Video, 12 min., Edition of 3
Zin Taylor
Tool of a Ruin – Spectrum Wood Line-Dot Dot Line-
Dot Finger of Thought Expressive Device, 2013
Acrylic, aluminium, paint, brass,
plaster, plastic epoxy, thread, 20 x 20 x 130 cm
Zin Taylor
Thoughts related to elements on a field, where the field is a ruin in Arles, France
Tool of a Ruin - Spectrum Diamond-Eye Dot Animal Finger of Thought Expressive Device, 2013
Acrylic, aluminium, paint, brass, paper,
plaster, plastic epoxy, thread, 20 x 20 x 130 cm
Zin Taylor
The Proposal of a Surface (Lichen Wall), 2013
Printed wallpaper, Xerox text, Dimensions variable, Edition of 5
Exhibition view, Salon der Angst, Kunsthalle Wien
Zin Taylor
Double Sliver / Stripes and Dots (2nd turn), 2014
plaster cloth, wood, epoxy clay, paint, 133.4 x 45 x 45 cm
Zin Taylor
A Structure to Filter a Room (Curve, Line, Dot), 2014
Plaster cloth, CPVC, paint, dimensions variable
Zin Taylor
Segments and Surfaces (Miami Iguana), 2014
Ink, paper, photograph, 70 x 50 cm
Zin Taylor
Sound forms (Square, Diamond, ZigZag), 2014
Ink, paper, photograph, snake skin, 70 x 50 cm
Zin Taylor,
Sound forms (Square, Diamond, ZigZag), 2014,
Installation view
Zin Taylor
Zigzag with photo and pink square, 2014
Ink, paper, photograph, 50 x 35 cm
Zin Taylor
Acrobatic Composition Using Form and Light (Three Units Framing a Black Hole), 2014
Inkjet color print, acrylic ink, 84 x 64 cm
Zin Taylor
Acrobatic Composition Using Form and Light (The Circus), 2014
Inkjet color print, acrylic ink, 84 x 64 cm
21er_haus_1_web
Zin Taylor
Foto Studio Zig Zag
Installation view, 21er Haus, Wien, 2014
Zin Taylor
Installation view, "TRUST - THE PALACE", Kunsthal Charlottenborg, Copenhagen,2015
Photo by Torben Eskerod
Zin Taylor
Installation view, "A Segment of Translation",
Witte de With - Center for Contemporary Art, Rotterdam, 2015
Photo by Cassan der Eeftinck-Schattenkerk
Zin Taylor
Installation view, "A Segment of Translation",
Witte de With - Center for Contemporary Art, Rotterdam, 2015
Photo by Cassan der Eeftinck-Schattenkerk
Zin Taylor
Units Enunciating Through Posed Composition (Body Haze) V, 2015
Aluminum, Acrylic Enamel, Polystyrene, Steel, 202 x 70 x 15 cm
Zin Taylor
Units Enunciating Through Posed Composition (Body Haze) VIII, 2015
Aluminum, Acrylic Enamel, Polystyrene, Steel, 202 x 45 x 35 cm
Zin Taylor
Units Enunciating Through Posed Composition (Body Haze) VI, 2015
Aluminum, Acrylic Enamel, Polystyrene, Steel, 260 x 35 x 27 cm
Zin Taylor
Units Enunciating Through Posed Composition (Body Haze) VII, 2015
Aluminum, Acrylic Enamel, Polystyrene, Steel, 290 x 13 x 13 cm
Zin Taylor
A Stripe of Thought Navigating a Void of Haze I, 2015
wood, cotton, ink
120 x 120 x 3 cm
Zin Taylor
A Stripe of Thought Navigating a Void of Haze III, 2015
wood, cotton, ink, 120 x 120 x 3 cm
Zin Taylor
A Stripe of Thought Navigating a Void of Haze V, 2015
wood, cotton, ink, 240 x 120 x 3 cm
Zin Taylor
A Stripe of Thought Navigating a Void of Haze VI, 2015
wood, cotton, ink, 240 x 120 x 3 cm
Zin Taylor,
“Five Units of Haze”
Installation view at Oakville Galleries, Oakville, CA 2016
Zin Taylor,
“Five Units of Haze”
Installation view at Oakville Galleries, Oakville, CA 2016
Zin Taylor,
“Five Units of Haze”
Installation view at Oakville Galleries, Oakville, CA 2016
Zin Taylor,
“Five Units of Haze”
Installation view at Oakville Galleries, Oakville, CA 2016
Zin Taylor,
“Five Units of Haze”
Installation view at Oakville Galleries, Oakville, CA 2016
Zin Taylor,
“Five Units of Haze”
Installation view at Oakville Galleries, Oakville, CA 2016
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017
Zin Taylor, "Creative Writing"
Installation view at Westfälischer Kunstverein, Münster, 2017

Bio

Born 1978 in Calgary, CA

Lives and works in Paris, FR

Education

2005

MFA, University of Guelph, CA

2000

BFA, Alberta College of Art and Design, CA

Selected solo & two-person exhibitions

2017

La Vitrine, FRAC Île-de-France, Le Plateau, Paris, FR (forthcoming, June)

Creative Writing, Westfälischer Kunstverein, Münster, DE

2016

Five Units of Haze, Oakville Galleries, Toronto, CA

The Canyon, with Ute Müller, Collicaligreggi, Catania, IT

2015

Three Ideas About Haze, Supportico Lopez, Berlin, DE

In Light of 25 Years, Witte de With, Rotterdam, NL

Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych), April 25th, Portikus, Frankfurt, DE

2014

1646 The Hague, Den Haag, NL

21er Haus residency, Vienna, AT

The Tangental Zigzag, Kunstraum, London, UK

The Story of Stripes and Dots (Chapter 7), Jessica Bradley Gallery, Toronto, CA

L’Observatoire – Maison Gregoire, Brussels, BE

2013

The story of stripes and dots (chapter 6), Southern Alberta Art Gallery, Lethbridge, CA

The Story of Stripes and Dots (Chapter 5), Fogo Island Arts, Fogo Island, CA

Letterhead, Kunsthalle Charlottenborg, Copenhagen, DK

Alphabet City, MiArt with Supportico Lopez, Milan, IT

Parrot Soup, Supportico Lopez, Berlin, DE

2012

The Ceremony and The Spirit (with Roe Ethridge), La Loge, Brussels, BE

Art Statements, Art Basel, Basel, CH

The Story of Stripes and Dots (chapter 2), Jessica Bradley, Toronto, CA

The Story of Stripes and Dots (chapter 1), MuHKA, Antwerp, BE

2011

The Flute of Sub, The Artist's Institute, New York, US

Growth, KIOSK, Gent, Belgium, BE

The Instruments, ABC Berlin, Berlin, DE

The Five Arms of Supportico, Supportico Lopez, Berlin, DE

The Units, Ursula Blickle Stiftung, Kraichtal, DE

The Voids, Galerie Vidal Cuglietta, Brussels, BE

2010

The Nine Fingers of Malakoff, Pavilion Projects / Les Maison des Arts de Malakoff, Malakoff, FR

The Bakery of Blok (first arrangement), Front Room, Contemporary Art Museum St Louis, St Louis, US

2009

The Bakery of Blok and the Three Forms of Unit, Miguel Abreu Gallery, New York, US

The Bakery of Blok, Jessica Bradley, Toronto, CA

2008

The Crystal Ship, BELvue Museum, Brussels, BE / Etablissement d’en Face Projects, Brussels, BE

2007

The Flute of Sub, Galerie Isabella Bortolozzi, Berlin, GE

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, Etablissement d’en Face Projects, Brussels, BE

Who Named the Days?, Jessica Bradley, Toronto, CA

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, YYZ Artist-Outlet, Toronto, CA

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, Presentation House Gallery, Vancouver, CA

2005

Nub, Diaz Contemporary, Toronto, CA

The Spiders, collaborative project with Damian Moppett, Contemporary Art Gallery, Vancouver, CA

2003

The Flower Called Nowhere, Artspace, Peterborough, CA

Group Exhibitions

2017

National Gallery of Canada Biennial, Ottawa, CA (forthcoming, October)

“Les bons sentiments” 19th Prix Fondation d’Enterprise Ricard, Fondation Ricard, Paris, FR (forthcoming, September)

Ich weiß nicht – I don’t know, VIENNA BIENNALE 2017 - Robots.Work.Our Future, Vienna (forthcoming, June)

Index for The Flute of Sub, Meeting Points 8: Both Sides of the Curtain, Beirut Art Center, Lebanon

Alors que j´écoutais moi aussi David, Eleanor, Mariana, etc., La Criée - Centre d´art contemporain, Rennes, FR

2016

Hybrid Objects, L´Inconnue, Montreal, CA

Répétition, curated by Nicola Lees and Asad Raza, Villa Empain Boghossian Foundation, Brussels, BE

AXOLOTLISM, Nogueras|Blanchard Gallery, Madrid, ES

TRUST, curated by Sonia Dermience, Kunsthal Charlottenborg, Copenhagen, DK

I want to be. Inside out, MOT International, Brussels, BE

2014

The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, GE

Dirt and Copper (Portraits), two-persons show with Lorna MacIntyre, 221a, Vancouver, CA

Thinking Things, CGP London, Dilston Grove, London, UK

Interprète, Frac Ile-de-France / Le Plateau , Paris, France

The Tools, Root Division , San Franciso, USA

Independent Art Fair, Supportico Lopez, New York, USA

2013

The Way of the Shovel, Museum of Contemporary Art, Chicago, US

Storytelling, National Gallery of Canada, Ottawa, CA

Salon der Angst, Kunsthalle Wien, Vienna, AT

IN THE HOUSE OF MR & MRS, Temporary Gallery, Cologne, DE

An Anatomical Chart of Love Pains, The Model, Sligo, IE

Dawson Gold, Carleton University Art Gallery, Ottawa, CA

A Handful of Dust, Contemporary Arts Forum, Santa Barbara, USA

2012

Stoppages, Hessel Museum of Art, Bard College, US

Manufacture, Centre PasquArt, Biel, CH

2011

The Gong Show, curated by Didier Roelstraete, Micky Schubert in Berlin, DE

Ex-Libris, Galerie VidalCuglietta, Brussels, BE

We Don't Need To Need to Do This, MOT International, London, UK

Melanchotopia, Witte de With, Rotterdam, The Netherlands

2010

Architectooralooral, 1857, Oslo, NO

Triumphant Carrot: The Persistence of Still Life, Contemporary Art Gallery, Vancouver, CA

2009

The Archeologists, Ursula Blickle Stiftung, Kraichtal, DE

Dream Machines: Objects and Physical Phenomena (A Reciprocal Love Story), Beaubourg, Brussels, BE

Transformers, Jessica Bradley Art + Projects, Toronto, CA

Architecture of Survival, Komplot, Brussels, BE

2007

Ideas of North, Galerie Isabella Bortolozzi, Berlin, DE

18:Beckett, Walter Phillips Gallery, Banff, CA

2006

Habitat, Jessica Bradley Art + Projects, Toronto, CA

18:Beckett, Blackwood Gallery, Toronto, CA

Poster Project, Toronto Sculpture Garden, Toronto, CA

Du coté de Jessica Bradley Art + Projects, Galerie René Blouin, Montreal, CA

2005

Arm in Arm, collaborative project with Allison Hrabluik, Or Gallery, Vancouver, CA

Dedicated to you but you weren’t listening, Power Plant Contemporary Art Gallery, Toronto, CA

2004

What the World’s Like With The Words We Like, Catriona Jeffries Gallery, Vancouver, CA

Switch, University at Buffalo Gallery, Buffalo, NY, US

Publish or Perish, Open Space Gallery, Victoria, CA

New Toronto Artists in Adelaide, Downtown Art Space, Adelaide, AUS

2003

Soundtracks: Re-Play (Touring 2003 – 2005)*

*Ottawa Art Gallery, Ottawa, CA

*MacKenzie Gallery, Regina, CA

*Interaccess Gallery, Toronto, CA

*Edmonton Art Gallery, Edmonton, CA

2001

Secondhand, Or Gallery, Vancouver, CA

Blue Calgary Sky, Art Gallery of Calgary, Calgary, CA

Screenings

2008

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, The Power Plant Contemporary Art Gallery, Toronto, ON. Screening as part of Am I Repeating Yourself? Affectionate Homages and Hostile Takeovers, Part 1, June 25

Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger’s Metro-net Station in Dawson City, Yukon, Pavilion Projects, Montreal, PQ, June 28 (screening, talk, and poster launch)

Professional

2014

Background Night, 1646, The Hague, The Netherlands

The Forked Tongue, Conversation with Severin Duensler and Nicolaus Schafhausen, Kunsthalle Wien Karlsplatz, Vienna, AT

Seminar: Why I am not a painter, Officin, Copenhagen, DK

Artist Talk, Artist Lecture Series Vienna, Vienna, AT

2013

Conversation with Nicolaus Schafhausen, Kunsthalle Wien, Vienna, AT

Round Table, Art Brussels, Brussels, BE

Artist Talk, Education Lecture, Glasshaus, Vienna, AT

2012

Artist Panel, Centre PasquArt, Biel, CH

Artist Talk, University of Lethbridge, UK

2011

Artist Talk, Witte de With, Rotterdam, The Netherlands Artist

Talk, KIOSK, Gent, BE

Artist Talk, The Model, Sligo, IE

2010

Artist talk, Apent Forum, Oslo Art Academy, NO

2009

Programming Board, Etablissement d’en face projects, Brussels, BE

Artist Talk, Hogeschool Sint-Lukas, Brussel, BE

2008

Artist talk, Power Plant Contemporary Art Gallery, Toronto, CA

Instructor, Collage, Summer Semester, University of Toronto, Toronto, CA

Visiting Lecturer, University of Guelph, Guelph, CA

2007

Visiting Lecturer, University of Toronto, Toronto, CA

Scottish Sculpture Workshop Residency, Lumsden, UK

Instructor, Extended Media 1, Winter Semester, University of Guelph, Guelph, CA

Panel Discussion, Power Plant Contemporary Art Gallery, Toronto, CA

Visiting Lecturer, History of Photographic Media - University of Guelph, Guelph, CA

2006

Instructor, Special topics in Sculpture, Fall Semester, University of Guelph, Guelph, CA

Instructor, Extended Media 1, Fall Semester, University of Guelph, Guelph, CA

2005

Visiting Lecturer, Special Topics in Sculpture, University of Guelph, Guelph, CA

Media Convergences Instructor, Winter Semester, University of Guelph, Guelph, CA

Panel Discussion, Power Plant Contemporary Art Gallery, Toronto, CA

Artist Talk, Power Plant Contemporary Art Gallery, Toronto, CA

Speakerlab Workshop, Contemporary Art Gallery, Vancouver, CA

2004

Media Convergences Instructor, Fall Semester, University of Guelph, Guelph, CA

Visiting Lecturer, Dundas Valley School of Art, Dundas Valley, CA

Technician for Media Convergences - Winter Semester, University of Guelph, Guelph, CA

2003

Speakerlab Workshop, Catch da Flave Community Radio Station, Regent Park, Toronto, CA

Speakerlab Workshop, Interaccess Artist-run Centre, Toronto, CA

Technician for Media Convergences, Fall Semester, University of Guelph, CA

Artist Talk, Artspace, Peterborough, CA

Artist Talk, Edmonton Art Gallery, Edmonton, CA

Speakerlab Workshop, Art Metropole, Toronto, CA

Collections

National Gallery of Canada, Ottawa, Canada

FRAC Basse-Normandie, Caen, France

FRAC Le Plateau, Paris, France

Art Gallery of Ontario, Toronto, Canada

RBC, Royal Bank of Canada Collection, Toronto, Canada

Shorefast Foundation, Fogo Island Arts, Fogo Island, Canada

Awards, Grants & Scholarships

2014

Canada Council Artist Travel Grant

2011

Canada Council Artist Travel Grant

2009

Canada Council Artist Travel Grant

2008

Canada Council Artist Travel Grant

2007

OAC Exhibition Assistance Grant

Canada Council Artist Travel Grant

2006

TAC Emerging Artist Grant (Canada)

2005

OAC Exhibition Assistance Grant

2003

Steamwhistle Contemporary Art Award, Best Group Show

2001

Canada Council Artist Travel Grant

2000

Stanford Perrot Innovative Project Grant

Website

http://www.zintaylor.com

Bibliography

Books, Catalogues and Essays

2016

Zin Taylor, Void Flowers, published by Bywater Bros. Editions, 2016

2014

Ethridge, Roe and Taylor, Zin, The Ceremony and The Spirit, New York: Karma

2013

Roelstraete, Dieter, The Way of the Shovel, Chicago: Museum of Contemporary Art

Liste Performance Project 18, Basel, CH

  Salon der Angst, Kunsthalle Wien, Vienna AT

Taylor, Zin, Lichen Voices / Stripes and Dots, Berlin: Sternberg Press; Fogo Island

Taylor, Zin, Palms of the Fog, Milan: Mousse Publishing

Parrot Soup, essay by Zin Taylor for the exhibition at Supportico Lopez, Berlin, DE

2012

Taylor, Zin, Cane, Ring, Bracelet, Finger, Cup. Brussels: Galerie VidalCuglietta/Supportico Lopez/ Jessica Bradley

2011

Taylor, Zin, Growth. Berlin: Sternberg Press/Ursula Blickle Stiftung

2010

Taylor, Zin, Plants Do Things, Toronto: Bywater Bros. Editions

Taylor, Zin, The Nine Fingers of Malakoff, Paris: Pavilion Projects

2008

Taylor, Zin, Crystal Ship, Toronto: Bywater Bros Editions

2007

Taylor, Zin, Nook, Vancouver: Presentation House Gallery, Vancouver and Toronto: YYZ Artists’ Outlet

Keally, Seamus. “18:Becket” (essay)

2005

Shier, Reid, “Dedicated to you but you weren’t listening.” Toronto: The Power Plant

2003

Fischer, Barbara, Soundtracks: Re-Play, Edmonton Art Gallery

Moppett, Damian, “Flower Called Nowhere.” Peterborough, Ontario, Canada: Artspace

Selected Press

2016

NGC Magazine Staff, An Interview with Zin Taylor by Becky Rynor, October 2016

2015

Frieze Magazine, Review of Zin Taylor at 1646 by Vivian Sky Rehberg, March/April 2015

Metropolis M, Zin Taylor at 1646 by Domeniek Ruyters, January 2015

2014

Le Salon, Zin Taylor: The Tangental Zig-Zag by Letitia Calin, June 2014

This is tomorrow, Zin Taylor: The Tangential Zigzag by Beth Bramich, July

Art Texts Pics, Interview with Marta Ravasi, July

Metropolis M, GO'S EN NO-GO'S OP DE VRIJPLAATS by Laura Herman, July

Art Agenda, The Story of Stripes and Dots (Chapter 7) by Aileen Burns and Johan Lundh, March

2013

Frieze Magazine, Review of Zin Taylor at Supportico Lopez by Frances Loeffler, June

Contemporary Art Daily, Zin Taylor at Supportico Lopez, April

Akimblog.com, Zin Taylor at Supportico Lopez in Berlin by Rodney Latourelle, March

Blouin Artinfo, SoCal's "A Handful of Dust" Features Zin Taylor's Contemporary Mystique by Yasmine Mohseni, February

2012

Frieze Magazine, Melanchoptopia by Esperanza Rosales, Jan - Feb, 2012

Border Crossings, Zin Taylor by Saelen Twerdy, Fall, pp.125-126

2011

Mousse Magazine, Taylor Made: Zin Taylor and the Story of Form by Dieter Roelstraete, Issue 27, Feb Mar, 2011

Artforum.com, 500 Words, Zin Taylor, June , 2011

2009

Border Crossings, How Zin Taylor Fits The Practice of Contemporary Sculpture by EC Woodley, Issue 112, Winter 2009

C magazine, Zin Taylor at Jessica Bradley Art + Pojects by Dan Adler, Issue 103, Autumn 2009

Flash Art, 100 Emerging Artists, October, 2009

Artfagcity.com, Zin Taylor’s The Bakery of Blok at Miguel Abreu Gallery by Karen Archey, August, 2009

Artforum.com, Critic’s Pick, The Bakery of Blok and the Three Forms of Unit by Michael Paulson, July, 2009

Time Out New York, Zin Taylor, “The Bakery of Blok and the Three Forms of Unit” by Nana Asfour, Issue 721 : Jul 23-29, 2009

2007

Artforum, Idea of North by Jennifer Allen, April, 2007

Artforum.com, Critic’s Pick, Who Named the Days? By Dan Adler, March, 2007

C Magazine, Idea of North by Doreen Mende, Summer 2007

2005

Puerto Rico Herald, Exploring Collaboration by Sarah Milroy, April 5, 2005

National Post, Art that entertains. Now there’s a concept by RM Vaughn, April 9, 2005

The Globe and Mail, Exploring Collaboration by Sarah Milroy, Pg. R3, April 5, 2005

2004

The Globe and Mail, Talk of the Town by Tralee Pearce, Pg. M6, May 8, 2004

db Magazine #322, Various Canadian Artist review by James Strickland, Jan 28 - Feb 10, 2004

Now Regarding Music, CBC Radio 3.com, January 16 - 22, 2004

2003

Eye Magazine, We Got Art by David Balzer, January 25, 2003

Eye Magazine, The Art of Noise by Denise Benson, October 30, 2003

Jack Magazine, The Flower Called Nowhere, August 2003

Broken Pencil Magazine #22, PHTCPY #2 review by Janis Demkiw, Pg. 93 - 94, 2003

Edmonton Journal, Soundtracks: Various artists by Gilbert A. Bouchard, Pg. 8, July 5th, 2003